Art

38 of 71

 

1995.54.2_1b.jpg (117716 bytes)Ana Mendieta
Untitled, from the "Silueta" series
1980
photograph
38 3/4 x 52 1/2 in.
Smithsonian American Art Museum, Museum purchase in part through the Smithsonian Institution Collections Acquistion Program



Mendieta was born in Havana but in 1961 was sent with her sister to the United States, where she grew up in orphanages and foster homes. "My work," she later wrote, "is the direct result of being torn from my homeland during adolescence. My art is the way I reestablish the bonds that unite me to the universe." A feminist, Mendieta often used her body as the template for silhouettes shaped in mud or burned into grass or wood. "I have thrown myself into the very elements that produced me, using the earth as my canvas and my soul as my tools."



En 1961, Mendieta, junto con su hermana, fue enviada de La Habana, donde había nacido, a Estados Unidos, donde se crió en orfanatos y hogares de acogida. "Mi obra", escribió más tarde, "es el resultado directo de haber sido arrancada de mi patria durante la adolescencia. Mi arte es la manera en que restablezco los lazos que me unen al universo". Feminista, Mendieta usó con frecuencia su cuerpo como plantilla de las siluetas que dibujaba en barro o quemaba en hierba o madera. "Me he arrojado a los mismos elementos que me produjeron y he usado la tierra como mi lienzo y mi alma como mis herramientas".

 

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