Date sent: Sat, 4 Jul 1998
Dear Midpointers,
Recently we have read on this list several inaccurate
historical facts
about Witte, plus several corrections. The following was passed
on to
me and comes from my favourite astrology book, 'Working With
Astrology' by Harding and Harvey. Your local bookstore should
be able
to order this book, or go to our web site for details. It is
the sort
of book that captivates the reader almost like a mystery novel, imho.
Happy reading,
Steve
Alfred Witte was the first person really to get to grips with the
idea
of midpoints, and of planetary symmetries in general. He spent
his
life investigating the interpretation of such symmetries and patterns
of relationships using a movable dial, which will be described more
fully later. This dial allowed Witte and his colleagues to identify
quickly in any chart the way whole series of symmetrical midpoints
and
sensitive points (alias parts) were interrelating and resonating
around the chart, binding the ideas and energies of the planets
involved together in unique patterns.
He was able to show that transits and directions to such points
trigger off these much larger interconnected patterns of meaning
in
the life, thereby enabling the astrologer to be far more precise in
his interpretation of the energies available at any particular period
in a client's life. Witte was a surveyor by profession and was
employed by the city of Hamburg, where, among other things, he set
out
the municipal airport. In 1913 he was invited as an amateur astrologer
to give a talk to the Hamburg Kepler Circle by its chairman Friedrich
Sieggruen (20 December 1877-4 May 1951). This meeting with Sieggruen
was the beginning of a life-long friendship which seems to have given
Witte the impetus he needed to develop his astrol ogical ideas. And
of
all the many ideas and insights to come from
Witte's extraordinarily
fertile mind, his elaboration of the idea
of planetary symmetries and
of midpoint combinations must un doubtedly
mark him out as one of the
most important figures in the history of modern
astrology.
Working through the First World War with Sieggruen and his other
colleagues, such as Hermann Lefeldt (29 June 1899-1 June 1977) and
Ludwig Rudolph (9 January 1893-14 July 1982), in what became known
as
the Hamburg School, Witte was able,
through the examination of
thousands of charts and precisely timed events, for example
the moment
of artillery barrages and explosions on the Western Front, to produce
perhaps the first major advance in interpretational techniques since
Ptolemy.
Taking'problem' charts which did not obviously reveal the known
qualities of the moment, Witte found on close examination that
appropriate chart factors, which were not necessarily in any
conventional aspect, were forming symmetrical 'pictures' and midpoint
combinations within tight orbs. Thus he noticed that artists often
tended to have the Mercury/Venus midpoint involved with the MC; that
where the Sun was involved in the midpoint there was a possible gift
for the plastic arts, such as sculpture, and where the Moon was
involved painting talent was to the fore. By contrast he noted that
Uranus with Mercury and Venus tended to give mathematical talent, as
did, for example, the MC and/or the Moon when involved in a
symmetrical midpoint picture with Mercury and Uranus. Likewise Witte
and his colleagues noted that the charts of accidents showed the
symmetrical arrangements of the Ascendant with Mars and Uranus, such
as the Ascendant or Mars being on the Ascendant/Uranus midpoint or
Uranus being on the Mars / Ascendant midpoint. As we shall see later,
he subsquently came to realize that such midpoint combinations could
also be activated when planets were in hard aspect, 45°,
90°, 135°, or
180° to the midpoint.
During his life Witte generalized his findings into an entirely
new system of astrology which emphasized the paramount importance of
such 'planetary pictures' in understanding the chart of any moment.
He
first began writing up these ideas and observations in astrological
periodicals in 1919. Then in 1928, after a further decade of study
and
research, he published, together with Lefeldt, a summary of his
findings in their major systematized dictionary, Regelwerk fuer
Planelenbilder (Rules for Planetary Pictures), a work which, in
revised editions, continues to be the cornerstone of the
Hamburg'school today.
However, despite Witte's desire to simplify and rationalize
astrological interpretation, and to bring astrology into the twentieth
century, his ideas appeared too radical and, in a pre-computer
age,
too technical, for the mainstream of traditionalists. Outside of
Germany his ideas made some slow headway in the USA. But in general
his work was ignored by most students until well after the Second
World War. His concepts only really began to penetrate the
astrological establishment in the 1950s and 1960s...
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