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EXTRA TRACKS
The Shepherd (Banks/Gabriel/Rutherford/Phillips/Mayhew)
1970. Officially unreleased.
Rise up! Take your lyre and sing
Listen! To the news I bring
Frosty breath on the window
See a friend in the snow that gently falls
Feel the truth in those sad eyes
See the smile that's so rare
Just like the love
She waits for...
And she plays a game of her own
As she sleeps within the firelight
For her dreams are incredibly wild
But they're lost and gone forever, with the dawn
Fair and friend of the fleece spoke
Warrior bold, shepherd wise, fair prince of peace
Someone waits in the doorway
On a white horse he comes and holds out the hand
She waits for...
So they ride through a valley of mist
To a castle in the heavens
Where he lays her down to rest
But he's lost and gone forever, with the dawn
See her writhe in her dream, then...
Mermaids sing in the sunset
Sadly asking if beauty ever walks free
But Queen Frost only whispers
Maidens you will remain, to be free
See her writhe in her dreams...
Lord of the seven sons!
Keeper of the keys of time!
(Hear me)
Pacidy (Banks/Gabriel/Rutherford/Phillips/Mayhew)
1970. Officially unreleased.
Pacidy, my love
Glowing ember of evening
Your eyes are frozen with guilt
I read my fate on your cheeks
The smoldering coals of a passion
Once a meadow of hope
Days of minstrels and bright steeds
Autumn nights and silk sheets
Your tender battle shadow on me
Scented lavender kiss-es, soft and warm
The union of strength in a love against life
Love against life
Pacidy, my love
Your touch, so limp, was once frenzied
Your argon lips were once sweet
A life has slipped through my hands
My spirits sift in a stale sigh
Did love exist as a dream?
Mother fawn of a pine wood
Shepherdess of my grief
Veils a freedom not for me
Far beyond the steep ridge, where blizzards
Blast the spirit of man, the frailest of beasts
Frailest of beasts
Where blizzards
Blast the spirit of man, the frailest of beasts
Frailest of beasts
Where blizzards
Blast the spirit of man, the frailest of beasts
Frailest of beasts
Let Us Now Make Love(Banks/Gabriel/Rutherford/Phillips/Mayhew)
1970. Officially unreleased.
Please, I beg you hear this humble voice
Please, pale orchid flower, music of my soul
Alone, upon the windswept way
Descends the nightingale
She swoops to soothe my aching brow
Let us now make love
Please, I beg you hear this humble voice
Please, my emerald goddess, wash away the wounds
Alone, the pilgrim thirsts and falls
The Queen runs to his call
She stoops to soothe his aching brow
Let us now make love
Make love, make love
Let us, let us, let us make love (love, love)
Love, sweet heavenly love (love, love)
I promise you life will be good (love, love)
If you just stand down and try (love, love)
To be one with, so feel pride
Let us make love till the end of time
Now and forever
Please, I beg you hear this humble voice
Please, dear oyster shell reveal your hidden pearl
Alone, the deaf, the sick, the blind
Turn grimly for the knife
The prophet stoops to soothe their brow
Let us now make love
Make love, make love
Let us, let us, let us make love (love, love)
Sweet heavenly love (love, love)
I promise you life will be good (love, love)
If you just stand down and try (love, love)
To be one with, so feel pride
Let us make love till the end of time
Now and forever
Please, I beg you hear this humble voice
Come, let's walk the windy roads to find the truth
Revealed, each part has now been played
Your beauty will not fade
So cling to me, fulfill your vow
Let us now make love
(Love, love)
Sweet heavenly love (love, love)
I promise you life will be good (love, love)
If you just stand down and try (love, love)
To be one with, so feel pride
Let us make love till the end of time
Now and forever
Let us now make love
Till the end of time
Twilight Alehouse (Banks/Collins/Gabriel/Hackett/Rutherford)
1971. Released as B-side of "I Know What I Like" single, 1974.
Is it really true what they're saying
Are you really sure there's nobody come for me
When I'm walking home there is no-one
Once there was a house, full of laughter - so warm
Trying to pretend there is someone
Someone who will care when I need it
I will now receive my comfort, conjured by the magic power of wine
Just a drink, I'll get that drink, and I'm feeling good
Just a drink, I'll get that drink, and I'm feeling fine
Just a drink to take my sorrow
Just a drink and you can blast tomorrow
Just a drink to make me feel like a man again
Now I'm down
When I walk outside, there is nowhere
Children follow me, with their laughter - so cold...
