[CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] SOFIA: I CAN'T STAND ONE MORE MINUTE OF BEING WITH YOU! ZAK: SOFIA -- SOFIA! SOFIA: LEAVE ME ALONE. ZAK: YOU CAN'T JUST WALK OFF IN THE RAIN. SOFIA: OH, YEAH? WHY NOT? ZAK: JUST STOP RIGHT NOW. SOFIA: YEAH? WHAT? WHY? BECAUSE YOU SAY SO? ZAK: JUST STOP! SOFIA: SAVE IT, ZAK. JUST -- AAH! ZAK: SOFIA -- SOFIA: JUST -- ZAK: ARE YOU HURT? SOFIA: STAY AWAY FROM ME! JUST LEAVE ME ALONE. I'M -- I'M FINE. FORGET IT! JUST FORGET IT. ZAK: WELL, YOU CAN'T JUST WALK HOME. SOFIA: OH, YEAH? JUST WATCH ME. ZAK: YOU'RE COMING WITH ME. SOFIA: NO! STOP IT! STOP! PUT ME DOWN! I CAN'T STAND YOU! JAKE: LOOK, I JUST DON'T WANT VICKY TO GET HURT AGAIN. I KNOW YOU'RE THE ONE THAT JUST GOT OUT OF THE HOSPITAL -- MARLEY: I UNDERSTAND. VICTORIA AND I ARE FINE, JAKE. HOW MANY TIMES DO I HAVE TO TELL YOU? WE WORKED EVERYTHING OUT. IT'S LIKE OLD TIMES, PRACTICALLY. JAKE: HAVE TO SOMETIMES BE CAREFUL ABOUT OLD TIMES. MARLEY: I JUST WANT TO HAVE A NICE DINNER. WANT TO CELEBRATE NO MORE HOSPITAL FOOD, EVEN IF IT IS JUST WARMED-OVER CHINESE. JAKE: WELL, I BETTER PUT THE CAR IN THE GARAGE. LOOKS LIKE IT'S GOING TO RAIN. MARLEY: SEE? YOU SEE? YOU SEE HOW MUCH THINGS HAVE CHANGED? BECAUSE THE OLD JAKE WOULD HAVE NEVER CARED. JAKE: THAT'S NOT TRUE. THAT'S MY RIDE. I ALWAYS TAKE CARE OF WHAT'S MINE. MARLEY: MAYBE YOU SHOULD REMEMBER WHO WAS YOURS FIRST. OK. TIME TO PLAY NICE, AND YOU CAN DO IT BECAUSE GOODNESS KNOWS YOU'VE HAD PLENTY OF PRACTICE. OK, SO WHAT DO YOU WANT ME TO DO NOW? SHOULD I THROW THE EGG ROLLS IN THE MICROWAVE AGAIN? I JUST WANT TO HELP. VICKY: I THINK I KNOW WHAT YOU WANT. "I NEED TO KNOW IF I'LL EVER HAVE THAT LOVE AGAIN. WILL I, JAKE? IS THERE A CHANCE? SHOULD I GIVE UP OR WAIT? YOU'RE THE ONLY ONE WHO CAN ANSWER. I LOVE YOU, AND I NEED TO KNOW IF YOU LOVE ME, TOO. MARLEY." MARLEY: WHERE DID YOU GET THAT? VICKY: YEAH, I KNEW YOU WERE IN LOVE WITH HIM. I KNEW YOU WERE IN LOVE WITH HIM. I'VE KNOWN IT FOR QUITE SOME TIME. I JUST -- I THOUGHT YOU WERE DEALING WITH IT. I MEAN, I DIDN'T ACTUALLY THINK YOU WERE GOING TO -- TO TRY TO STEAL MY HUSBAND AWAY FROM ME. MARLEY: I COULD NEVER DO THAT. VICKY: YOU'RE DAMN RIGHT, YOU CAN'T! I'M ON TO YOU NOW. I WANT YOU OUT OF THIS HOUSE AND OUT OF MY LIFE! [CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] MARLEY: WHERE DID YOU GET THAT LETTER? VICKY: WHAT DIFFERENCE DOES THAT MAKE? GOD. THIS IS ALL STARTING TO MAKE SENSE TO ME NOW -- THE LOOK YOU'D GET ON YOUR FACE WHENEVER JAKE WOULD TOUCH ME, AND THIS -- THIS UNCANNY ABILITY YOU WOULD HAVE FOR SHOWING UP AT EXACTLY THE WORST POSSIBLE -- MARLEY: I SHOULD HAVE JUST GONE HOME IN A CAB. VICKY: OH, STOP IT. STOP IT WITH THIS MARTYR THING, ALL RIGHT? IT'S WEARING A LITTLE THIN ON MY NERVES. YOU WIN THE PRIZE, ALL RIGHT? YOU WIN THE PRIZE. NO ONE HAS SUFFERED AS BADLY AS MARLEY, CERTAINLY -- CERTAINLY NOT ME. BUT THAT DOES NOT GIVE YOU THE RIGHT TO TRY TO TAKE MY HUSBAND AWAY FROM ME. MARLEY: JAKE AND I HAVE BEEN OVER FOR A LONG TIME, VICTORIA. YOU KNOW THAT. VICKY: NO, I DON'T KNOW THAT. I DON'T. I DON'T FEEL LIKE I KNOW ANYTHING ANYMORE EXCEPT THAT YOU USED TO BE -- YOU USED TO BE THE ONE PERSON I COULD TRUST. YOU NEVER LIED. AND NOW I DON'T BELIEVE ONE WORD THAT COMES OUT OF YOUR MOUTH. YOU'RE A TOTAL STRANGER TO ME. MARLEY: WE'RE STILL TWINS. YOU SAID THAT. WE'RE CLOSER TO EACH OTHER THAN ANYBODY. VICKY: NO, STOP THAT. THAT'S A BUNCH OF BALONEY. I TRIED TO BELIEVE EVERYTHING THAT YOU SAID, ALL THIS COMPLETE CRAZINESS THAT CAME OUT OF YOUR MOUTH, ALL THIS GARBAGE ABOUT SHANE'S JOURNAL AND WHEN IT KIND OF SEEMED LIKE MAYBE YOU WERE TRYING TO SPLIT JAKE AND ME UP. MARLEY: I WASN'T. I WASN'T. VICKY: AND WHEN YOU COULDN'T, WHAT DID YOU DO? YOU TRIED TO GET CINDY TO RUN ME OVER AGAIN. MARLEY: VICKY, I