American Pie - The Meaning
Mood:  chatty
Now Playing: "Yellow" - Coldplay
Topic: Music
No posts of any significance forever and then three posts in one day! If you've been with us since the beginning, you know that's how it is. Be sure to check out today's other posts (below this one) because they are pretty neat - esp the one about Space Odessy.
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I was discussing with one of my brothers about the meaning behind American Pie because he didn't know what it meant. Here it is, listed below, as reported from this site.

AMERICAN PIE by Don McLean

The entire song is a tribute to Buddy Holly and a commentary on how
rock and roll changed in the years since his death. McLean seems to
be lamenting the lack of "danceable" music in rock and roll and
(in part) attributing that lack to the absence of Buddy Holly et. al.

(Verse 1)
A long, long time ago...

"American Pie" reached #1 in the US in 1972, but the album containing
it was released in 1971. Buddy Holly et.al. died in 1959.

I can still remember how
That music used to make me smile.
And I knew if I had my chance,
That I could make those people dance,
And maybe they'd be happy for a while.

One of early rock and roll's functions was to provide dance music for
various social events. McLean recalls his desire to become a musician
playing that sort of music.

But February made me shiver,

Buddy Holly died on the night of February 2, 1959 in a plane crash
in Iowa during a snowstorm. The news came to most of the world
on the morning of February 3, which is why it's known as The Day
The Music Died.

With every paper I'd deliver,

Don McLean's only job besides being a full-time singer-songwriter
was being a paperboy.

Bad news on the doorstep...
I couldn't take one more step.
I can't remember if I cried
When I read about his widowed bride

Holly's recent bride was pregnant when the crash took
place; she had a miscarriage shortly afterward.

But something touched me deep inside,
The day the music died.

The same plane crash that killed Buddy Holly also took the lives of
Richie Valens ("La Bamba") and The Big Bopper ("Chantilly Lace").
Since all three were so prominent at the time, February 3, 1959
became known as "The Day The Music Died".

So...

(Refrain)

Bye bye Miss American Pie,

Miss American Pie *is* rock and roll music.

Don McLean dated a Miss America candidate during the pageant.
(unconfirmed)

Drove my Chevy to the levee but the levee was dry
Them good ol' boys were drinkin whiskey and rye
Singing "This'll be the day that I die,
This'll be the day that I die."

One of Holly's hits was "That'll be the Day"; the chorus contains the
line "That'll be the day that I die".

(Verse 2)
Did you write the book of love,

"The Book of Love" by the Monotones; hit in 1958.

And do you have faith in God above,
If the Bible tells you so?

In 1955, Don Cornell did a song entitled "The Bible Tells Me So".
Rick Schubert pointed this out, and mentioned that he hadn't heard
the song, so it was kinda difficult to tell if it was what McLean
was referencing. Dave Tutelman tells me that this particular song
wasn't exactly a gem of rock 'n roll.

There's also an old Sunday School song which goes:
"Jesus loves me this I know, for the Bible tells me so"
(Stephen Joseph Smith tells me that Bartlett's gives the source
of this as "The Love of Jesus", by Anna Bartlett Warner, 1858.)

Now do you believe in rock 'n roll?

The Lovin' Spoonful had a hit in 1965 with John Sebastian's
"Do you Believe in Magic?". The song has the lines:
"Do you believe in magic" and
"It's like trying to tell a stranger 'bout rock and roll."

Can music save your mortal soul?
And can you teach me how to dance real slow?

Dancing slow was an important part of early rock and roll dance
events -- but declined in importance through the 60's as things
like psychedelia and the 10-minute guitar solo gained prominence.

Well I know you're in love with him
'Cause I saw you dancing in the gym

Slowdancing COULD just be dancing, or it could be vertical
"making out". It wasn't hard to watch a couple slow-dancing
and figure out whether they had some sort of relationship, if
you knew anything about slow dancing. So just the fact they
were dancing didn't tell you anything, but if "I saw you
dancing in the gym" I could tell from watching whether
there was anything between you (figuratively :-). (Thanks
to Dave Tutelman for this note.)

You both kicked off your shoes

A reference to the beloved "sock hop". (Leather-soled street
shoes tear up wooden basketball floors, and rubber-soled sneakers
grip too much for dance moves, so dancers had to take off their shoes.)