Casting just a glance at the churchyard
Casting just a glance, at my painted female friend.
Now I'm on my way, I am falling
Got to find some 'elp, ooh I will need that now
So I will receive my comfort, conjured by the magic power of wine
Just a drink, I'll get that drink, and I'm feeling good
Just a drink, I'll get that drink, and I'm feeling fine
Just a drink to take my sorrow
Just a drink and you can blast tomorrow
Just a drink to make me feel like a man again
Now I'm down...
I will now receive my comfort, conjured by the magic power of wine
Just a drink, I'll get that drink, and I'm feeling good
Just a drink, I'll get that drink, and I'm feeling fine
Just a drink to take my sorrow
Just a drink and you can blast tomorrow, now...
Happy The Man (Banks/Collins/Gabriel/Hackett/Rutherford)
Released as a single, 1972. Produced by Genesis/John Anthony.
Happy the man - he lives a simple life
He doesn't have much - it doesn't worry him
Where you go - where?
Yeah, yeah, yeah, nowhere
Like a nun with a gun - I'm wonderful fun
Laughing all through - just watching you
Seems a very stupid game...
But I don't care
Happy the man - he doesn't buzz around
Nothing he wants - any more than anything
Where you go - where?
Yeah, yeah, yeah, nowhere
Like a fool in the pool - I'm incredibly cool
With a grin on my chin - I'm certain to win
Someone says he's Jesus Christ - but I don't care
He is a good man...
Evil Jam (Banks/Collins/Gabriel/Hackett/Rutherford)
Released as B-side of "The Carpet Crawlers" single, 1975.
Live version of "The Waiting Room", recorded at Los Angeles Shrine 1975.
It's Yourself (Banks/Collins/Hackett/Rutherford)
Released as B-side of singles "Ripples", 1976 and "Your Own Special Way", 1977.
Lyrics to the demo version, "Beloved Summer", in brackets.
Stepping out the back way
Hoping nobody sees
Feeling can be easy
Think how I feel
What will (can) you say?
What will you do?
Why can't you see?
It's yourself I love
(Don't you know I'm not asking
You must have made up your mind
Is it worth the pain you're causing
To those you're leaving behind
What will you say?
What will you do?
Why can't you see?
It's yourself I love)
Don't you know I'd like some answers
You could give me a call
I hardly know the reason
And I really feel no good at all
Where will you go?
Where will you be?
Where can I try?
It's yourself I love
Match Of The Day (Banks/Collins/Rutherford)
Released on "Spot The Pigeon E.P.", 1977.
There's the Reds and there's the Greens
Super slicks and has beens,
They're accompanied by three men dressed in black,
One's a whistle, two are flags, and quite often they're the drags
Kick the ball into the goal, they put it back.
Yes Match of the Day's
The only way, to spend your Saturday
Each side's eleven men, with numbers on their backs
But at a distance they all tend to look the same
But some own their boutiques, well they clean up every week
Inciting riots, causing chaos, such a shame!
But Match of the Day's
The only way
We spend our Saturday
And that's not all, our mates the keepers
Slippin' and sliding in the mud
Arms as long as creepers
Send him off Ref' ***!!++??
Where are your specs Ref' +++***!!!
Kick you to death Ref' !!XX**??
Oi! Are you deaf Ref' X*+X*!!?
There's a few things before we go
That I think you ought to know
Obstruction, Body Checking, heavy tackles
So put on your hat and scarf
Have a drink, have a larf'
From the terrace you can see your men do battle
Yes Match of the Day's
The only way
You can spend your Saturday
Don't forget, the trainers with their sponges
Managers with open cheques, liquid business lunches
Send 'im off Ref' ***!!++??
Where are your specs Ref' !***&&&!!!
Kick you to death Ref' !!XX**??
Oi! Are you deaf Ref' X&+X&+!!?
...Phfff! Good game 'ey, Ron?...
...D'you see that goal in the Second Half? oh!...
...Bit of a dirty tackle that, mate!...
...I reckon I should've had a bet on it myself!...
...We paid 400, 000 pound for him, you realise that?...
...Oh - look out, here comes a bottle ...
...Yes, fancy a pint then? My round...
Pigeons (Banks/Collins/Rutherford)
Released on "Spot The Pigeon E.P.", 1977.