DIDN'T HAVE ANYTHING TO DO WITH IT. VICKY: SHUT UP! I DON'T WANT TO HEAR ANYTHING MORE FROM YOU. LET ME TELL YOU SOMETHING -- I WILL NOT LET YOU DESTROY THIS FAMILY. BECAUSE AS MUCH AS I LOVE YOU, I LOVE JAKE MORE. AND I LOVE THOSE CHILDREN MORE. NOW I'M GOING UPSTAIRS. YOU KNOW SOMETHING, MARLEY? NOW I UNDERSTAND WHY STEVEN DIDN'T EVEN WANT TO BE IN THE SAME ROOM WITH YOU. MARLEY: PLEASE DON'T SAY THAT. VICKY: YOU KNOW SOMETHING? HE MIGHT NOT UNDERSTAND ALL THE DETAILS, BUT HE SEES THAT YOU'RE A LIAR. AND HE SEES THAT YOU'RE TRYING TO HURT ME AND DESTROY THIS FAMILY. MARLEY: I LOVE YOU, VICTORIA. I WOULD NEVER DO ANYTHING TO HURT YOU OR HURT YOUR CHILDREN. VICKY: I'M GOING UPSTAIRS. AND WHEN I COME BACK DOWN, I DON'T WANT ANY OF THIS. I DON'T WANT YOUR TEARS. I DON'T WANT YOUR MARTYR STUFF. I DON'T WANT YOU TO HURT THOSE CHILDREN. I JUST WANT YOU -- I WANT YOU OUT OF THIS HOUSE. I WANT YOU OUT OF MY LIFE. MARLEY'S IMAGE: YOU BETTER THINK FAST. MARLEY: VICTORIA, WAIT! MARLEY'S IMAGE: YOU'RE GOING TO DO THE DECENT THING AGAIN, AREN'T YOU? YOU'RE GOING TO WALK RIGHT OUT THAT DOOR AND LET HER TAKE HOME ALL THE MARBLES LIKE SHE ALWAYS DOES. MARLEY: VICTORIA. VICTORIA, PLEASE! PLEASE! VICKY: SHH! I TOLD YOU I DIDN'T WANT A SCENE. MARLEY: I DIDN'T -- I COULD -- I WAS SO STUNNED BEFORE THAT I COULD -- I DIDN'T -- DIDN'T WRITE -- DIDN'T WRITE THE LETTER. VICKY: WHO WROTE THE LETTER, MARLEY? MARLEY: DONNA. SOFIA: PUT ME DOWN! WHAT ARE YOU DOING? ZAK: WILL YOU QUIT SCREAMING IN MY EAR. SOFIA: PUT ME DOWN RIGHT NOW! GET OFF ME. ZAK: GO AHEAD. MAYBE YOU'LL DROWN. SOFIA: OH, YOU'D LIKE THAT, WOULDN'T YOU? ZAK: IF YOU DON'T HAVE THE SENSE TO COME OUT OF THE RAIN, DON'T BLAME ME. SOFIA: WELL, I'D RATHER BE -- I'D RATHER BE STUCK OUT THERE THAN STUCK IN THIS SHACK WITH YOU. ZAK: DO I LOOK THRILLED TO BE HERE, SOFIA? LOOK, THE CAR'S STALLED OUT, SO HOW ABOUT WE JUST BOTH ACT LIKE ADULTS AND -- SOFIA: EXCUSE ME? ACT LIKE AN ADULT? YOU CALL THROWING ME OVER YOUR SHOULDER AN ADULT? TRY "NEANDERTHAL." ZAK: YEAH? WHO WAS HAVING THE LITTLE TEMPER TANTRUM LIKE SOME LITTLE BRAT? SOFIA: BECAUSE YOU'RE TRYING TO SABOTAGE MATT AND ME. ZAK: I COULD CARE LESS ABOUT YOU AND MATT. I'M JUST TRYING TO DO THE JOB YOU TWO HIRED ME TO DO. SOFIA: WELL, WHERE IN YOUR CONTRACT DOES IT SAY TO SCREW UP MY PERSONAL LIFE? ZAK: YOUR PERSONAL LIFE IS SCREWED UP ALL ON ITS OWN, SOFIA, AND YOU DON'T WANT TO FACE THAT. IT'S EASIER FOR YOU TO ACCUSE ME OF BEING ON LILA'S SIDE. SOFIA: WELL, I HOPE YOU'RE HAPPY, ZAK, BECAUSE WE'RE GOING TO MISS THE MEETING WITH THE MAGAZINE WRITER. ZAK: OH, SO THE CAR STALLING OUT'S MY FAULT. SOFIA: WELL, YOU DIDN'T HAVE TO DRIVE THROUGH THE DEEPEST PUDDLE YOU COULD FIND! I CAN'T BELIEVE THIS! I CAN'T -- I COULD BE WITH MATT RIGHT THIS SECOND -- RIGHT THIS SECOND. BUT INSTEAD I AM STANDING HERE DRIPPING. I'M STANDING HERE DRIPPING, AND MATT'S TALKING TO SOME ART DEALER FROM THE LUMINA FOUNDATION, WHATEVER THAT IS. AND I CAN JUST SEE HIM. I CAN JUST SEE HIM STUCK WITH LILA. SHE'S HANGING ALL OVER HIM. ZAK: OH, SO YOU DON'T LIKE HOW I'M DOING THINGS? SOFIA: IN A WORD, NO. ZAK: I GOT YOUR DEMO MADE. IT'S ON THE CHARTS BECAUSE OF ME. I'M TRYING TO PUSH BILLY RUSH WITH NO BUDGET, HITTING UP MY EDITOR FRIEND WITH NO BUDGET, TRYING TO GET A STORY MADE. HE'S NEVER EVEN HEARD OF C SQUARED. I'M CALLING IN A FAVOR TO A NATIONAL MAGAZINE FOR YOUR COMPANY. I'M SORRY IF I'M SUCH A DISAPPOINTMENT TO YOU. SOFIA: JUST QUIT DRAGGING LILA INTO EVERYTHING, OK? ZAK: I'LL DO EVEN BETTER THAN THAT, SWEETHEART. I QUIT. LILA: OOH, BABY. DADDY'S IN THE LIBRARY, SELLING PICTURES RIGHT OFF THE WALL, THANKS TO ME. NOW, LET'S SEE WHAT ELSE WE CAN GET RID OF SO THAT YOU CAN HAVE A TRUST FUND. I WONDER IF THIS CARPET IS HANDMADE. OH. CASS: WELL, THIS IS HOW I ALWAYS WANT