Awards
12/20/98 -- Pictures of Colin Firth from the New York and Hollywood Premieres
11/28/98 -- Pictures and words from The Miramax Press Kit for SIL
11/21/98 -- NEW!!! A poster from the December Benefit
in Toronto for Shakespeare In Love.
Click HERE
to see it
Pictures from Entertainment Tonight (8/18/98) - Snappys
by Meluchie
Click HERE
for more Snappys by Meluchie
The Earl Is Humiliated By The Queen... Snapped by Murph, thanks to Rai
There is a wonderful Quick Time movie of a scene from the film on the Miramax SIL site. It is called "The Wager," and it features Colin, Judi Dench, Joseph Fiennes and Ms. Paltrow. |
![]() Gwyneth Paltrow & Joseph Fiennes in Shakespeare In Love |
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SHAKESPEARE IN LOVE is a romantic comedy for the 1990s set in the 1590s. It imaginatively unfolds the witty, sexy and timeless tale behind the creation of the greatest love story ever told. It is the summer of 1593, and the rising young star of London's theatre scene, Will Shakespeare (Joseph Fiennes), faces a scourge like no other: a paralyzing bout of writer's block. While the great Eiizabethan age of entertainment unfolds around him, Will is without inspiration or material. No matter how he tries, and despite pressure from financiers and theatre owners, he just can't seem to work up any enthusiasm for his latest play, "Romeo and Ethel, the Pirate's Daughter." What Will needs is a muse - and in an extraordinary moment in which life imitates art, he finds and falls for a woman who draws him into his own dramatic adventure of star-crossed love.
It all begins when Lady Viola (Gwyneth Paltrow), desperate to become an actor at a time when
women were forbidden from such depravity, disguises herself as a man to audition for Will's play. But the guise slips away as their passion ignites. Now Will's quill again begins to flour, this time turning love into words, as Viola becomes his real-life Juliet and Romeo finds his reason to exist. Yet all is not well in Will's world. For even as the parchment begins to pile up, he is plagued by real-life twists of fate -including the unavoidable reality that Lady Viola must marry the insufferable Lord Wessex (Colin Firth) at the command of Queen Elizabeth (Judi Dench).
In a whirl of mistaken identities, mixed-up messages and misbegotten desires -- between bawdy brawls, duels with jealous husbands and dangerous kisses -- Will Shakespeare searches for a resolution not only to his play but to his own undying passion.
HEREis a synopsis of the original Marc Norman script by Sandra
-- Ben Affleck "It has all the anguish of being young and doubting yourself and
your career, and it just happens to be Shakespeare."
"There's nothing remotely academic about this film. It's about
first love."
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From the SIL presskit:
THE EARL OF WESSEX (Colin Firth) FICTION Wessex, the man betrothed to the young Viola is another contemporary invention; there was no such man and indeed the county of Wessex did not exist in Elizabethan times. However this type of character is similar to the many English aristocrats who held titles, behaved with grand arrogance, yet had no wealth. His marriage of convenience to Viola de Lesseps would net him a large dowry and so absolve him of his financial difficulties. The naming of this character might lead one to confuse him with the historical figure, the Earl of Essex, another rather arrogant man who considered himself to be a military and political genius and later was beheaded by the Queen. |
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Colin Firth on the Earl of Wessex
"Whenever you take on playing a villain, he has to cease to be a villain to you. If you judge this man by his time, he's doing very little wrong. Reading about people of this period is a bit like 'Dallas' with different frocks on. They're all climbing all over each other [sic] for their own advancement. All Wessex is doing is trying to marry for advantage, which is all anybody did of that class. There's this sniveling little upstart of a writer who is getting in the way, so it's perfectly understandable that he'd want to split his throat."
