Here are some soundtrack samples taken directly from the film as well as some
quotes from Kenneth Branagh about the score.

If you Have any contributions or  any ideas, please let me know.

Soundtrack samples are compliments of CDNow.  You can buy this soundtrack from CDNow here

One of the questions I was repeatedly asked during the
         tortuous process of raising money for Henry V was:
         'How are you going to make it appeal to a wider audience?'
         In answer I would describe as best I could my belief in
         a modern view of the play: it emerges as a political
         thriller, a warts-and-all study of leadership, a
         complex debate about war and the pity of war, an
         uncompromising analysis of the English class system and
         of the gulf between male and female attitudes to this
         type of savage conflict. This tremendously rich mixture
         is wrapped up in a relentlessly gripping narrative. To
         convey this a strong visual style that could appeal to an
         audience on the edge of the 1990s was vitally necessary.
         The crucial bending agent in all this was the music.
         From my very first conversations with Pat Doyle
         I encouraged him to be as bold as possible. The film was
         taking what I believed to be legitimate historical license
         with costumes, sets and military detail. I wanted the
         musical approach to be equally uninhibited. I required
         no authentically 'medieval' sounds; the score needed to
         be of our time, classically rich in tone but instantly
         accessible. One of Pat's great gifts is for melody, and I
         wanted every tune to make an impact. The great set
         pieces needed underscoring as powerful and
immediate as the words themselves.
         The challenge was enormous. Quite apart from the
         extraordinary standard set by Pat's illustrious
         predecessor in the task, there were great pitfalls.
         Instantly appealing music could mean instantly forgotten
         music: I felt the score should remain with the audience
         as long as the pictures did. Then there was the delicate
         balance to strike with Shakespeare's golden words: we
         couldn't allow the music to swamp the text. As a
         layman, I provided Pat with an eclectic array of musical
         references, from Paul McCartney to 'Land of Hope and
         Glory'. And always, always I encouraged size: the epic
         approach, thunderous, full-blooded, heroic size.
         I intended the film to move people to every possible
         extreme of emotion. Great beauty, bravery and variety
         were required of the score. Pat took all this on board
         and applied himself to the task with the most
         extraordinary diligence. What he produced surpassed
         my wildest expectations. A score of immense variation,
         power and melodic beauty, it as much as any other
         element gives this film the chance of having a truly
         popular appeal. The music combines fearsome
         emotional guts with a magnetic 'hummability'.
         Our final musical blessing was to have the genius of
         Simon Rattle conducting the CBSO. In a technically
         frustrating process Simon threw off the shackles of film
 timing constraints and allowed his marvelous orchestra
         to produce a greater sense of spontaneous 'heart' than I
         had thought possible. I am very proud to have been one
         of those who brought Pat Doyle and Simon Rattle
         together, and I am very grateful to them both. I hope
         you enjoy their collaboration on this remarkable score.

-KENNETH BRANAGH