TO REMEMBER YOU. LILA: CASS. WHO LET YOU IN? CASS: WELL, I JUST BARGED RIGHT IN, LILA. YOU KNOW THE DRILL. LILA: OH. WELL, I'D HAVE TO SPEAK TO CLAUDIA ABOUT THAT. CASS: I WOULDN'T PUSH HER IF I WERE YOU. SHE PROBABLY HASN'T BEEN PAID IN TWO WEEKS. THE CORYS ARE BROKE, REMEMBER? LILA: NOT FOR LONG. SEE, MATT IS IN THE LIBRARY RIGHT NOW SELLING OFF THE ART COLLECTION. REMEMBER, THAT WAS MY IDEA? YOU SAID IT WAS A BAD ONE. WELL, RACHEL THINKS IT'S AN INSPIRATION. AND MATT, WELL, HE'S SO GRATEFUL. I'M GOING TO HAVE SUCH A HARD TIME TAKING THAT MONEY FROM YOU, CASS. BUT I'M GOING TO DO IT, ANYWAY. MATT: OH, HEY, CASS. CASS: HEY, MATT. HOW YOU DOING? LILA: MATT. DO YOU NEED ANY HELP REELING HIM IN? MATT: NO, I'LL BE FINE. I GOT TO TELL YOU, THOUGH, I'M NOT TOO CRAZY ABOUT SELLING OFF MAC'S ART COLLECTION, BUT -- LILA: OH, YOU KNOW THAT HE WOULD HAVE WANTED YOU TO DO THAT. EVEN YOUR MOTHER SAID SO. MATT: YOU'RE RIGHT. YOU'RE ABSOLUTELY RIGHT. LILA: YOU KNOW, I WISH I WOULD HAVE HAD A CHANCE TO KNOW HIM. MATT: HE WOULD HAVE GOTTEN A KICK OUT OF YOU, LILA. LILA: HE WOULD HAVE? MATT: HOW'S IT GOING WITH MOM AND THOSE BANKERS? CASS: OH, NOT VERY WELL. AFTER ALL THE MONEY THEY'VE MADE OFF THIS FAMILY OVER THE YEARS, IT'S AMAZING HOW QUICKLY THEY BECOME DOWNRIGHT UNFRIENDLY, YOU KNOW. I JUST CAME BACK TO GET SOME PAPERS THAT WE NEED. MATT: RIGHT. WELL, IF THERE'S ANYTHING WE CAN DO -- CASS: WELL, THANKS A LOT. MATT: I KNOW MOM HAS GOT THE PAPERS FOR THOSE PAINTINGS IN HERE. LILA: MATT, I KNOW YOU'RE SWAMPED, BUT DON'T YOU THINK IT'S TIME WE SHOULD NAME THE BABY? MATT: LILA, I WILL CERTAINLY HAVE TIME TO NAME MY OWN CHILD. LILA: GOOD. MATT: WE'LL TALK ABOUT IT TONIGHT, OK? LILA: WHENEVER YOU WANT. OH, HERE. LET ME HELP YOU WITH THAT. MATT: HOLD ON, HOLD ON, HOLD ON. AH. GREAT. THANK YOU, LILA. I APPRECIATE IT. VICKY: DONNA WROTE THE LETTER. MARLEY: YOU KNOW HOW STRANGE SHE'S BEEN ACTING LATELY. VICKY: AND WHAT DID DONNA HOPE TO ACCOMPLISH BY WRITING THE LETTER? MARLEY: I KNOW IT DOESN'T MAKE ANY SENSE, BUT YOU KNOW HOW SHE FEELS ABOUT YOU AND JAKE. VICKY: NO, I DON'T. I KNOW HOW YOU TELL ME SHE FEELS, BUT TO TELL YOU THE TRUTH, I WAS AT THE HOSPITAL WITH HER DURING YOUR SURGERY. SHE SEEMED JUST FINE TO ME. MARLEY: I DON'T BLAME YOU, VICTORIA. I MEAN, IF I WERE YOU, I WOULDN'T WANT TO HEAR ANY OF THIS, EITHER. WOULD YOU JUST TELL JAKE THAT I HAD TO GO? VICKY: YOU DON'T ACTUALLY THINK YOU'RE GOING TO JUST DROP THIS LITTLE BOMBSHELL AND THEN WALTZ OUT OF HERE, DO YOU? MARLEY: WELL, I DON'T KNOW EXACTLY WHAT YOU WANT ME TO SAY, VICTORIA. YOU WON'T WANT TO HEAR THE TRUTH. VICKY: OK, NOW, I'M NOT SAYING THAT I BELIEVE YOU, BUT WOULD YOU EXPLAIN TO ME WHY MY MOTHER WOULD WRITE A LOVE LETTER TO JAKE AND SIGN YOUR NAME? MARLEY: BECAUSE I WOULDN'T. DONNA ASKED ME TO WRITE THE LETTER TO JAKE. SHE SAID IF I TOLD HIM I STILL HAD FEELINGS FOR HIM, THEN HE WOULD LEAVE YOU AND HE WOULD COME BACK TO ME. VICKY: NO. NO. THIS IS JUST RIDICULOUS. MARLEY: I KNOW. THAT'S EXACTLY WHAT I TOLD HER. I HAD NO IDEA THAT SHE'D TAKEN MATTERS INTO HER OWN HANDS AND ACTUALLY WRITTEN THE LETTER. YOU SHOULDN'T HAVE TO BE DEALING WITH ANY OF THIS. VICKY: WAIT. THIS IS JUST -- THIS IS WAY TOO WEIRD, MARLEY. JUST WAY TOO WEIRD. MARLEY: YOU KNOW, I WAS HOPING IT WOULD ALL JUST -- IT WOULD JUST BLOW OVER. BUT I DID NOT WRITE THAT LETTER TO JAKE. DONNA DID. JAKE: YEAH? THAT'S NOT WHAT YOU TOLD ME. [MATT and LILA BREATHE IN SYNC] MATT: ALL RIGHT. HERE. LILA: OK. OH. OK, GOT IT. I'M ALL RIGHT. OOH. MATT: YOU ALL RIGHT? LILA: YEAH, I'M FINE. OH, I JUST GET SO TIRED SO EASILY LATELY. MATT: WELL, IT MAKES SENSE. YOU'RE CARRYING A NEW LITTLE HUMAN BEING AROUND. LILA: AND I CAN'T WAIT TO MEET THIS BABY. MATT: YOU KNOW, LILA, I KNOW THIS ISN'T A PERFECT SITUATION, BUT YOU GOT TO ADMIT