1987

"Telling the Truth: The theory and practice of documentary fiction", by Barbara Foley, Journal of Aesthetics and Art Criticism 45 (Spring), 316-18.

1989

"Philophy of the Film: Epistemology, Ontology, Aesthetics", by I.C. Jarvie, The Quarterly Journal of Speech 75:1, 116-18.

1990

"A Cinema of Nonfiction", by William Guynn, Film Criticism, 14:2, 39-43.

"Philosophical Problems of Classical Film Theory", by Noël Carroll, The Quarterly Journal of Speech 76 (November), 456-8.

1992

"Dancing in the Dark", by Quentin Schultze et al., The Cresset, 55:7, 34-5.

1993

"Film and Phenomenology", by Allan Casebier, Journal of Aesthetics and Art Criticism 51 (Summer), 511-13.

"Robert Drew and the Development of Cinema Verité in America", by P.J. O'Connell, Film Quarterly 47 (Fall), 60-1.

1995

"Laughing, Screaming", by William Paul, Journal of Aesthetics and Art Criticism 53 (Summer), 332-4.

"Visual 'Literacy'", by Paul Messaris, Film Quarterly 48 (Summer) 60-2.

1997

"The Reality of Illusion", by Joseph Anderson, Film Quarterly 50 (Summer) 64-5.

Forthcoming

"The Last Vaudevillian (nonfiction film)", by Jeffrey Ruoff, Journal of Film and Video.

On Rhetoric and Representation

Rhetoric and Representation in Nonfiction Film (Cambridge University Press, 1997).

Editor, with Greg Smith: Passionate Views: Film, Cognition, and Emotion (The Johns Hopkins University Press, 1999).

1987

"Defining Documentary: Fiction, Nonfiction, and Projected Worlds", Persistence of Vision, 5, 44-54.

1990

Dissertation: A Theory of Representation in the Documentary Film

1991

"The Mirror Framed: A Case for Expression in Documentary", Wide Angle 13:2, 40-53.

1992

"Roger and History and Irony and Me", Michigan Academician 24:3, 511-20.

1993

"Affect, Cognition and the Power of Movies", Post Script 13:1, 10-29.

"Film Theory and Aesthetics: Notes on a Schism", Journal of Aesthetics and Art Criticism 51 (Summer), 445-54.

1994

"Blurry Boundaries, Troublesome Typologies, and the Unruly Nonfiction Film", Semiotica 98:3/4, 387-96.

"Movie Pleasures and the Spectator's Experience: Toward a Cognitive Approach", Film and Philosophy Vol 2, 3-19.

1996

"Moving Pictures and the Rhetoric of Nonfiction: Two Approaches", in Post-Theory (eds. Bordwell & Carroll) (University of Wisconsin Press).

A Response to Dirk Eitzen's "When is a Documentary?: Documentary as a mode of reception", Cinema Journal 36 (Fall), 94-7.

1997

"Notes on Spectator Emotion and Ideological Film Criticism", in Film Theory and Philosophy (eds Murray Smith & Richard Allen).

1998

"Film: Film and Documentary", entry in Michael Kelly (ed), Encyclopedia of Aesthetics.

"Gender, Power, and a Cucumber: Satirizing Masculinity in This is Spinal Tap", in Barry Keith Grant and Jeannette Sloniowski (eds): Documenting the Documentary : Close Readings of Documentary Film and Video (Wayne State UP), 318-32.

"Spectacles of Death: Clint Eastwood and Violence in Unforgiven", Cinema Journal 37:2 (Winter), 65-83.

1999

"American Documentary in the 1980s" in Stephen Prince (ed.), A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980-1989, Vol. 10 of the History of American Cinema series (New York: Scribners).

"Film and Documentary" in Michael Kelly (ed.), The Encyclopedia of Aesthetics, v. II. (New York and Oxford: Oxford University Press).

"The Scene of Empathy and the Human Face on Film", in Carl Plantinga & Greg M.Smith (eds), Passionate Views: Film, Cognition, and Emotion (The Johns Hopkins University Press), 239-55.

Forthcoming

"The Limits of Appropriation: Problems with Subjectivist Theories of Nonfiction Film", in Ib Bondebjerg (ed) Moving Images, Culture & the Mind (University of Luton Press).