Who put fifty tons of shit on the Foreign Office roof?
Who suffers from nine known diseases?
Who gets up in the morning when the sun comes up
And makes their beds, paper clips, bus tickets
All around their heads?
Who congregate around Trafalgar Square
Taking pot shots at the tourists?
Oh you've got to watch out
When you wander round the square in the morning
Cos they're everywhere, they're everywhere
Here we have an honest man
A civil servant to boot
He lived high up in the Ministry
And when he wished to make a point
He knew just what to do
His window ledges were all covered in grease
"I want them out of here"
He said to me, "I want them gone"
Because you see - Oh don't you see
None of us are getting any younger
You've got to follow your nose
And if it tells you that you've got to go
Well that's because, they're everywhere,
They're everywhere
So we called in those men, those horrible men
We set them to work on the rooftops
You see their van is very plain
And I know they're too ashamed
To wear their by appointment badges anymore
Sometimes they use vaseline, sometimes they use the pill
I've often seen them with a gun
But as the years go by, old habits seem to die
And nowadays they knockatize them all
Oh you've got to watch out
As you wander round the square in the morning
Oh they're everywhere, they're everywhere
Inside And Out (Banks/Collins/Hackett/Rutherford)
Released on "Spot The Pigeon E.P.", 1977.
INSIDE
Brother Seems they're letting him out next year
He's behaving himself, I hear
Governor Conway says it will be fine
Just as long as he can tow the line
It's the same old story
But it says here "Mum you're not to worry"
'Cos some you lose and some you lose
At this party, he was on his own
All he did was say he'd take her home
But it seems they didn't go straight there
'cos on the porch, she told him,
"put your hand here"
Yes it's that same old story
They told her mum she's not to worry
Police "If what she says is so,
we'll never let him go!"
Him "Never a word could be heard
Not even the sound of a bird
Singing it over again, telling a different story
Never the same as before
See the summer going out by the door"
Brother And now that you've paid for those lies
Get another disguise
"It's twenty years now since our Kid came free
Oh I remember August '53
But it wasn't quite like they said
With that behind you, you can't plan ahead
Yes it's the same old story
They say you're free, but don't worry
What they said's not so
They'll never let you go!"
Him "Never a word could be heard
Not even the sound of a bird
Singing it over again, telling a different story
Never the same as before
See the summer going out by the door"
Brother And now that you've paid for those lies
Get another disguise
OUT
The Day The Light Went Out (Banks)
Released as B-side of "Many Too Many" single, 1978.
When they went to bed that night no-one would have believed
That in the morning light would not be there
The dark hung heavy on the air like the grip of a jealous man
No place was there known to have been spared
Then panic took control of minds as fear hit everyone
The day the light went out of the daytime sky
Artificial light could hardly penetrate the gloom
Nothing out of reach could be observed
Looting, pillage, murder, rape became the rule of that day
Who hit him no one knew or whom he hit
Cars were caught in pileups and the planes could never land
The day the light went out of the daytime sky
"Now I can rest here after my journey
Now I can feed here before I continue"
Some there were who's heads were clear who sought, tried to find
The nature of this deadly foe, the dark
It seemed the sun was still somewhere though hidden from their sight
By something, though amorphous, yet alive
And so they looked for ways to rid themselves of the parasite
The day the light went out of the daytime sky
"Now I can rest here after my journey
Now I can feed here before I continue"
They tried in many fruitless ways to see the noonday sun
By blasting with their missiles through the dark
But soon a kind of sleepy state came over everyone
Till nothing seemed to stir or even breathe
And when the darkness chose to disappear not many had survived
Then came a shadow - another had arrived
And again the light went out the daytime sky
Vancouver (Collins/Rutherford)
Released as B-side of "Many Too Many" single, 1978.
She packed her bags and dressed
Long before the sunrise
No one knew
She told them many times
About how she would teach them
And now it's time
Standing quietly by the door
Her face is numb with fear
She stops and then goes on
"Leave forever - it's now or never"
Quickly walking down the street
It's cold and grey, dawn's breaking
She don't mind (she don't mind)
Why she feels so grown up now
Her life is just beginning
She don't know (she don't know)
She's standing in the pouring rain
Her make-up's running down
She wonders now she's here
"Where will I go? Who do I know?"