IT'S PRETTY EXCITING, HUH? BRINGING A WHOLE NEW LIFE INTO THIS WORLD. LILA: YEAH. MATT: WHAT? WHAT'S THE MATTER? LILA: OH, NOTHING. YOU'RE GOING TO THINK I'M SILLY. MATT: IS IT ABOUT THE BABY? LILA: MATT, LOOK, I HATE TO BRING THIS UP, BUT WHAT HAPPENS AFTER THE BABY'S BORN? MATT: I'M GOING TO LOVE THIS BABY, LILA. I LOVE HIM OR HER ALREADY. LILA: WHAT ABOUT ME? I'M NOT TALKING ABOUT THE LOVE PART. MATT: WE'LL WORK IT OUT. LILA: I DON'T EVEN KNOW WHERE THE BABY AND I ARE GOING TO LIVE, MATT. MATT: HEY, I ALREADY TOLD YOU THAT I WILL TAKE CARE OF YOU. LILA: I KNOW THAT, BUT I DON'T MEAN THE MONEY. I'M TALKING ABOUT MY LIFE HERE, YOU KNOW. I MEAN, THIS BABY'S GOING TO BE A CORY, BUT I'M STILL GOING TO BE ME. MATT: LISTEN TO ME -- THIS BABY IS GOING TO BE A PART OF MY FAMILY, AND THAT MAKE -- AND THAT MAKES YOU A PART OF MY FAMILY, TOO. LILA: DON'T SAY THAT UNLESS YOU MEAN IT. THANK YOU, MATT. MATT: OH, HEY, CASS. HAVE YOU FOUND EVERYTHING THAT YOU NEEDED? CASS: OH, JUST ONE OTHER THING. MATT: WHAT'S THAT? CASS: HUH? OH -- RACHEL'S GOLD PEN. MATT: WHAT, YOU DON'T HAVE PENS OF YOUR OWN? CASS: WELL, I GUESS WHEN ONE'S SIGNING ONE'S LIFE AWAY, ONE WANTS TO DO IT WITH A PEN THAT'S MEANINGFUL, YOU KNOW. MATT: RIGHT. CASS: I'M SURE I'LL FIND IT HERE SOMEWHERE. PROBABLY RIGHT HERE. MATT: ALL RIGHT. I GOT TO GET BACK TO THAT ART DEALER. LILA: MAKE SURE THAT YOU GET A LOT OF MONEY FOR THOSE PAINTINGS, OK? MATT: I'LL DO THE BEST THAT I CAN. LILA: OK. MATT: WISH ME LUCK. CASS: GOOD LUCK. LILA: GOOD LUCK. SO, WHAT DO YOU THINK NOW, CASS WINTHROP, HMM? CASS: THAT PEN'S GOT TO BE AROUND HERE SOMEWHERE. LILA: YOU KNOW EXACTLY WHAT I'M TALKING ABOUT -- QUIT IT. I AM GOING TO MARRY MATT CORY, AND I'M GOING TO WIN THAT BET. THERE'S NOTHING YOU CAN DO TO STOP ME. SOFIA: YOU CAN'T QUIT. ZAK: I JUST DID. SOFIA: IF MATT FINDS OUT YOU QUIT BECAUSE -- ZAK: THAT'S WHAT YOU THINK THIS IS ABOUT? SOFIA: FINE. YOU WANT TO WALK? WALK. BUT I'D RATHER NOT LOSE A GOOD PRODUCER OVER A STUPID FIGHT ABOUT LILA. AND MATT WOULD FEEL THE SAME WAY. ZAK: THAT'S IT? SOFIA: THAT'S WHAT? ZAK: YOUR APOLOGY. SOFIA: YOU STALL OUT THE CAR, YOU MAKE ME FALL IN THE MUD -- ZAK: MAKE YOU? SOFIA: YOU DO THE TARZAN AND JANE ROUTINE, YOU GET ALL HUFFY AND THEN QUIT THE COMPANY, AND I'M SUPPOSED TO APOLOGIZE? ZAK: UP TO YOU. SOFIA: OH. ZAK: OH, AND I ORDERED THIS STORM SPECIAL, SOFIA, JUST TO UPSET YOU. SOFIA: LILA MAKES ME CRAZY. ZAK: I NOTICED. SOFIA: EVERY BABY STEP -- STRIKE "BABY." EVERY TINY STEP I MAKE -- WHEN I THINK THE COMPANY'S ROLLING, WHEN I HAVE ONE SECOND ALONE WITH MATT -- THERE SHE IS. [IMITATES LILA] OH, MATT. YOO-HOO. OVER HERE. DON'T PAY ME ANY MIND. I'M JUST CARRYING YOUR CHILD. ZAK: ALL RIGHT, HOW ABOUT THIS -- WE AGREE NOT TO TALK ABOUT LILA, AT LEAST TILL THE STORM CLEARS UP. SOFIA: [NORMAL VOICE] THAT'S IT? THAT'S YOUR APOLOGY? ZAK: OK, THE SHOULDER THING WAS A BIT MUCH. SOFIA: I REALLY HIT THAT PUDDLE PRETTY HARD, RIGHT? ZAK: I TRIED TO WARN YOU. SOFIA: ALL RIGHT, I'LL -- MAYBE I'LL LISTEN NEXT TIME. THERE WILL BE A NEXT TIME, RIGHT? ZAK: YOU WANT ME TO UNQUIT? OK. IT'S OFFICIAL. I OFFICIALLY UNQUIT. SOFIA: GREAT. I'M SORRY I GOT SO UPSET. OH. YOU KNOW, IF MATT COULD SEE ME RIGHT NOW -- ZAK: WHY DON'T YOU TAKE YOUR CLOTHES OFF. SOFIA: EXCUSE ME? WHAT ARE YOU DOING? WHAT ARE -- ZAK: EVER HEAR OF THE WALLS OF JERICHO? SOFIA: YOU TELL ME TO TAKE MY CLOTHES OFF, AND THEN YOU START QUOTING BIBLICAL REFERENCES? THAT'S -- ZAK: FORGET IT. THIS IS FOR PRIVACY, SOFIA. I START A FIRE ON THE STOVE, YOU PUT YOUR CLOTHES ON THE STOVE, AND -- SOFIA: WAIT. YOU'RE GOING TO BURN THE PLACE DOWN. ZAK: THOSE CLOTHES WILL NEVER BURN, TRUST ME. YOU PASS ME THE CLOTHES, I PUT THEM ON THE STOVE, I STAY ON MY SIDE. SOFIA: YOU GOT THAT RIGHT. [ZAK LAUGHS] SOFIA: WHAT? WHAT'S SO