Man, I dig those rhythm 'n' blues

Some history. Before the popularity of rock and roll, music, like
much else in the U. S., was highly segregated. The popular music of
black performers for largely black audiences was called, first,
"race music", later softened to rhythm and blues. In the early 50s,
as they were exposed to it through radio personalities such as
Allan Freed, white teenagers began listening, too. Starting around
1954, a number of songs from the rhythm and blues charts began
appearing on the overall popular charts as well, but usually in cover
versions by established white artists, (e. g. "Shake Rattle and Roll",
Joe Turner, covered by Bill Haley; "Sh-Boom", the Chords,
covered by the Crew-Cuts; "Sincerely", the Moonglows, covered by
the Mc Guire Sisters; Tweedle Dee, LaVerne Baker, covered by
Georgia Gibbs). By 1955, some of the rhythm and blues artists,
like Fats Domino and Little Richard were able to get records on
the overall pop charts. In 1956 Sun records added elements of
country and western to produce the kind of rock and roll tradition
that produced Buddy Holly. (Thanks to Barry Schlesinger for this
historical note. ---Rsk) (Oh...and Barry, Dave Tutelman wants to
know if you were Bronx Science class of '58.)

I was a lonely teenage broncin' buck
With a pink carnation and a pickup truck

"A White Sport Coat (And a Pink Carnation)", was a hit for
Marty Robbins in 1957. The pickup truck has endured as a symbol of
sexual independence and potency, especially in a Texas context.
(Also, Jimmy Buffet does a song about "a white sport coat and a pink
crustacean". :-) )

But I knew that I was out of luck
The day the music died
I started singing...

Refrain

(Verse 3)
Now for ten years we've been on our own

McLean was writing this song in the late 60's, about ten years after
the crash.

And moss grows fat on a rolling stone

It's unclear who the "rolling stone" is supposed to be. It could be
Dylan, since "Like a Rolling Stone" (1965) was his first major hit;
and since he was busy writing songs extolling the virtues of simple
love, family and contentment while staying at home (he didn't tour
from '66 to '74) and raking in the royalties. This was quite a
change from the earlier, angrier Dylan.

The "rolling stone" could also be Elvis, although I don't think he'd
started to pork out by the late sixties.

It could refer to rock and rollers in general, and the changes that
had taken place in the business in the 60's, especially the huge
amounts of cash some of them were beginning to make, and the
relative stagnation that entered the music at the same time.

Or, perhaps it's a reference to the stagnation in rock and roll.

Or, finally, it could refer to the Rolling Stones themselves;
a lot of musicians were angry at the Stones for "selling out".
Howard Landman points out that John Foxx of Ultravox was sufficiently
miffed to write a song titled "Life At Rainbow's End (For All The
Tax Exiles On Main Street)". The Stones at one point became
citizens of some other country merely to save taxes.

But that's not how it used to be
When the jester sang for the King and Queen

The jester is Bob Dylan, as will become clear later. There are several
interpretations of king and queen: some think that Elvis Presley is
the king, which seems pretty obvious. The queen is said to be either
Connie Francis or Little Richard. But see the next note.

An alternate interpretation is that this refers to the Kennedys
-- the king and queen of "Camelot" -- who were present at a
Washington DC civil rights rally featuring Martin Luther King.
(There's a recording of Dylan performing at this rally.)

In a coat he borrowed from James Dean

In the movie "Rebel Without a Cause", James Dean has a red windbreaker
that holds symbolic meaning throughout the film (see note at end).
In one particularly intense scene, Dean lends his coat to a guy who
is shot and killed; Dean's father arrives, sees the coat on the
dead man, thinks it's Dean, and loses it.

On the cover of "The Freewheelin' Bob Dylan", Dylan is wearing just
such as red windbreaker, and is posed in a street scene similar to
one shown in a well-known picture of James Dean.

Bob Dylan played a command performance for the Queen of England.
He was *not* properly attired, so perhaps this is a reference
to his apparel.

And a voice that came from you and me

Bob Dylan's roots are in American folk music, with people like
Pete Seeger and Woody Guthrie. Folk music is by definition the
music of the masses, hence the "...came from you and me".

Oh, and while the King was looking down
The jester stole his thorny crown

This could be a reference to Elvis's decline and Dylan's ascendance.
(i.e. Presley is looking down from a height as Dylan takes his place.)
The thorny crown might be a reference to the price of fame. Dylan has
said that he wanted to be as famous as Elvis, one of his early idols.

The courtroom was adjourned,
No verdict was returned.

This could be the trial of the Chicago Seven, but McLean seems
to be talking about music, not politics at this point in the song.
With that in mind, perhaps he meant that the arguments between
Dylan and Elvis fans over who was better just couldn't be settled.

And while Lennon read a book on Marx,

Literally, John Lennon reading about Karl Marx; figuratively, the
introduction of radical politics into the music of the Beatles.
(Of course, he could be referring to Groucho Marx, but that doesn't
seem quite consistent with McLean's overall tone. On the other hand,
some of the wordplay in Lennon's lyrics and books is reminiscint
of Groucho.) The "Marx-Lennon" wordplay has also been used by others,
most notably the Firesign Theatre on the cover of their album
"How Can You Be In Two Places At Once When You're Not Anywhere At All?".
Also, a famous French witticism was "Je suis Marxiste, tendance
Groucho."; "I'm a Marxist of the Groucho variety".