Now, now she's not quite so sure
I may be wrong but home seems so much more friendly now
And they might worry but she doesn't want them to
Cos causing pain, that's not the thing that she set out to do
So she's back in bed before
Anyone can miss her
She feels good (she feels good)
Knowing the chance was there
Deciding not to take it
That's her choice (that's her choice)
She's still awake, her mum comes in
"Me and dad, we've had a chat
And we're sorry for the things we said
Please forgive us - you wouldn't leave us?"
Paperlate (Banks/Collins/Rutherford)
Paperlate paperlate
Paperlate paperlate
Paperlate, oh I'm sorry but there is no one on the line
Paperlate, oh I'm sorry but rest easy no news is good news
Ooh it's too easy to live like clockwork
Tick tock watching the world go by
Any change would take too long
So dry your eyes
Ooh it's too easy to live in a cold sweat
Just sitting dripping in pools below
You can wipe your face
Kill the pain
But the fever won't go, no no
Paperlate
Pull it together now
Put your feet back on the ground
Paperlate
Ooh don't worry now
You're not alone
Look around you
Paperlate
Ooh I'm sorry but there's no one on the line
Paperlate
Ooh I'm sorry but rest easy no news is good news
Ooh it's too easy to compute your future
Taking no risks and playing too safe
Any change would take too long
So dry your eyes
Ooh it's too easy to talk about rocking the boat
Making changes and changing track
But you'd better not lock that door
Cos you'll be coming back
Ah you're breathing faster
Silence the only sound
There's no need to be nice on the way up
Cos you're not coming down
Paperlate paperlate
Paperlate paperlate
Paperlate paperlate
Paperlate paperlate
Paperlate
Ooh I'm sorry but there's no one on the line
Paperlate
Oh I'm sorry but rest easy no news is good news...
You Might Recall (Banks/Collins/Rutherford)
What was it you said to me
Back in the days when things looked fine
'bout how we would be together
Until we left the earth behind
Oh, it's funny how things can change
Cos there was a time I thought I'd be the one
Who'd leave and start again
But now I'd stay forever
Ooh my hopes are as the leaves upon the water
Just sunk in the night
And though I know you couldn't care, you oughtta
Ah, the end of a life
Or maybe when you're older, and you're thinking back
You might recall
Now did I act carefully, did I do right?
Or were we meant to be, all of our lives
In love and harmony, all of our lives?
So now, take my hand
Come, hold me closely
As near as you can
Believing all that we could be
And all that we have been
And all that we are
Everyday seems summertime
The river flow with wine
Ooh when you were here with me
I wish we'd stayed that way forever
Oh my hopes are as the leaves upon the water
Just sunk in the night
And though I know you couldn't care, you oughtta
Ah, the end of a life
Or maybe when you're older, and you're thinking back
Well you might recall
Now did I act carefully, did I do right?
Or were we meant to be, all of our lives
In love and harmony, all of our lives?
So now, take my hand
Come, hold me closely
As near as you can
Believing all that we could be
And all that we have been
And all that we are
Oh my hopes were as the leaves upon the water
Ah, sunk in the night
And though I know you couldn't care, you oughtta
Oh, the end of a life
And maybe when you're older, and you're thinking back
Oh, you might recall
Now did I act carefully, did I do right?
Or were we meant to be, all of our lives
In love and harmony, all of our lives?