FUNNY? WHY ARE YOU LAUGHING AT ME? ZAK: THE WAY I SEE IT, YOU'VE GOT TWO CHOICES -- STAND THERE AND DRIP OR DO THIS MY WAY. PASS ME THE CLOTHES AND YOU'LL BE DRY BEFORE YOU KNOW IT. IT'S UP TO YOU. SOFIA: ARE MY CLOTHES DRY YET? ZAK: IT'S BEEN 4 1/2 MINUTES. SOFIA: WELL, HOW LONG IS IT GOING TO TAKE? ZAK: YOU GOT SOMEPLACE ELSE TO GO? JUST CALM DOWN. SOFIA: I'M THE ONE WHO'S -- WHO'S TOTALLY NAKED, AND YOU'RE TELLING ME TO CALM DOWN? ZAK: JUST THINK OF SOMETHING ELSE, SOMETHING PEACEFUL. JUST GET COMFORTABLE, OK? SOFIA: IN THIS? ZAK: PRETEND IT'S A LITTLE BLACK DRESS. OR BLUE JEANS. OR WHATEVER YOU FEEL LIKE WEARING. AND YOU'RE SOMEPLACE WARM AND TAKEN CARE OF. COMPLETELY HAPPY, BLISSFUL. SOFIA: NEW YORK CITY. ZAK: NEW YORK CITY'S BLISSFUL? SOFIA: TO ME IT IS. I'M THERE WITH MATT. IT'S EARLY IN THE MORNING, MAYBE DAWN. AND I'M IN HIS ARMS, AND IT'S THE FIRST TIME -- ANYWAY, I'M IN HIS ARMS, IT'S EARLY IN THE MORNING, AND -- AND HE'S SLEEPING AND HE'S HOLDING ME. AND I FEEL SO SAFE. I KNOW THAT HE -- THAT HE LOVES ME AND THAT EVERYTHING WILL BE ALL RIGHT AS LONG AS WE'RE TOGETHER. WHAT ABOUT YOU, ZAK? WHAT'S THAT PEACEFUL PLACE FOR YOU? ZAK: THE STUDIO. 3:30 IN THE MORNING, THE BAND'S REAL SMOKING. I'M AT THE BOARD. THIS IS THE TAKE. THAT'S WHERE. SOFIA: BUT THAT'S WORK. ZAK: NOT FOR ME. SOFIA: ISN'T THERE ANYBODY? ZAK: YOU MEAN LIKE A GIRLFRIEND? SURE, LOTS OF THEM. SOFIA: NO, I JUST MEAN SOMEBODY SPECIAL. ZAK: GUESS SHE HASN'T SHOWN UP YET. OR IF SHE DID, I DIDN'T NOTICE. SOFIA: OH. NO, NO, NO, YOU'D NOTICE FOR SURE. ZAK: IS THAT HOW IT WAS WITH YOU AND MATT? SOFIA: NO, IT'S KIND OF LIKE -- YOU KNOW THOSE FLOWERS THAT ONLY BLOOM IN THE MORNING? MY MOM USED TO HAVE THEM ALL OVER THE PLACE. BUT THEY'RE ALL CLOSED UP TILL THE SUN HITS THEM, AND THEN THEY JUST OPEN. THEY'RE WHAT THEY'RE MEANT TO BE ALL ALONG. MATT'S LIKE THAT FOR ME. HE'S -- I DON'T KNOW. HE'S -- HE'S LIKE THE SUN. OH. OH. WHOA! THAT -- THAT WAS OVER THE TOP. ZAK: I THINK IT'S BEAUTIFUL, JUST BEAUTIFUL. SOFIA: OH, COME ON. YOU DON'T HAVE TO SAY THAT. I'M JUST -- I'M JUST SAYING THAT SOMETIMES YOU CAN LOOK AT A PERSON AND ALL OF A SUDDEN EVERYTHING IS DIFFERENT. YOU NOTICE THINGS YOU NEVER EVEN KNEW WERE THERE. IT'S LIKE EVERYTHING IS SO ALIVE AND JUST -- NOTHING'S PLANNED. DOES THAT MAKE SENSE? ZAK: I UNDERSTAND, SOFIA. I REALLY DO. VICKY: SO YOU KNEW ABOUT THE LETTER. JAKE: I FOUND IT IN MY OFFICE. VICKY: OH. OH, YOU WROTE HIM A LOVE LETTER AND THEN YOU JUST LEFT IT IN HIS OFFICE. MARLEY: NO, THAT'S NOT WHAT HAPPENED. JAKE: THAT'S NOT WHAT YOU TOLD ME, MARLEY. MARLEY: I WAS PROTECTING -- JAKE: YEAH? MARLEY: DONNA. JAKE: IS THAT RIGHT? MARLEY: YEAH. JAKE: ALL RIGHT, HERE IT GOES -- REMEMBER THE NIGHT THAT YOU CAUGHT ME ON THE PHONE, TALKING TO MARLEY? VICKY: ABOUT THE LETTE+. JAKE: MM-HMM. YES, IT WAS. VICKY: SO YOU TWO DELIBERATELY TALKED ABOUT THIS AND KEPT IT FROM ME. JAKE: I WAS TRYING TO PROTECT MARLEY. VICKY: WHAT ABOUT PROTECTING ME? JAKE: I'M SORRY, HONEY. I WAS WRONG. MARLEY: I WAS WRONG. I WAS WRONG, TOO. I SHOULD HAVE LEVELED WITH BOTH OF YOU FROM THE VERY BEGINNING. JAKE: YOU EXPECT US TO BELIEVE THAT DONNA WROTE THIS LETTER AFTER EVERYTHING THAT YOU'VE DONE? VICKY: OH, REALLY? "EVERYTHING"? IS THERE MORE? PLEASE, ENLIGHTEN ME. MARLEY: JAKE, PLEASE -- VICKY: NO, REALLY. MARLEY: DON'T DO THIS, PLEASE. VICKY: SOMEBODY START TALKING. JAKE: VIC, VIC -- REMEMBER THE NIGHT THAT YOU CAME TO MARLEY'S AND THERE WAS DINNER ALL OVER THE FLOOR? VICKY: YES, I KNOW. SHE WAS UPSET ABOUT THE SURGERY AND -- OH. THAT ISN'T WHAT IT WAS ALL ABOUT, RIGHT? JAKE: I FOUND THE LETTER AT THE OFFICE. I BROUGHT IT TO MARLEY'S HOUSE. I TOLD HER THAT -- THAT IT WAS OVER BETWEEN US AND IT HAD BEEN FOR A LONG TIME. MARLEY: JAKE, PLEASE DON'T. JAKE: COME ON, MARLEY. STOP! AND SHE HAD