It's also a pun on "Lenin".

The quartet practiced in the park

There are two schools of thought about this; the obvious one is the
Beatles playing in Shea Stadium, but note that the previous line has
John Lennon *doing something else at the same time*. This tends to
support the theory that this is a reference to the Weavers, who were
blacklisted during the McCarthy era. McLean had become friends with
Lee Hays of the Weavers in the early 60's while performing in
coffeehouses and clubs in upstate New York and New York City.
He was also well-acquainted with Pete Seeger; in fact, McLean,
Seeger, and others took a trip on the Hudson river singing
anti-pollution songs at one point. Seeger's LP "God Bless the Grass"
contains many of these songs.

And we sang dirges in the dark

A "dirge" is a funeral or mourning song, so perhaps this is meant
literally...or, perhaps, this is a reference to some of the new
"art rock" groups which played long pieces not meant for dancing.

The day the music died.
We were singing...

Refrain

(Verse 4)
Helter Skelter in a summer swelter

"Helter Skelter" is a Beatles song which appears on the "white"
album. Charles Manson, claiming to have been "inspired" by the
song (through which he thought God and/or the devil were taking
to him) led his followers in the Tate-LaBianca murders.

Is "summer swelter" a reference to the "Summer of
Love" or perhaps to the "long hot summer" of Watts?

The birds flew off with the fallout shelter
Eight miles high and falling fast

The Byrd's "Eight Miles High" was on their late 1966 release
"Fifth Dimension". It was one of the first records to be widely
banned because of supposedly drug-oriented lyrics.

It landed foul on the grass

One of the Byrds was busted for possesion of marijuana.

The players tried for a forward pass

Obviously a football metaphor, but about what? It could be
the Rolling Stones, i.e. they were waiting for an opening which
really didn't happen until the Beatles broke up.

With the jester on the sidelines in a cast

On July 29, 1966, Dylan crashed his Triumph 55 motorcycle while
riding near his home in Woodstock, New York. He spent nine months
in seclusion while recuperating from the accident.

Now the halftime air was sweet perfume

Drugs, man.

Well, now, wait a minute; that's probably too obvious. It's possible
that this line and the next few refer to the 1968 Democratic National
Convention. The "sweet perfume" is probably tear gas.

While sergeants played a marching tune

Following from the thought above, the sergeants would be the Chicago
Police and the Illinois National Guard, who marched the protestors
out of the park and into jail.

Alternatively, this could refer to the Beatles' "Sgt. Pepper's
Lonely Hearts Club Band". Or, perhaps McLean refers to the
Beatles' music in general as "marching" because it's not music
for dancing. Or, finally, the "marching tune" could be the draft.

We all got up to dance
Oh, but we never got the chance

The Beatles' 1966 Candlestick Park concert only lasted 35 minutes.

Or, following on from the previous comment, perhaps
he meant that there wasn't any music to dance to.

'Cause the players tried to take the field,
The marching band refused to yield.

Some folks think this refers to either the 1968 Deomcratic Convention
or Kent State; following on from the Chicago reference above,
this could be another comment on protests. But perhaps the players
are the protestors at Kent State, and the marching band the
Ohio National Guard...

This could be a reference to the dominance of the Beatles on the rock
and roll scene. For instance, the Beach Boys released "Pet Sounds"
in 1966 -- an album which featured some of the same sort of studio
and electronic experimentation as "Sgt. Pepper" (1967) -- but the album
sold poorly.

This might also be a comment about how the dominance of the Beatles
in the rock world led to more "pop art" music, leading in turn
to a dearth of traditional rock and roll.

Or finally, this might be a comment which follows up on the earlier
reference to the draft: the government/military-industrial-complex
establishment refused to accede to the demands of the peace movement.

Do you recall what was revealed,
The day the music died?
We started singing

Refrain

(Verse 5)
And there we were all in one place

Woodstock.

A generation lost in space

Some people think this is a reference to the US space program,
which it might be; but that seems a bit too literal. Perhaps this
is a reference to hippies, who were sometimes known as the
"lost generation", partially because of their particularly acute
alientation from their parents, and partially because of their
presumed preoccupation with drugs.

It could also be a reference to the awful TV
show, "Lost in Space", whose title was sometimes
used as a synonym for someone who was rather high...
but I keep hoping that McLean had better taste. :-)

With no time left to start again

The "lost generation" spent too much time being stoned, and had wasted
their lives? Or, perhaps, their preference for psychedelia had pushed
rock and roll so far from Holly's music that it couldn't be retrieved.