So now, take my hand
Come, hold me closely
As near as you can
Believing all that we could be
And all that we have been
And all that we are
Me And Virgil (Banks/Collins/Rutherford)
Ma would never say what happened
And we knew better than push too hard
We knew we had all the chores to tend to
Like fixing fences and helping her
Washing dishes and making coffee
Me and Virgil'd chop some wood
But we'd stop our swinging
Just to listen to her crying
It didn't sound too good
I can remember, too well
But we never thought to pay much heed
We learned to live life the best we could
But then one day pa upped and left us
High and dry without a word
Seemed a pity
My ma was pretty
But I soon learned life ain't that way
And I can remember hearing her weeping
While we were sleeping next to her
I can remember
I'll never forgive and I'll never forget
Cos pa you broke her heart
Ooh pa you broke her heart
You broke her heart
Ooh pa you broke her heart
Well the years rolled by
And 'fore we knew it
Our sister got married and moved out west
I stayed with ma, cos I couldn't desert her
I knew it would hurt her to be alone
So we pulled tighter
We said we'd try to make things easy
And raise a smile
But as the night came
We'd hear her crying
Praying for pa to come back again
I can remember
I'll never forgive him and I'll never forget
Cos pa you broke her heart
Oh pa you broke her heart
And then the winter came
I'd never known it colder
Ooh it seemed the worst for years
And the night she died I swear I saw her smiling
Saying I was a big boy now, no tears
So I packed up all we had, and Virgil got the horses
And we paid our last respects and gave the whip a crack
Ooh, seemed a big bad world, we were riding into
Me and Virgil both agreed, we best head off
And don't look back
Nothing but desert all around
Oh it made me wonder
Lord it's hard to carry on
When you're sick with hunger
Weeks and months of sleeping rough
Keeping clear of danger
Seems we were miles from anywhere
And too far gone to change it
We'd best keep going, don't look back
Well me and Virgil we beat the desert
Riding fast and riding hard
We hit the city, the past behind us
So we raised some hell, we had some fun
But real soon I met a lady oh so pretty, and oh so fine
'fore too long I found myself married
With a home of my own and a blue eyed son
And 'til this day I can hear ma saying to me -
"You're a big boy now"
Evidence Of Autumn (Banks)
The girl from all those songs
Who made everything feel right
She came in like an angel, into your lonely life
And filling your world with light
Oh, and everybody told you "you're oh so lucky"
Curtains part revealing a country scene
Clothed in green and brown
Evidence of autumn
And recent rain
On a winding lane, a byway
Walking on that road is a certain girl
In all the world the one
Guaranteed to move you and turn your head
When all's been said and done
The girl from all those songs
Who made everything feel right
She came in like an angel, into your lonely life
And filling your world with light
Oh, and everybody told you "you're oh so lucky"
The night is clear but cool
Ooh maybe dawn is breaking as you turn to find her gone
Then you see the note
Ooh you cannot believe it
And you think you'll go insane...
But that was many years ago
And though the pain is dim
A something still remains
Though you hardly can recall
Her face or form
Her memory lingers on
Ooh she made everything feel right
She came in like an angel (in like an angel),
Into your lonely life (into your life)
And filling your world with light
Oh and everybody told you "you're oh so lucky"
Open Door (Rutherford)
I see your smiling face, by the open door
There's the morning light
Shining in your hair, and in your eyes
And just a little way behind that smile of yours
I see another one, oh so far away
If only for one second, I could hold you close to me
When the Master calls for me again
There's nothing I can say, or I can do
Goodbye, my love
Time has come to say farewell
I hear the call again
Goodbye to the world
I've shouted for so long
Oh there's so much my love, that I can never say
And in a little while, in a little while
There's nothing left to see
As the years go by and I have not returned
And the night has come, falling all around
Ooh if you count the stars you'll know
How many have gone out
And when the Master calls for me again
There's nothing that I can say
Or I can do
Stand in the sun
Shut your eyes and feel the world
It's changing every day
Goodbye my love
Each day will seem so long
Ooh there's so much I feel, that I can never say
I can't see you
I can't feel you anymore
I've just a memory of that open door
It's Gonna Get Better (long version) (Banks/Collins/Rutherford)
Released as B-side of "Mama" 12" single, 1983.
Reach out, hands in the air,
Don't care just what they're saying
Hold out, just keep on hoping against hope
That it's gonna get better
Don't worry, there's no hurry for you, for me,
Everything's gonna come around
Shout out, someone will listen to you, to me,
Someone's gonna see
He calls me over and, calls me brother and I know
always fighting and moonlighting and, well it never ends
in the city, if you're all alone
there's a sister and she's standing next to her man
in the doorways and in the hallways and
she don't really care, it's the city and she's all alone
So reach out, hands in the air
Don't care just what they're saying
Hold out, just keep on hoping against hope,
That it's gonna get better
Don't worry, there's no hurry for you, for me,
Everything's gonna come around
Shout out, someone will listen to you, to me,
Someone's gonna see, yeah
Well everywhere you go you, you live in the shadow of fear
in the darkness you feel the sharpness of steel
and it's always there, in the city, and you're all alone
So reach out, hands in the air
Don't care just what they're saying
Hold out, just keep on hoping against hope,
That it's gonna get better
Don't worry, there's no hurry for you, for me,
Everything's gonna come around
Shout out, someone will listen to you, to me
Someone's gonna see...