MADE A NICE -- A NICE DINNER. VICKY: YEAH, I THINK I REMEMBER -- CANDLES, WINE. I THINK YOU EVEN COOKED, DIDN'T YOU? MARLEY: LOOK, THIS IS ALL A VERY BIG MISUNDERSTANDING. I DON'T KNOW WHAT TO DO. I DON'T KNOW WHAT TO DO. JAKE: LOOK, MARLEY, IF THIS IS A BIG MISUNDERSTANDING AND IF DONNA WROTE THIS LETTER, THEN WHY DID YOU KISS ME THAT NIGHT? VICKY: OH. YOU KISSED JAKE? MARLEY: YES. I DID. MARLEY: YOU JUST THREW THAT IN MY FACE. VICKY: WELL, YOU CERTAINLY CATCH ON QUICK. JAKE: THERE YOU GO. MARLEY: I JUST GOT OUT OF THE HOSPITAL. VICKY: I DON'T THINK ONE LITTLE GLASS OF WATER IS GOING TO SEND YOU RUSHING BACK TO THE E.R. BUT IF IT DOES, THINK OF THE YEARS YOU CAN USE IT AGAINST ME. JAKE: YOU KNOW SOMETHING? I'M GETTING TIRED OF REFEREEING HERE. VICKY: OK, DON'T. THEN DON'T. GO AHEAD, MARLEY. COME ON, COME ON. GIVE IT YOUR BEST SHOT. GO ON. MARLEY: I'M SO SORRY, VICTORIA. VICKY: YOU'RE SO SORRY. YOU KNOW SOMETHING? I'M SORRY, TOO. I'M SO SORRY -- SO SORRY YOU HAD SUCH A RAW DEAL, SO SORRY ABOUT EVERYTHING THAT HAPPENED. BUT YOU KNOW WHAT? IT DOESN'T GIVE YOU A RIGHT TO TRY TO TAKE MY HUSBAND AWAY FROM ME. IT DOESN'T GIVE YOU A RIGHT TO MESS WITH MY CHILDREN'S HEADS AND KEEP SECRETS WITH JAKE AGAINST ME. I MEANT WHAT I SAID BEFORE. GET OUT OF MY HOUSE! JAKE: I THINK THAT'S THE BEST THING TILL EVERYTHING CALMS DOWN. LOOK, I'M SORRY. I SHOULD HAVE HANDLED THINGS BETTER. VICKY: YOU'RE HANDLING EVERYTHING FINE NOW. MARLEY: I JUST HAVE SOMETHING I WANT TO SAY. VICKY: I DON'T CARE WHAT YOU WANT. MARLEY: I'M SORRY. I WAS WRONG. I WAS WEAK. I HAD NO IDEA DONNA WAS GOING TO WRITE THAT LETTER AND GIVE IT TO JAKE. VICKY: OH, SO YOU'RE STILL STICKING WITH THE "DONNA WROTE THE LETTER" STORY? MARLEY: BUT WHEN JAKE CALLED ME ABOUT THE LETTER, I WAS JUST SO EMOTIONAL. I SHOULDN'T HAVE KISSED YOU, JAKE. THAT WAS WRONG, AND I SAID THAT. I TOLD YOU I WAS SORRY. I SAID THAT! THAT, YOU KNOW, IT WAS THE WORST NIGHT OF MY LIFE AND I FELT VERY ALONE. VICKY: IT'S YOUR CHOICE TO BE ALONE. THERE ARE A LOT OF PEOPLE WHO WOULD -- MARLEY: OH, YOU HAVE NO IDEA WHAT IT'S LIKE TO BE NO ONE'S PRIORITY. NOBODY THINKS OF ME FIRST. I'M NOT CHOSEN -- NOT BY ANYONE. BUT BEFORE THE SURGERY, I -- I JUST DIDN'T KNOW WHAT TO DO. I WAS LOST AND I JUST WANTED TO MAKE A CONNECTION WITH SOMEBODY, YOU KNOW. I KNOW I SHOULD HAVE COME OVER HERE AND LEANED ON MY FAMILY, BUT JAKE -- JAKE SHOWED UP. I MEAN, BELIEVING I'D WRITTEN THAT LETTER, AND FOR THIS LITTLE -- THIS LITTLE INSTANT, THIS FLASH OF TIME, EVERYTHING WAS LIKE IT USED TO BE. AT LEAST IT WAS FOR ME, AND -- I WAS HOME. FOR ONE LITTLE MOMENT, I WASN'T A STRANGER AND I HAD MY LIFE BACK. SO I LET JAKE GO ON BELIEVING THAT I'D WRITTEN THE LETTER. NOW, I DON'T EXPECT YOU TO UNDERSTAND ANY OF THAT. AND THEN, WHEN I WOKE UP IN THE HOSPITAL AND I STILL HAD THIS FACE INSTEAD OF YOURS, WELL, THEN, THAT'S WHEN REALITY HIT. AND YOU HAD THE MISFORTUNE OF WALKING IN AT THAT VERY MOMENT, AND SO I WENT AFTER YOU AND I WAS WRONG AND I'M SORRY. I KNOW I SHOULDN'T HAVE DONE THAT. I SPENT THE WHOLE NIGHT PRAYING AND SAYING, PLEASE, GIVE ME THE STRENGTH TO FIND A WAY TO MAKE THIS LIFE GOOD. MAKE IT GOOD WITH WHAT I'VE GOT BECAUSE I'VE MADE SO VERY MANY MISTAKES. AND I SHOULD HAVE JUST TOLD YOU ABOUT DONNA FROM THE VERY BEGINNING AND TOLD YOU THAT SHE'D WRITTEN THIS LETTER. I PUSHED YOU AWAY AT THE TIME THAT I NEEDED YOU THE VERY MOST. I LOVE YOU AND I -- I DON'T KNOW WHAT TO DO. WHENEVER I HURT YOU, IT'S LIKE HURTING MYSELF, BUT I JUST -- I HAVE HURT YOU VERY BADLY. VICKY: WHAT -- WHAT ABOUT THE LETTER? JAKE: MARLEY. DONNA DIDN'T WRITE THAT LETTER, DID SHE? MARLEY: YES, SHE DID. VICKY: SHE WROTE THAT LETTER -- SHE WROTE THAT LETTER BECAUSE SHE HATES ME? I MEAN -- MARLEY: I KNOW, VICTORIA. I KNOW YOU DON'T WANT TO BELIEVE IT, BUT SHE