So come on Jack be nimble Jack be quick

Probably a reference to Mick Jagger of the Rolling Stones;
"Jumpin' Jack Flash" was released in May, 1968.

Jack Flash sat on a candlestick

The Stones' Candlestick park concert? (unconfirmed)

'Cause fire is the devil's only friend

"Sympathy for the Devil", by the Stones -- seems to fit with
some of the surrouding material.

It's possible that this is a reference to the Grateful
Dead's "Friend of the Devil". But I doubt it.

An alternative interpretation of the last four lines is that they
may refer to Jack Kennedy and his quick decisions during the
Cuban Missile Crisis; the candlesticks/fire refer to ICBMs
and nuclear war.

And as I watched him on the stage
My hands were clenched in fists of rage
No angel born in hell
Could break that satan's spell

While playing a concert at the Altamont Speedway in 1968, the Stones
appointed members of the Hell's Angels to work security (on the
advice of the Grateful Dead). In the darkness near the front of the
stage, a young man named Meredith Hunter was beaten and stabbed to
death -- by the Angels. Public outcry that the song "Sympathy for
the Devil" had somehow incited the violence caused the Stones to
drop the song from their show for the next six years. This incident
is chronicled in the documentary film "Gimme Shelter".

It's also possible that McLean views the Stones as being negatively
inspired (remember, he had an extensive religious background) by
virtue of "Sympathy for the Devil", "Their Satanic Majesties' Request"
and so on. I find this a bit puzzling, since the early Stones
recorded a lot of "roots" rock and roll, including Buddy Holly's
"Not Fade Away".

And as the flames climbed high into the night
To light the sacrificial rite

The most likely interpretation is that McLean is still talking
about Altamont, and in particular Mick Jagger's prancing and posing
while it was happening. The sacrifice is Meredith Hunter, and the
bonfires around the area provide the flames.

(It could be a reference to Jimi Hendrix burning his Stratocaster
at the Monterey Pop Festival, but that was in 1967 and this verse
is set in 1968.)

I saw satan laughing with delight

If the above is correct, then Satan would be Jagger.

The day the music died
He was singing...

Refrain

(Verse 6)
I met a girl who sang the blues

Janis Joplin.

And I asked her for some happy news
But she just smiled and turned away

Janis died of an accidental heroin overdose on October 4, 1970.

I went down to the sacred store
Where I'd heard the music years before

There are two interpretations of this: The "sacred store" was
Bill Graham's Fillmore West, one of the great rock and roll venues
of all time. Alternatively, this refers to record stores, and their
longtime (then discontinued) practice of allowing customers to
preview records in the store. (What year did the Fillmore West
close?)

It could also refer to record stores as "sacred" because this is where
one goes to get "saved".
(See above lyric "Can music save your mortal soul?")

But the man there said the music wouldn't play

Perhaps he means that nobody is interested in hearing Buddy Holly
et.al.'s music? Or, as above, the discontinuation of the in-store
listening booths.

It's also possible that this line and the two before it refer
to the closing of the Fillmore West in 19?? -- but I've been
unable to verify that it was actually closed when this song
was written.

And in the streets the children screamed

"Flower children" being beaten by police and National Guard troops;
in particular, perhaps, the People's Park riots in Berkeley in
1969 and 1970.

The lovers cried and the poets dreamed

The trend towards psychedelic music in the 60's?

But not a word was spoken
The church bells all were broken

It could be that the broken bells are the dead musicians: neither can
produce any more music.

And the three men I admire most
The Father Son and Holy Ghost

Holly, The Big Bopper, and Valens
-- or --
Hank Williams, Presley and Holly
-- or --
JFK, Martin Luther King, and Bobby Kennedy
-- or --
or the Catholic aspects of the deity.
McLean had attended several Catholic schools.

They caught the last train for the coast

Could be a reference to wacky California religions, or could just be
a way of saying that they've left (or died -- western culture often
uses "went west" as a synonym for dying). Or, perhaps this is a
reference to the famous "God is Dead" headline in the New York Times.
David Cromwell has suggested that this is an oblique reference to
a line in Procol Harum's "Whiter Shade of Pale", but I'm not sure
I buy that; for one thing, all of McLean's musical references are
to much older "roots" rock and roll songs; and secondly, I think it's
more likely that this line shows up in both songs simply because it's
a common cultural metaphor.

The day the music died

This tends to support the conjecture that the "three
men" were Holly/Bopper/Valens, since this says that
they left on the day the music died.

And they were singing...