If it's gonna get better, it starts with a feeling
If it's gonna get better, it's gonna take time
If it's gonna get better, we've gotta start now
cos I know, everybody can feel it
and I know, everybody will see it
cos it shows, and that shows I'm not dreaming
cos you know, and I know, it's time for change
Do The Neurotic (Banks/Collins/Rutherford)
Released as B-side of "In Too Deep" single and "Land Of Confusion" CD single, 1986.
(Instrumental)
Feeding The Fire (Banks/Collins/Rutherford, main lyricist Banks)
Released as B-side of "Land Of Confusion" single, 1986.
You are terrified by the smallest sound
Because you live your life in such a sheltered world
As do those who surround you
Well I have seen you stung by poisonous flies
And you suffer much too much from their bites
There you sit in your comfort watching other people get caught by the
storm
Many a thing that used to be a secret
Has become so talked about
Not worth a second thought
There's different kinds of secrets now
Times change, it's not enough to say
It seemed a good idea a hundred years ago
You think it's not your problem
It really doesn't matter at all
Every stone that's thrown must fall to the ground
But you don't give a thought to where they might come down
You are feeding the fire over which you'll be roasted
Anywhere that they don't speak the same
In any place that they don't think the same
You think it's not your problem
No no
You think it's not your problem
It really doesn't matter at all
Oh...
Maybe it's not your fate to be a leader of men
But you just leave it all to someone else and complain
You could be so much stronger, but it really doesn't matter any longer
Cos you're feeding the fire over which you'll be roasted
Cos you're feeding the fire over which you'll be roasted
I'd Rather Be You (Banks/Collins/Rutherford)
1986. Released as B-side of single "Throwing It All Away", 1987.
Ooh yeah
You know I never wanted to be closer
And I'll still be here until it's over
No, no I never wanted to be closer
But you'll be back, I could've told you
Well I always knew
Yes I could see it coming
Your ambitious streak
You always want things beyond your reach
Well now you've got what you wanted
And you're free to be the things
You always said you'd be
You're up there looking down
Tell me what do you see - oh
Cos you know
You know I never wanted to be closer
And I'll still be here until it's over
No, no I never wanted to be closer
Yeah, but you'll be back, I could've told you
Well it seems to me
That you've got to fight for yourself
In this world we live in
It's dog-eat-dog and never give in
Why worry when you're holding the aces
Don't throw it away cos you know
I'd rather be you than me
Up there looking down
Tell me what do you see - oh
hey hey yeah
Ooh yeah
You know I never wanted to be closer (never wanted)
And I'll still be here 'til it's over
No, no I never wanted to be closer (never wanted)
Ooh but you'll be back, I could've told you
It's been a long time coming
But at last we seem to be moving on, straight ahead
We're finally getting something done
Time flies and 'fore you know it
You'll be getting closer to where
You always knew you'd be
Up there looking down
Tell me what do you see - oh
Cos you know
No, no I never wanted to be closer (never wanted)
I'll still be here until it's over
No, you know I never wanted to be closer (never wanted)
Yeah but you'll be back, I could've told you
hey hey yeah...
On The Shoreline (Banks/Collins/Rutherford, main lyricist Banks)
Released as B-side of "I Can't Dance" single, 1991.
Well there's a place where two worlds collide
The pile of stone against the pull of the tide
You can stay with your feet on the ground
Or step into the water, leave the dry behind
On the shoreline
Meet me on the shoreline
Where you can only swim if you try
Well, if there's somewhere on the other side
It might be better, it might be as bad
Someday soon you'll have to make a move
Cos you can't stay forever, ah just waiting
On the shoreline (on the shoreline)
Meet me on the shoreline (on the shoreline)
Take me over, lead me through
Well can you take me there, to the other side
Where everything is new, uncertain and strange
Don't ever let me go till we're there
I don't know what it is I'm looking for
And until it's found I won't be sure...
Well, there are squares in the game of life
When you can keep on moving or turn aside
Yes, there are times when you have to decide
To put your feet in the water, or stay
On the shoreline (on the shoreline)
Meet me on the shoreline (on the shoreline)
Where you can only swim if you try
I'll be there - oh
On the shoreline (on the shoreline)
I'll be there on the shoreline (on the shoreline)
Where you can only swim if you try
I'll be there
I'll be there - oh
Yes, I'll be there
I'll be there...
Hearts On Fire (Banks/Collins/Rutherford)
1991. Released as B-side of "Jesus He Knows Me" single, 1992.
In life there are those decisions
Which direction you should take
It's only later that you realize
All those simple mistakes you
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