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Parts of Dil Se.. have eloquent power-Meghna’s flashback, recalling the atrocities her people suffered, Amar’s anguished love, the build up to the climax. The locations and camerawork, by National Award-winning cinematographer Santosh Sivan, is brilliant. So is Shah Rukh’s performance. He’s come a long way from his self-confessed stock of five expressions. His charisma and energy are palpable. And Zinta, fresh and bubbly as the waterfall she dances under in Liril commercials, is a sprightly presence.
But Dil Se... is hobbled by stilted writing. This is Mani’s first Hindi film and his hold on nuances and details, so evident in Roja and Bombay. is missing. The dialogue is often awkward and the screenplay turgid. The songs, though catchy and imaginatively choreographed by Farah Khan, are surreal set pieces that seem tacked on randomly. And though Mani promises a breathtaking Republic day parade climax, he doesn’t follow it through. But the biggest problem is that Dil Se... takes itself too seriously. High on technique and low on emotions, every frame strives for profundity and after a while, it all becomes a bit of a bore.
Amid the reels of tripe churned out by Bollywood every week, Dil Se... is a noble attempt. But coming from Mani, that’s simply not good enough.
-India Today
click on thumbnails to view pictures ...
1.Hub(attraction) |
2.Uns (infatuation) the touch of the eyes was as if, it was... |
3.Ishq(love) the flame of her body is felt, his breath starts igniting... |
4.Aquidat(reverance) she touches him like a whisper, as if silence is mixed in her eyes, he prays, a little consciously, a little unconsciously... |
5.Ibaadat(worship) he is entangled on her path, entangled in her arms love now turns to... |
6.Junoon(Obsession) living is an obsession... dying is an obsession... apart from this there is no peace... |
7.Maut(death) let him rest in the lap of death... let him drown his body in her soul... |
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