Refrain (2x)



Chords to the song:

The song appears to be in G; the chords are:

Intro: G Bm/F# Em . Am . C .
Em . D . . .
G Bm/F# Em . Am . C .
Em . A . D . . .
Em . Am . Em . Am .
C G/B Am . C . D .
G Bm/F# Em . Am . C .
G Bm/F# Em . Am . D .
G . C . G . D .

Chorus: G . C . G . D .
G . C . G . D .
G . C . G . D .

Em . . . A . . . (all but
Em . . . D . . . last chorus)

C . D . G C G . (last chorus)


Other notes:

"Killing Me Softly With His Song", Roberta Flack's Grammy Award-winning
single of 1973, was written by Charles Gimble and Norman Fox about McLean.

The Big Bopper's real name was J.P. Richardson. He was a DJ for a
Texas radio station, KTRM, who had one very big novelty hit, the very well
known "Chantilly Lace". There was a fourth person who was going to
ride the plane. There was room for three, ahd the fourth person lost
the toss -- or should I say won the toss. His name is Waylon
Jennings...and to this day he refuses to talk about the crash.
( Jennings was the bass player for Holly's band at the time. Some people
say that Holly had chartered the plane for his band, but that Valens
and/or Richardson was sick that night and asked to take the place of
the band members.)

About the "coat he borrowed from James Dean": James Dean's red
windbreaker is important throughout the film, not just at the end.
When he put it on, it meant that it was time to face the world, time to
do what he thought had to be done, and other melodramatic but
thoroughly enjoyable stuff like that. The week after the movie came
out, virtually every clothing store in the U.S. was sold out
of red windbreakers. Remember that Dean's impact was similar
to Dylan's: both were a symbol for the youth of their time, a reminder
that they had something to say and demanded to be listened to.

American Pie is supposed to be the name of the plane that crashed,
containing the three musicians who died. (Reported by Ronald van Loon
from the discussion on American Pie, autumn 1991, on rec.music.folk)

Dan Stanley mentioned an interesting theory involving all of this;
roughly put, he figures that if Holly hadn't died, then we would not
have suffered through the Fabian/Pat Boone/et.al. era...and as a consequence,
we wouldn't have *needed* the Beatles -- Holly was moving pop music away
from the stereotypical boy/girl love lost/found lyrical ideas, and was
recording with unique instrumentation and techniques...things that Beatles
wouldn't try until about 1965. Perhaps Dylan would have stuck with the
rock and roll he played in high school, and the Byrds never would have
created an amalgam of Dylan songs and Beatle arrangements.

Lynn Gold tells me that "Life" magazine carried an annotated version
of American Pie when the song came out; does anybody have a copy?
If so, please contact me, because I'd love to see it.

Still other :-) notes:

Andrew Whitman brings a sense of perspective to all of this by noting:

>As to what they threw off the bridge, Bobbie Gentry once went on record with
>the statement that it was the mystery that made the song, and that the mystery
>would remain unsolved. Don McLean later used the same device to even greater
>success with "American Pie," which triggered a national obsession on figuring
>out the "real meaning" of the song.

Well, probably not a national obsession, but certainly the life's work
of many talented scholars. According to the latest edition of the
"American Pie Historical Interpretive Digest" (APHID), noted McLean
historian Vincent Vandeman has postulated that cheezy country
songs may have played a much more prominent role in the epic
composition than had originally been thought. In particular, the
"widowed bride," usually supposed to be either Ella Holly or
Joan Rivers, may in fact be Billie Jo. According to this radical
exegesis, the "pink carnation" of McLean's song is probably what
was thrown off the Tallahatchie Bridge, and was later found by
the lonely, teenaged McLean as he wandered drunkenly on the levee.

Of course, such a view poses problems. McLean vehemently denies any
knowledge of Choctaw Ridge, and any theory linking the two songs
must surely address this mysterious meeting place of Billie Jo and
her husband Billy Joe. Vandeman speculates that Choctaw Ridge may
have been the place McLean drove his Chevy after drinking whiskey
and rye, and that McLean may have been unaware of the name because
of his foggy mental state. Still, there appear to be many tenuous
connections in Vandeman's interpretation - Tammy Wynette as the
girl who sang the blues, the proposed affair between Wynette and
Billie Joe which later led to d-i-v-o-r-c-e and Billy Joe's
suicide, the mysterious whereabouts of George Jones, and why
McLean insisted on driving a Chevy to the levee instead of a more
economical Japanese car.

My own view is that none of it makes much sense. Vandeman's theory
is intriguing, but it seems far more logical to hold to the traditional
interpretation of "American Pie" as an eschatological parable of
nuclear destruction and the rebirth of civilization on Alpha Centauri.

[ Thanks, Andrew. I'll take it under advisement. Oh, and I've
forwarded this to Mulder and Scully for their take on it. ;-) ---Rsk ]


References:

Billboard Book of Number One Hits, by Fred Bronson, Billboard, 1985.