The Sunday Times, August 21, 1994: (excerpt)
Quoting Colin's sister Kate: "Colin and I used to dress up, I was the princess in jumble-sale ball gowns, he was the prince in cloak and breeches. I knew Colin was talented because I'd seen him in school plays and in productions at the Drama Centre. In my first year at London University he did Hamlet. I sat there mesmerised, feeling terribly proud and jealous at the same time. It wasn't horrible, destructive jealousy, it was just that he was doing exactly what I wanted to do. After that his career took off. It's an odd experience watching Colin act. He really becomes the character. Most of the time I forget it's him, then suddenly I see a smile or hear a tone of voice and think: "I know that person".Entertainment Weekly, June 12, 1998 (excerpt) Quoting Gwyneth Paltrow: I'm doing a film called "Shakespeare in Love," which Tom Stoppard wrote. John Madden's directing it, who directed "Mrs. Brown." Geoffrey Rush is in it, Judi Dench, Simon Callow, Colin Firth. It's really an extraordinary cast."From Reviews on line: Variety: The supporting cast is a dream, filling out a potpourri of character parts with undiluted strength. Rush, who gets some of the catchiest quips, is sympathetic and funny. As the smarmy Wessex, Firth is hateful without overdoing his part. |
In New York last weekend, a huddle of typically hard-boiled American film critics gathered for a private screening of a new release, Shakespeare in Love. It's Oscar-dash time, with films squeezing in to meet the end-of-year deadline. Here was another contender, a little period-costume film that cost its producers, Miramax, a measly $25m. But then, these are the guys who pulled off triumphs such as Mrs Brown and The English Patient against the odds. By the time our bunch of jaded viewers left the screening room, they were convinced they had seen a masterpiece, the most finely written and acted romantic comedy of the year: an Oscar cert. ....(Review continues HERE ) For an excellent link to many online reviews, go HERE. |
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"Is she Fer-TILE?"
- (Wessex:) " 'I am going to spill your blood, but not now. What is your name?' ..
(Shakespeare): 'Christopher Marlowe.' "
- "I understand there is a future in tobacco"
- "You are allowed to show your pleasure."
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Awards
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1998 Golden Globes
For Outstanding Picture (Musical/Comedy)For Outstanding Screenplay - Marc Norman/Tom Stoppard
For Outstanding Performance by a Female Actor in a Leading Role:
Gwyneth Paltrow: "Shakespeare in Love" (Miramax)For Outstanding Performance by a Cast in a Theatrical Motion Picture:
SHAKESPEARE IN LOVE
Ben Affleck
Simon Callow
Jim Carter
Martin Clunes
Judi Dench
Joseph Fiennes
Colin Firth
Gwyneth Paltrow
Geoffrey Rush
Antony Sher
Imelda Staunton
Tom Wilkinson
Mark Williams
71st AnnualAcademy of Motion Pictures Awards (Oscars)
B E S T P I C T U R E
SHAKESPEARE IN LOVE
David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward
Zwick and Marc NormanO R I G I N A L S C R E E N P L A Y
SHAKESPEARE IN LOVE
Written by Marc Norman and Tom StoppardA C T R E S S I N A L E A D R O L E
GWYNETH PALTROW
as Viola in SHAKESPEARE IN LOVEC O S T U M E D E S I G N
SHAKESPEARE IN LOVE
Sandy PowellO R I G I N A L M U S I C A L O R C O M E D Y S C O R E
SHAKESPEARE IN LOVE
Stephen WarbeckA C T R E S S I N A S U P P O R T I N G R O L E
JUDI DENCH
as Queen Elizabeth I in SHAKESPEARE IN LOVEA R T D I R E C T I O N
SHAKESPEARE IN LOVE
Martin Childs:Jill Quertier
***** | Superb/breathtaking/heartstopping/etc |
**** | Excellent |
*** | Very pleasing |
** | Still lovely, but . . . |
* | Bad hair day |
Personal Ratings
Colin's looks | |
Colin's acting ability | |
The film in general | |
Ranking in the films of Colin Firth | |
Watchability & rewind factor |
![]() A picture of the excavation
of
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Picture of the The Rose excavation was scanned from
Shakespeare In Performance, ed.: Keith Parsons & Pamela
Mason
Picture of the real Earl of Essex on the Norman page was scanned from
The English, by J. B. Priestley
Other pictures scanned from the Miramax Press Kit
Information on the Main page and the Fashions page from the Miramax Press Kit
The page is part of a Firthland project on the films of Colin Firth.
Page update: 9 January 1999