Behind her glass-encrusted table, she presides. Slices of sunlight
flatter the face that's as enigmatic as her photo-spreads in the
glossies. Her lashes are as still as a row of commas typed on a page.
And when she husks in her lowest register, everyone snaps to
attention.
Meet Rekha. As she glides from childhood recollections to her
well-kept health and beauty secrets, she fascinates, as always...
Congratulations on winning the Lachhu Maharaj Award for
proficiency in Kathak.
Thank you. But boy, was I completely blown out of my mind? I
mean, of course I was deeply touched by the honour, since I'm not a
Kathak dancer. Lachhu Maharaj's wife, Rama Devi, who's
83-years-old, travelled all the way from Bombay to Lucknow to
present the award to me on his birth anniversary. I was a state guest,
I was treated like a queen.
Was there a sense of d_j vu, going back to Lucknow, after
those Umrao Jaan days?
You can say that again. I was going back after 18 years. For
Umrao, I'd travelled by train. So much has changed.
But strangely, the scent, the feel was intact. In my acceptance
speech, I even said that it was as if Muzaffar Ali would say at any
moment, "Shot ready hai" I savoured the splendour of Lucknow
once more with sheermal kababs, chikan kurtas, ittars and all!
We had dinner at Muzaffar's kothi which was straight out of some
bygone era... it was as if time had stood absolutely still.
And then I saw this Kathak recital by a fifth generation offspring of
Lachhu Maharaj's family. She was just five-years-old. But she
stunned me with her artistry, especially the jugalbandi with her
father. That was truly a humbling experience.
Now tell me, is it true that you're extremely upset with Sawan
Kumar Tak's controversial Mother `98.
Certainly not. I had a blast doing the film. Given a chance, I'd do it
again. Only I'd hope to do a much better job.
The more controversies the film generates, the better its chances at
the box office. Remember all that publicity helped to draw the
crowds for Kama Sutra. In any case, hits and flops don't bother
me. I will go on doing the best I can.
Every time a film of yours is about be released, speculation is
rife that it's your comeback film.
That's true. Every time a film of mine does well, it's called Rekha's
comeback. It happened to me when Khubsoorat was released.
When Ghar happened.
Again when Judaai and Baseraa were hits, they said I was back. It
was the same story when Umrao Jaan, Khoon Bhari Maang and
Phool Bane Angaaray were released. By that logic, I must be the
most in-demand comeback artiste.
For me, comeback would mean something like Premnath's in Bobby
or Al Pacino's in Scent Of A Woman. Now that was dhansoo.
Taking a break for five years or having a hit after ten flops is no
comeback. Of course, there are always certain exceptions like
you-know-who.
Are you conscious about your good looks?
I hope not! But I'm certainly aware of the fact that people associate
good looks with me which I'm grateful for.
Cliched as this may sound, that is still not the complete me. I'd like
to believe that I'm still evolving into a beautiful person.
What does beauty mean to you?
Anything that is pure and simple, truthful and genuine, unique and
gentle, consistently caring and selfless. Someone who has unflinching
faith, tolerance and unconditional devotion. These are some of my
ideas of beauty.
Everyone still talks about how there was a metamorphosis in
Rekha after love, work-outs, and your fitness regime in
general.
Let me put it this way. You can become a Jack of all trades. But to
be a master, you have to persevere. There's no easy way out. I
realised that my body is the temple of my existence.
I realised the importance of a nutritious diet. You needn't diet. You
can live it. Regular exercise is almost like an education. You've gotta
make the rules, you stick by it. And try not to hurt anyone.
It's believed that you don't relax. That you don't ever chill
out.
My idea of chilling out is eating at proper hours, getting enough
sleep. I don't feel the need to party after ten in the night. What's the
big idea of having a terrible hangover or puffy eyes on the next day?
I'm far more excited over-seeing a new leaf bursting out of my
bonsai. That's my kind of celebration. Waking up in the morning,
drinking eight glasses of water, avoiding overcooked food, eating
before eight o'clock.Call me weird or whatever, I don't feel deprived
of anything at all.
What about the accusations that you're trying to live up to the
reclusive Greta Garbo myth.
You said it. It's a myth. It has flogged by
individuals whom I'm not easily accessible to. Angoor khattewali
baat hai. You must understand that it's physically impossible for
me to reach out to every one individually.
Kya Greta Garbo? See me swabbing the floors at home and you'll
know I'm a far cry from Garbo. In fact I've lost two inches doing
housework. Housework gives me great pleasure. Like my body, it's
my mandir, too.
What about your preoccupation with make-up and glamour?
Preoccupation? Puhleese. It happens to be my occupation. After all
I've been an actress for 27 years. So I better be good at make-up
and know how to conduct myself in front of the camera. It has
become my second nature. To be called
glamorous is an enviable compliment for anyone my age.
What about liposuction? Quite a few surgeons have claimed
that they have done your face-lifts?
I wish I could meet all those surgeons. Every once in a while, some
doctor claims to have done some operation on me.
I'm not a lippo girl, I'm a hippo girl. That's because I have big South
Indian hips. And I've let them be that way. I'm realistic, I will never
try to drastically cut down my weight and look like an anorexic
fashion model.
Once I saw an Oprah Winfrey show where the entire process of
liposuction was shown. Gawd, the blood scared me. The
side-effects are also supposed to be scary. I seriously believe one
shouldn't tamper with what nature has blessed you with. I'm against
nips, tucks and face-lifts. You should never be a slave to technology.
And please, I'd like to get married and have kids even when I'm 60.
So why should I abuse my body right now?
I really don't think there's any right age for creating art or creating
babies. Forget biological clocks.
Believe me, you're looking great.
Well what can I say? Should I be flattered? I sure do feel great. I
know I look good in a sari but not in jeans. If I apply myself, maybe
I'll look great in jeans too. But that would require plenty of
dedication and devotion on my part. I have an A-line figure, it suits
me to be plump. I like being voluptuous.
(Laughs) At least it suits me to say so. I have a small face. So if I
lose weight drastically, I'll look haggard. Either way, it's not
medically advisable to lose too much weight after the age of 40.
So no face-lifts. But do you dye your hair?
I'd rather die than dye. I haven't even thought of highlighting my hair.
It takes a lot of guts to do that. Everyone seems to be doing that
these days. Once I wore short wigs for a photo-session. (Laughs)
And whole lot of heroines thought I'd cut my hair and so they
trimmed their hair, too.
Look buddy, I'm a pucci south Indian. I swear by channe ka aata,
Shikakai and oil massages. I believe in growing old gracefully.
Luckily for me, good skin and thick hair runs in the family.
What about the criticism that you're obsessed about looking
your best in every frame. Even in a death scene you won't
allow a single strand of hair to be out of place.
I think that's an unfair charge. See if I'm playing a sadaa suhaagan
in a typical South Indian commercial film, then my mogra, lipstick
and sindoor had better be in place. Remember, there's something
called continuity in the movies. I won't go out of my way to look ugly
just in the name of realism, or at the cost of the character's
continuity. On the other hand, if I have to play a kamaati, I'll go all
out for dark make-up and all. Like I did in Imaan Dharam. Or the
no make-up look of a deprived housewife in Aastha.
You can't deny that you continue to influence impressionable
minds.
That's nice to know but... I don't think one should be a slave to
fashion or ape someone blindly at all. One should create one's own
style. Why are Armani's clothes classic and original? Because they
truly are. Anyone trying to ape Armani
will look pathetic. One should discover and celebrate one's own
unique style, whatever that may be.
Are your directors in awe of you? I can't imagine KC
Bokadia, T Rama Rao or Sawan Kumar Tak telling you how
to improve on your performance.
It's always been like that with me. Everyone leaves me to interpret
my roles. Including Hrishikesh Mukherjee, Yash Chopra,
Manmohan Desai, Prakash Mehra. No one showed me how to act.
Except of course Mohan Sehgal for Sawan Bhadon.
You've worked with different generations of directors from
the '70s to the 90's. How have you coped?
I've had an opportunity to work with the best directors. Yet, I feel
sad that I haven't worked with, say Mani Ratnam, Sooraj Barjatya
and Shekhar Kapur.
I've absorbed the best out of all those I've worked with. That's
because I've no ego hassles about working with a 20-year-old
making his first film. I loved working for the first time with Mira Nair
in Kama Sutra. She knew exactly what she wanted from me. We
struck an immediate empathy. (Laughs) Shabana Azmi teases me
about my impeccable English in the film.
When Mira met me for the first time, she was under the impression
that I couldn't speak English. I think she was pleasantly surprised. In
retrospect, I think I've earmarked a niche for myself. But believe me,
I've never got meaty roles or great songs. Shabana and Smita got
the plum roles. Hemaji (Malini) got the best commercial films and
songs. I just did whatever I got to the best of my abilities - whether it
was a Muqaddar Ka Sikandar, Silsila or Umrao Jaan.
Did you decline Kalpana Lajmi's Darmiyaan because you
didn't want to play a mother of a grown-up?
Look, I played the mother of a grown-up way back in 1975. If I
were to be offered Darmiyaan today, maybe I'd do it.
But at that time, I was going through a phase. I wasn't sure. I was
also worried about my image - whether my fans would take it
personally. After all, it was the story of an actress.
What sort of roles are offered to you these days?
I'm afraid not very exciting ones. I know I'm not getting any younger.
I don't kid myself, imagining that there's an entire queue of directors
waiting outside my house. I woke up and smelt the coffee long ago.
Can't you make your kind of films?
Unfortunately I don't have an RGCL to back me.
Something like ABCL, you mean?
Whatever. Then I'd make ten films of my kind. The audience is also
willing to experiment. Ten years ago they weren't so adventurous.
Today they want Indian cinema to be on par with world
entertainment. I have reached a stage, where I'm open to exploring
my persona as an actress. When papaji (Raj Kapoor) was ailing, he
told me that just when he was all charged up and raring to go, death
was catching up on him. Isn't that ironic?
Have you gone through any important turning points?
The turning point in my life happened somewhere in the beginning of
the '80s, when I was confronted unawares by death snatching away
an integral part of me. But before I could feel dead and mourn the
loss, a miracle happened!
God poured life back into me, by returning the very source of my
existence on a platter. That one moment changed the entire course
of my life. Trust me, there was no looking back after that - no more
doubts, no more fears. Only faith and more faith.
Where is Maya headed from here?
Well, there's so much to do. God has been extremely kind to me.
I've had my share of pain and happiness. I'm still getting my market
price despite 10 flops. I still get tons of fan mail every day.
Magazines still want me on the cover. Seriously,
there are no regrets.
Why do you shy away from television? Apparently you
refused to appear on Simi Garewal's show.
I'm a very shy person. Unlike what has been insinuated, it's not a
strategy to retain my aura. I'm not trying to live upto any mystery
woman image. The mystique of leading ladies went away with
Suraiya and Madhubala.
I'm far too much of a fun-loving person to be a recluse. How will I
continue to educate myself if I alienate myself from people?
It's easy for everyone to accuse me of leading an ivory tower
existence. Nothing can be further from the truth, though. As far as
your question about being doing TV goes, I'm not so sure if I can
articulate all my thoughts. Only when I'm confident
about that, I'll venture into TV.
Come come, you're being modest.
Nahin re baba. If people don't find me commonplace and still want
to reach out to me, someone up there certainly likes me.
Maybe I've connected with everyone. They know I'm just like them,
warts and all. I'd rather be a character with flaws than be flawless
with no character.
Your life appears to be laced with all the ingredients of a
Jackie Collins novel. Have you ever considered writing your
autobiography?
I haven't read Jackie Collins novels. But I believe they're pretty
controversial and steamy. (Laughs) Sometimes I really wish my life
were as exciting as people think it is. Let me also add that my
private life is mine alone. I don't want to bare it for discussion and
dissection. Because my life can be misunderstood and
misinterpreted.
Other individuals are involved, too. I don't want them to misinterpret
my intentions. Biographies and autobiographies are written about
legends and great souls. I'm just a human being, quite an ordinary
one at that.
No, it has been an extraordinary life.
That's your perception. You're entitled to it. Well, I'm not ordinary if
you go by the experiences I've had in my life. My face is like a
mirror. It's a reflection of all that I've believed, learnt and received.
I've endured, fought, I've been taught many many lessons in my
journey through life.
What has been constant has been the love of my family, fans and
loved ones. That I've got in abundance.
Lastly what keeps me going is my faith in the Unknown Force. That
fascinates me. Then I'm glad just to be ALIVE.