Encyclopedia of Pop, Rock and Soul, revised edition, by Irwin Stambler,
St. Martin's Press, 1989.

Return of the Straight Dope, by Cecil Adams, Ballatine Books, 1994, p.398.

Rock Chronicle, by Dan Formento, Delilah/Putnam, 1982.

Rock Day by Day, by Steve Smith and the Diagram Group, Guiness Books, 1987.

Rock Topicon, by Dave Marsh, Sandra Choron and Debbie Geller,
Contemporary Books, 1984.

Rolling Stone Encyclopedia of Rock & Roll, ed. by Jon Pareles and
Patricia Romanowski, Rolling Stone Press/Summit Books, 1983.

Rolling Stone Record Guide, ed. by Dave Marsh with John Swenson, Random
House/Rolling Stone Press, 1979.

The Sixties: Years of Hope, Days of Rage, by Todd Gitlin, Bantam Book, 1987.

Smiling Through the Apocalypse: Esquire's History of the Sixties, ed. by
Harold Hayes, Esquire Press, 1987.

It was Twenty Years ago Today: An Anniversary Celebration of 1967, by
Derek Taylor, Fireside, 1987.

Don Wegeng mentioned that some of his comments came from an interpretation
broadcast by radio station WIFE (AM) in Indianapolis, which was the most
popular station in Indy when American Pie was a hit.


Credits, in rough chronological order:

(The names of these first few are lost in the mists of the
heady early days of Usenet. If they'd like to step forward,
I'd be happy to add their real names to their !-land addresses.)
wombat@ccvaxa.uucp
ihuxr!steck
steiny@idsvax.uuucp
ihldt!bnp
sbcs!murray
fortune!grw
iws@rayssdb.ray.com (Ihor W. Slabicky)
tugs@csri.toronto.edu (Stephen Hull)
dko@calmasd.ge.com (Dan O'Neill)
ssm@calmasd.ge.com (Sharon McBroom)
mfterman@phoenix.princeton.edu (Martin Terman)
rsk@gynko.circ.upenn.edu (Rich Kulawiec)
tim@tcom.stc.co.uk (Tim Kennedy)
rns@tortuga.sandiego.ncr.com (Rick Schubert)
paul@moore.com (Paul Maclauchlan)
rvloon@cv.ruu.nl (Ronald van Loon)
wirth@sdsc.edu (Colleen Wirth)
nelson@berlioz.nsc.com (Taed Nelson)
bschlesinger@nssdca.gsfc.nasa.gov (Barry Schlesinger)
Thomas.Sullivan@cs.cmu.edu (Tom Sullivan)
H.Edwards@massey.ac.nz (Howard Edwards)
gerry@macadam.mpce.mq.edu.au (Gerry Myerson)
rice@mcz.harvard.edu
dave@jato.jpl.nasa.gov (Dave Hayes)
rlwilliams@gallua.bitnet (Robert L. Williams)
bee@ms.uky.edu (Elizabeth Gilliam)
chris@gandalf.ca (Chris Sullivan)
dtpilkey@mailbox.syr.edu (David T. Pilkey)
Dan Stanley at Fitchburg State College (courtesy of
Timothy J. Stanley, tjs@z.eecs.umich.edu)
lgold@cadence.com (Lynn Gold)
ajw@cbnews.cb.att.com (Andrew J. Whitman)
landman@hal.com (Howard Landman)
wegeng@eso.mc.xerox.com (Don Wegeng)
al@jupiter.nmt.edu (Al Stavely)
David (D.C.) Cromwell
Jeffrey Ma (jma@pediatrics.medsch.ucla.edu)
Jim Burrill (James_N._Burrill.OSBU_North@xerox.com)
Jim Jewett
Dave Tutelman
HISCAP@LUSTA.latrobe.edu.au
exuhag@exu.ericsson.se (James Hague)
Brian.Scearce@Eng.Sun.COM (Brian Scearce)
jimh@ci.ft-wayne.in.us (James Haley)
sjsmith@cs.UMD.EDU (Stephen Joseph Smith)
kjbogart@midway.uchicago.edu (Kevin John Bogart)

Revision history:

1/20/92 Constructed from various old postings
1/27/92 Added comments from Usenetters on first draft
2/3/92 More comments folded in; reposted today, the
anniversary of The Day the Music Died
8/18/92 Added comments generated by the Februrary posting.
1/3/93 Caught up on lots of updates that have been languishing
in my inbound mail queue for months.
4/2/93 Rearranged much of the text, incorporated more feedback
from readers, and moved the credits and history to the end.
2/3/95 Reposted again on the day the music died, even though
many of the changes aren't in yet.
2/3/97 Massively updated and reposted again on the day the music died.
Submitted to the FAQ queue so that it'll come out once
a month in the future.

Posted by Eric at 8:20 PM EST

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2001: A Genius Movie
Mood:  chatty
Topic: movies
I watched 2001: A Space Odessy today because I hadn't seen it since I was in middle school and wanted to see if a second viewing would help me understand the last quarter of the movie. It didn't help; I was just as clueless as the first time I'd seen it. I was really ticked at having spent two hours and twenty minutes on something that made no sense. But then I came across this site which does an amazing job of explaining the movie.

Here are some other pretty good references. While the previously listed is a VERY good one for the general themes of the movie, this site does a really good job of explaining some of the deeper meanings.

One shorter explanation of yet another set of themes can be found here.

Enjoy! But, see the movie before checking these sites out!

#600
Mood:  chatty
Now Playing: "More Thank Fine" - Switchfoot
Topic: Linux
Welcome to post #600! I can hardly believe I've made that many posts!

One of the great things about opensource software is the fact that anyone can take any piece of software and develop for it, free of charge. This leads to Linux having some pretty interesting software suits when compared to Windows. Take K3B, for example, which I spoke of in a previous post. This is the Nero/Roxio-like CD/DVD burner for Linux. The program is really not a program in its own right, but rather is simply a graphical interface to many other programs commonly found on Linux computers. For example, in the olden days of Linux, in order to burn a CD you had to first make an image file for the CD. Then, depending upon the type of CD to burn, you would select a program to burn it. If you look within K3B's options, you will see that it is using each of these programs to actually do the dirty work, while its main task is simply to give you a pretty GUI. There are a few other programs like this within Linux, but I've never experienced something like this for Windows.

Today I was pretty happy because I was finally able to access my Windows files over my lan with my Linux computer. I had wanted to be able to access my music so that I could play them on my linux computer when I was busy using the Windows computer for something that required a lot of the cpu.

Gah!
Mood:  chatty
Topic: School Stuff
Break is now over. Tomorrow, Thursday, I go back to Cornell to finish off my degree. I'm excited and scared all at once. It's my last big break and I need to keep all my credits - no room for messing up or the whole thing is crap. I'm getting married in July and there is so much left.

To my faithful readers - sorry I didn't write as much as I planned while on break, but I was very busy with other things. Trust me, I wanted to write more, because I love writing. Thanks for sticking with me thus far, and I have no intenions of quitting anytime soon.

My new favorite intenet funny page
Mood:  chatty
Topic: The Web
To see a guy sing a weird Romanian song and dance along in flash shockwave fun, go here! http://www.jokefrog.com/flash/numa-numa.shtml. Enjoy, don't blame me if you listen to it a few times in a row.

Thank you!
Mood:  happy
Topic: Family
Even though I know that my parents won't see this post unless I tell them to, there is something about this post that makes it feel to me as if it was an open letter in the New York Times.

Mom and Dad, I want to thank you for everything you have done for me this Christmas break.

Thank you for helping me out with my job search. Thank you for taking me to the job fair and checking over my resume and cover letter.

Thank you for all you have done for my wedding. Thank you for looking through magazines to find reception areas. Thank you for flying my fiancee and her mother down to help discuss the wedding person-to-person. Thank you for helping her pick out a wedding dress.


Thank you for helping me where I need it, including making me do things on my own if that is the best thing for me at the time.

I love both of you and I am reall excited for your future plans.

Mr Burns
Mood:  chatty
Topic: TV
This is a quickie, but it's interesting: They are always painting Burns as an evil person. In today's episode they were looking at a giant plane designed by Burns and he says, "It flew at a height of 6ft for 4.5ft, but we found out it was flammable. Then the Furher fired me." What can be more evil than associating him with Hitler?

Laser Danger
Mood:  chatty
Now Playing: Anberlin - "Foreign Language", "Change the World (the lost ones)", "Cold War Transmissions"
Topic: News
So much for blogging during break. I've been really busy with the present my brother gave me for Christmas - The Sims 2. That game is ridiculously addictive. I can play for hours without realizing how much time I've devoted to it. So I haven't had much to talk about until now since I didn't think you wanted to know about my fictitious Sim Dynasties.

If you haven't heard about lasers in the news recently, you certainly will by the end of next week. Standard variety laser pointers are quite annoying. People use them for immature entertainment by lighting up movie screens and other's bodies. Professionals use them to look all chic when they make presentations. However, there's a new type recently being sold which is a green laser.

As you may know if you've taken classes in laser theory, the colour of the laser is important because it affects the properties of the laser. For example, green lasers can be made to be brighter and perpetuate for longer distances. In fact, these exist in flashlight size laser devices.

Some morons have been using these green laser flashlights and shining them at flying planes for fun. The problem is that the light is entering the cockpit and temporarily blinding the pilots. As you know, this is quite dangerous.

For normal flying it's actually not too bad if the pilot is temporarily blinded because the plane is flying on autopilot. However, if this were to occur when a pilot was attempting to land a plane, the results could be disastrous! The landing process must always be done manually because the plane does not know with enough accuracy how close it is to the runway. The pilot's sight is, therefore, key to a safe landing.

The scary thing is that the expert on the news said while usually there are ~30 reports of people doing this yearly, in this december only there have been 30 reports already. This signals a dangerous trend.

People need to realize this isn't funny or entertaining. There are quite a few people whose lives are being put in jeopardy. I heard someone was getting arrested by homeland security as a terrorist. I think that's a little excessive, but these people DEFINITELY need some harsh punishments. We can't have this continue this way. It's going to take someone being charged for the murder of 200 people, thus rotting in prison, for this to stop. But I hope and pray it doesn't get to that point.

PS - I got my final grade I had been missing - Power Systems - B+. Thank God for that awesome grade! I have made Dean's List! This upcoming semester I want to finish at least as strong!

My Hot Rods
Mood:  chatty
Topic: technology
My neighbor here at home has been working on his hot rod. He imported the chassis from Europe and bought the motor and tires here in the States. After a few weeks, he's nearly done and has agreed to allow me to photograph it this weekenend. I can tell he's near completion as he's recently been revving up the engine.

Computers are my hot rods. Just as my neighbor could have bought the same car with the engine already in it, but didn't so that he could have the joy of installing it himself, so do I enjoy customizing my computer. I love anything involving customization from adding new physical components to installing new operating systems and configuring them. Another of my personal favorites is configuring the desktops, the digital equivalent of a car's custom paint job. I think that's why I love Fedora Linux so much - every 6 or so months they release a new version for me to install and explore and tinker. Additionally, KDE (one of the desktops for Linux) has nearly limitless opportunities for customization.

When I go to Best Buy with my fiancee I usually urge her to buy the latest $99 Dual Layer DVD burner, not so much because I want to burn dual layer discs or because I want her to be able to burn her own DVDs, but because I want to install it. Any component she buys even for her own computer brings me happiness to install.

For the past year and a half I have been counting down the days to graduation, not only because I will start my life and get married, but because I will have enough money to start working on computers from scratch. I've already found some sites for purchasing some really cool looking cases and can't wait to build my ultimate machines. My goal is to build the ultimate Windows and Linux machines. The Winbox will nearly solely exist for the purpose of allowing me to run Adobe Photoshop without the slightest slowdown. The Linux machine is intended to have two purposes - become my all-purpose machine as I've decided to fully support the open source movement as much as I can and to give me a way to benchmark if Linux is truly that much faster than Windows. My recent tests seem to indicate that it should be a much cleaner and faster run, but I've been running Linux on POS computers designed for Windows 98. I yearn to run it on a modern computer to be able to truly experience the features and not have ridiculous wait times for some of the programs. It'll be quite some months away, but I'll have pictures posted when I begin working on my rods. In the meanwhile, I'll post a picture of my neighbor's hot rod, if it's ok with him.

When Electrical Engineers Think too much....
Mood:  chatty
Topic: technology
During today's morning meditation I had a sudden epiphany. If nerve impulses travel through the body electrically, we have the equivalent of current passing through our bodies. If current is moving, we must posses our own magnetic fields. Then I wondered if this magnetic field might interfere with our portable electronics such as mp3 players and cellular phones. But then I came to a realization that made me gasp. Our body's magnetic field must be very trivial, so it may be our electronic devices which are interfering with us.

As you know if you've taken an Electromagnetic Physics courses in high school or college, when current moves through a wire it sets up an magnetic field concentric to the wire. So if this dot . were a wire going through your computer screen, the magnetic field would be going either clockwise or counter-clockwise around the dot. But another important way of looking at it would be if you had a circular magnetic field and put it by the dot, it would induce a current. The relationship goes both ways, you see. Therefore, the magnetic field coming off of the wire of a device could potentially affect the one in your body.

Am I saying we should stop using electronic devices? The answer must be obvious to you, because I wouldn't be typing this on a computer if I believed that were true. However, I think it is a topic worth studying as we have more and more devices on our person and surrounding us everywhere. When does this become too much? After all, I remember the demo in class where the frog was levitated with a few T's of magnetic field. This is because the magnetic fields were interacting with those within the frog. Now, most of us are nowhere near that much magnetic field ever, but I merely mentioned it as an extreme example of what we could be up against as we have more gadgets on our person.