HATES YOU AND I'M THE ONLY SHE TELLS ABOUT IT. JAKE: YOU'RE THE ONLY ONE? MARLEY: WELL, THAT'S PART OF IT, JAKE. SHE'S COMPLETELY OBSESSED WITH JAKE LEAVING YOU AND COMING BACK TO ME. VICKY: NO! NO. BECAUSE SHE KNOWS IF JAKE AND I SPLIT, THEN GRANT HAS A CLEAR SHOT AT KIRKLAND, AND SHE WOULDN'T DO THAT. MARLEY: WELL, I WASN'T GOING TO DO THIS. I -- I DIDN'T WANT TO HAVE TO TELL YOU GUYS, BUT I DON'T HAVE ANY OTHER CHOICE. I'M GOING TO HAVE TO TELL YOU EVERYTHING THAT DONNA'S BEEN DOING. MATT: CASS? CASS: YEAH? MATT: I THOUGHT YOU'D BE DOWN AT THE MEETING BY NOW. ANYTHING ELSE YOU COULDN'T FIND? CASS: NO, I'M ON MY WAY. LILA: ARE YOU SURE YOU DON'T WANT TO STAY? BECAUSE, YOU KNOW, MATT AND I WILL BE PICKING OUT NAMES FOR THE BABY. ISN'T THAT RIGHT? MATT: THAT'S THE PLAN. CASS: OH. GEE, I HATE TO MISS THAT, BUT DUTY CALLS. I'LL LET MYSELF OUT. MATT: OK. LISTEN, AND THANKS FOR HELPING MOM THROUGH ALL THIS. I APPRECIATE IT. CASS: OH, YEAH, NO PROBLEM. THAT'S WHAT YOU GUYS PAY ME THE BIG BUCKS BEFORE. GOOD NIGHT, LILA. MATT, GOOD NIGHT. LILA: GOOD NIGHT, CASS. OK, LISTEN. NOW, I HAVE THIS BOOK FULL OF NAMES, BUT I WAS THINKING -- MATT: LILA, WE DON'T NEED ANY BOOK. WHAT DO YOU THINK OF THE NAME ABIGAIL? IF SHE'S A GIRL, ABBY. LILA: STOP IT! MATT: WHAT? LILA: THIS BABY IS A BOY. STOP THINKING ABOUT GIRLS. OH, COME HERE. I WANT TO TALK TO YOU. NOW, SIT DOWN. MATT: OH. LILA: WHAT I WAS GOING TO SAY IS I HAVE THAT BOOK, BUT I WAS THINKING. I DON'T WANT YOU TO THINK I'M TOO PRESUMPTUOUS. MATT: WHAT? TELL ME. LILA: I WAS THINKING OF NAMING THE BABY MacKENZIE CORY II. MATT: MacKENZIE CORY. LITTLE MAC. CASS: OH, BABY, YOU ARE GOOD. LILA: WELL, I MEAN, I KNOW HOW MUCH YOU LOVED HIM AND WHAT A WONDERFUL FATHER HE WAS, JUST LIKE YOU ARE GOING TO BE. SO -- MATT: I THINK THAT'S A GREAT IDEA. LILA: OH. GOOD, GOOD. YOU KNOW WHAT? WHAT ELSE -- I WANT TO THANK YOU, TOO, FOR STANDING BY ME THROUGH THIS WHOLE -- WHEN MOST MEN WOULD HAVE BEEN DOWN THE ROAD BY NOW, AND IT WAS WRONG FOR ME TO TRY TO FORCE YOU INTO MARRYING ME, MATT. MATT: HEY, HEY, HEY, HEY. LILA: AND I JUST WANTED -- MATT: HEY, HEY, WE'RE PAST ALL THAT. ALL RIGHT? LILA: GOOD, BECAUSE I WANT TO BE THE BEST PERSON I CAN BE, THE BEST MOTHER I CAN BE FOR OUR CHILD. MATT: YOU SURPRISE ME, LILA. YOU REALLY DO. BUT IF I DON'T GET BACK TO THAT ART DEALER -- LILA: UH-UH. MAKE SURE YOU DON'T LET GO OF ONE OF THOSE PAINTINGS UNTIL THAT NUMBER HAS PLENTY OF ZEROES BEHIND IT. MATT: ALL RIGHT. I'LL KEEP THAT IN MIND. LILA: OK. MATT: THANKS. LILA: FIVE, FOUR, THREE, TWO -- I KNEW YOU WERE THERE. CASS: THAT WAS QUITE A LITTLE PERFORMANCE, MISS LILA. LILA: PERHAPS YOU SHOULD CALL YOUR BANKER AND GET THAT $100,000 LINED UP. CASS: I DIDN'T HEAR ANYTHING THAT SOUNDED LIKE "MARRY ME, LILA." LILA: YOU'RE A LITTLE NERVOUS, AREN'T YOU? CASS: MATT LOVES SOFIA. LILA: THIS BET HAS NOTHING TO DO WITH LOVE. CASS: YOU DESERVE A MAN WHO REALLY LOVES YOU, LILA. LILA: OH, PLEASE. IF WE ALL GOT WHAT WE DESERVED -- CASS: WHAT? LILA: YOU WERE TALKING ABOUT YOURSELF, WEREN'T YOU? YOU -- YOU WERE SAYING ALL THAT BECAUSE -- YOU'RE IN LOVE WITH ME, AREN'T YOU? SOFIA: SO, AFTER NEW YORK, I THOUGHT EVERYTHING WOULD BE PERFECT. AND WE'VE BEEN REALLY CLOSE. WELL, ACTUALLY, IT'S KIND OF STUNK BECAUSE OF LILA, BUT WE ARE GETTING THERE. WE ARE. ZAK? HEY, YOU STILL WITH ME? ZAK: YOUR CLOTHES ARE DRYING. SOFIA: OH. WELL, YOU MIGHT HAVE MENTIONED IT. ZAK: AND MISS THE MATT CORY TRIBUTE? HEADS UP. SOFIA: WHOA. WHOA! WHERE DID YOU LEARN TO PITCH? ANYWAY, I AM JUST REALLY EXCITED THAT -- THAT YOU GOT AHOLD OF ROSCOE AT THE MAGAZINE. IT'S GOING TO BE GREAT. ZAK: HE SAID CHANGING THE INTERVIEW IS NO PROBLEM. SOFIA: OH, MY GOSH! WELL, YOU MUST OWE HIM -- NO. HE MUST OWE YOU A REALLY, REALLY BIG FAVOR. OH, NO. I DON'T BELIEVE THIS. ZAK: WHAT? SOFIA: THIS IS THE LAST THING I NEED. IT'S MY ZIPPER. IT'S STUCK. I DON'T THINK IT LIKES MUD. CAN YOU HELP ME? ZAK: HEY, WHAT'S A GOOD PRODUCER FOR? SOFIA: THANKS. SOFIA: CAREFUL, WILL YOU? ZAK: SO NEXT TIME ZIP IT YOURSELF. SOFIA: HEY, WHAT'S -- WAIT A SECOND HERE. ONE MINUTE, YOU WANT TO BE FRIENDS, AND THEN THE NEXT MINUTE -- ZAK: I JUST WANT TO GET OUT OF HERE, OK? SOFIA: AS IF I DON'T? ZAK: THIS NIGHT DIDN'T TURN OUT LIKE I EXPECTED. [TRUCK APPROACHES] SOFIA: DO YOU HEAR THAT? THAT'S THE TOW TRUCK. THAT -- AFTER LIVING IN NEW YORK, YOU CAN HEAR IT FROM MILES AWAY. OH, MY GOSH. ZAK: THAT IS THE TOW TRUCK. SOFIA: THIS IS GREAT. ZAK: I'LL GO TALK TO THE GUY. YOU WAIT HERE. SOFIA: NO, NO, NO. ARE YOU KIDDING? THE SOONER I CAN GET OUT OF HERE, THE BETTER! AFTER TONIGHT, I GOT TO FORGET THIS WHOLE NIGHT EVER HAPPENED. ZAK: YEAH, ME, TOO. CASS: ME? IN LOVE WITH YOU? IN YOUR DREAMS. LILA: SO THAT'S WHY YOU DON'T WANT ME TO MARRY MATT, ISN'T IT? CASS: DID I EVER SAY "I'M IN LOVE WITH YOU"? LILA: WELL, YOU DIDN'T HAVE TO SAY IT. CASS: WHAT IF I DID? LILA: WELL, I MEAN, IF YOU SAID IT -- CASS: YEAH? WHAT THEN? LILA: WELL, THEN -- WAIT A MINUTE. THIS IS A TRICK, ISN'T IT? YOU JUST WANT ME TO THINK THAT I'M IN LOVE WITH YOU -- I MEAN, THAT YOU'RE IN LOVE WITH ME BECAUSE YOU WANT TO WIN THE BET. THAT'S IT, ISN'T IT? CASS: THAT'S IT. LILA: YEAH. THAT -- THAT'S IT. CASS: THAT'S IT. LILA: THAT'S -- CASS: IT. LILA: YEAH. MY GOD. YOU JUST WANT TO THROW ME OFF MY GAME. RIGHT. YEAH, SO YOU CAN WIN THE $100,000 -- I MEAN, KEEP THE $100,000. CASS: YEAH. CASS: YOU CAUGHT ME. LILA: I DID? CASS: YEAH. I MEAN, ME IN LOVE WITH YOU? THAT'S A GOOD ONE. [CASS LAUGHS] CASS: YOU KNOW? LILA: WHAT'S SO FUNNY ABOUT THAT? CASS: JUST THE THOUGHT OF ME BEING IN LOVE WITH YOU IS JUST -- LILA: GET OUT! JUST GET OUT! AND DON'T EVER LOOK AT ME AGAIN! CASS: WHY ARE YOU SO UPSET? LILA: JUST DON'T EVER -- EVER CALL ME, EVER AGAIN. CASS: WE MAKE EACH OTHER LAUGH. ISN'T THAT A GOOD THING? LILA: AND DON'T YOU EVER, EVER, EVER, EVER KISS ME EVER AGAIN. CASS: NEVER AGAIN? NEVER EVER? FORGET ABOUT IT, BABY. LILA: OH! OH! I HATE YOU, CASS WINTHROP! I AM GOING TO MARRY MATT CORY, AND I'M GOING TO WIN THAT BET! AND THERE'S NOTHING YOU CAN DO ABOUT IT! OOH! SOFIA: HI! MATT: WHAT HAPPENED? SOFIA: HI. ZAK: JUST SPENT THE DAY WITH SOFIA. YEAH. I'M SURE LILA MADE THE MOST OF HER TIME AT CORY. LILA: AHEM. OH, HELLO, SOFIA. SOFIA: OH, HELLO, LILA. LILA: WHAT HAPPENED TO YOU? SOFIA: LONG STORY. LILA: IS THIS DIRT? ZAK: WHEN THE TIME IS RIGHT, EVERYTHING WILL GO ACCORDING TO PLAN. WE'LL GET WHAT WE WANT AND SO WILL LILA, EVEN IF A FEW PEOPLE GET HURT ALONG THE WAY. VICKY: SO WHAT IS IT, MARLEY? WHAT -- WHAT WOULD THIS BIG TRUTH ABOUT DONNA BE? MARLEY: I HAVE BEEN COVERING FOR DONNA FOR MONTHS. VICKY: UH-HUH. MARLEY: SHE'S THE REASON THAT YOU COULDN'T GO TO PROVENCE. VICKY: OH. WHO ENDED UP ON THE CAMPING TRIP? MARLEY: AND THE TREE. VICKY: YOU'RE ASKING ME TO BELIEVE THAT MY MOTHER WENT OUT AND HACKED DOWN THE "VICKY AND JAKE FOREVER" TREE? JAKE: WHY WOULD DONNA WANT TO SPLIT US UP? MARLEY: BECAUSE SHE FEELS GUILTY. VICKY: FOR WHAT? FOR HATING ME? MARLEY: NO. THIS IS NOT ABOUT YOU, ALL RIGHT, VICTORIA? IT'S BECAUSE SHE FEELS GUILTY ABOUT ME. VICKY: LOOK, YOU BETTER START MAKING SENSE NOW, OR I'M JUST GOING TO -- MARLEY: WHEN THE I.C.U. BLEW UP AND MY FACE GOT BURNED, THE REASON I WAS THERE -- VICKY: WAS BECAUSE CINDY HARRISON SENT YOU THERE WHEN SHE RAN YOU DOWN. MARLEY: NO. IT WASN'T CINDY. IT WAS DONNA. JAKE: WHY -- WHY WOULD DONNA -- VICKY: WHAT? MARLEY: DONNA HIT ME. SHE WAS DRIVING THE CAR. SHE RAN OVER ME ON PURPOSE. JAKE: WHY WOULD DONNA DO THAT? MARLEY: BECAUSE SHE THOUGHT I WAS VICKY. DONNA WAS TRYING TO KILL YOU. [CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE]