working bib

BILLINGTON, S. 1984 A Social History Of The Fool. Brighton: Harvester,. 6

CROWTHER, C. 1978 Clowns And Clowning / Additional Activities By Chris Harris. London : Macdonald Educational.

MASON, B. 1992 Street theatre and other outdoor performance London : Routledge.

SCHECHTER, J. 1985 Durov's Pig : Clowns, Politics, And Theatre. New York : Theatre Communications Group.

WELSFORD, E. 1966 The Fool : His Social And Literary History. London : Faber

WILLESFORD, W. 1969 The fool and his scepter : a study in clowns and jesters and their audience. Chicago: Northwestern University Press.

WILLIAMS, P. ed 1979 The Fool And The Trickster : Studies In Honour Of Enid Welsford . Cambridge: Brewer

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Commedia Dellrte

CAIRNS, C. (ed.) 1989 The commedia dell'arte from the Renaissance to Dario Fo, NY: Mellen Lewiston,

GEORGE D. J. & GOSSIP C. J. 1993 Studies In The Commedia Dell'arte. Cardiff : University Of Wales Press

GORDON, M. 1983 Lazzi : The Comic Routines Of The Commedia Dell'arte. New York : Performing Arts Journal Publications

JONES, L. E. 1984 Sad Clowns And Pale Pierrots : Literature And The Popular Comic Arts Lexington, Ky. : French Forum

MERCHANT, W. M. 1972 Comedy. London : Methuen.

MITCHELL, T. 1986 Dario Fo: people's court jester. - 2nd rev. and extended ed.. - London : Methuen

NICOLL, A. 1963 The World Of The Harlequin : A Critical Study Of The Commedia Dell' Arte. - Cambridge : At The University Press.

RUDLIN, J. 1994 Commedia Dell'arte: An Actor's Handbook. London; New York : Routledge,

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Documentary
BANHAM, M. 1973 'Freetown Workshop: Improvisation Leads to Local Documentary', Theatre Quarterly 3, no. 10, pp. 38-43

BISSETT, J. I. 1985 'Constructing the Alternative Version: Vicente Lenero's Documentary and Historical Drama', Latin American Theatre Review 18, no. 2, pp. 71-78

BRADBY, D. & WILLIAMS, D. 1988 'Joan Littlewood' in Directors' Theatre, Basingstoke: Macmillan

ELVGREN, G. , Jr. 1974 'Documentary Theatre at Stoke-on-Trent.' Educational Theatre Journal 26, pp. 86-100

FAVORINI, A. 1994, epresentation and reality: the case of documentary theatre? Theatre Survey, vol. 32, no. 2: pp. 31-42.

FILEWOD, A. 1987, Collective Encounters. Documetary Theatre in English Canada. Toronto: University of Toronto Press. See Review

GARRETT, D. 1973 'Documentary (Plays) in the Provinces.' New Theatre Magazine 12, no. 3, pp. 2-4

GOORNEY, H., 1981 The Theatre Workshop Story. London: Methuen.

MESERVE, W. J. and MESERVE, R. I. 1980, 'The State History of Roar China!: Documentary Drama as Propaganda', Theatre Survey: The American Journal of Theatre History 21, pp. 1-13.

NIEMI, I. 1973, 'Peter Weiss and Documentary Theatre: Song of a Scarecrow', Modern Drama 16, pp. 29-34

PAGET, D. 1990 h What a Lovely War: the texts and their context?New Theatre Quarterly, Vol 6, no 23, pp 244-260.

1995 heatre Workshop, Moussinac and the European Connection?New Theatre Quarterly, Vol 11, no. 43, pp 211-224.
WEISS, P. 1971 he Material and the Models. Notes Towards a Definition of Documentary Theatre? Theatre Quarterly, vol. 1, no. 1, pp. 41 ?43.
WOODRUFF, G. 1995 'Nice Girls': The Vic Gives a Voice to Women of the Working Class', New Theatre Quarterly 11, no. 42, pp. 109-27.


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Anansi the Spider (McDermott)
Anansi's Narrow Waist
Why Spider Spins Tales
Anansi and the Moss Covered Rock (Kimmel)
Anansi and the Talking Melon
Anansi Goes Fishing
Tiger Soup
The Boy Who Cried Wolf!
Raven (McDermott)
Coyote
Papagayo
Zomo the Rabbit
Brer Rabbit and the Tar Baby
Tops and Bottoms
Tale of a Tail
Tricking Tracy (Rigby)
All Stuck Up!
Hello House!

Author: Ivanov, Sergey A.
Title: A Saint in a Whore-house [stories of monks who visit prostitutes in order to convert them; the monks pretend to be customers and this provocative behavior relates them to the holy fools whose obscene or insane behavior was intended to shock the complacent].
Source: Byzantinoslavica: Revue international des etudes byzantines 56, 2 (1995): 439-445.
Article Type: Journal Article
Subject: Byzantium ; Greek Literature ; Hagiography ; Monks in Literature ; Prostitutes in Literature ; Sexuality in Literature ;
Geographic Area: Eastern Mediterranean
Century: General
Primary Document:
Illustrations:
Table:
Abstract:
Author's Affiliation:
Year of Publication: 1995
Language: English
ISSN/ISBN: 00077712

Author: Farmer, Sharon.
Title: Feminine Folly, Burgher Calculation, and Anti-Communal Rhetoric in Thirteenth-Century Tours [].
Source: Studies in Iconography 17 (1996): 143-176.
Article Type: Journal Article
Subject: Adultery In Literature ; Cities and Towns ; Folly ; Hagiography ; Literature- Verse ; Martin of Tours, Saint ; Pean Gatineau, Canon- Vie Monseignor Saint Martin de Tors ; Politics ;
Geographic Area: France
Century: 13
Primary Document:
Illustrations: Four Figures. Figure One Manuscript illumination with Mary Magdalene and Mary the Egyptian in the margin (The Hague, Koninklijke Bibliotheek, MS 76 G17, Fol. 187v). Figure Two "Luxuria and the Fool," Fifteenth century German depiction by Master E.S. (Dresden, Kupferstichkabinett, Staatliche Kunstsammlungen). Figure Three Manuscript illumination of Phyllis riding on Aristotle's back, Breviary of Margaret de Bar (London, British Library, Yates Thompson, MS 8, fol. 187r). Figure Four Woodcut from a fifteenth century version of St. Martin's life. It shows Martin leaving his adopted mother Persois. (Paris, Bibliotheque Nationale, La reserve, velin 1159, p. ir).
Table:
Abstract:
Author's Affiliation: University of California, Santa Barbara
Year of Publication: 1996
Language: English
ISSN/ISBN: 01481029

Author: Shoshan, Boaz.
Title: Comedy, Pornography, and Social Critique in the Romance of Ahmad Danif [Shoshan argues that the author of the "Romance of Ahmad Danif" portrays the tradesmen who lust afer the young boy Hasan as corrupt and foolish].
Source: Journal of Arabic Literature 27, 3 (October 1996): 216-226.
Article Type: Journal Article
Subject: Homosexuality in Literature ; Obscenity ; Romance of Ahmad Danif, Arabic Popular Romance ;
Geographic Area: Eastern Mediterranean
Century:
Primary Document:
Illustrations:
Table:
Abstract:
Author's Affiliation: Ben-Gurion University of the Negev
Year of Publication: 1996
Language: English
ISSN/ISBN: 00852376
Murav, Harriet, Holy foolishness : Dostoevsky's novels & the poetics of cultural critique PG3328.Z7 H646 1992 Stanford University Press, 1992. Claiming that Dostoevsky has "reinvented the holy fool" Murav's critique accuses Dostoevsky's literature of being representative of "three interrelated problemOs: narrative innovation, cultural critique, and authorial self-representation." Murav has traced the development of several characters in many of Dostoevsky's work and draws the conclusion that readers are "scandalized and left with the possibility for [what she calls] conversion."

UNPUBLISHED WRITING
Box 16
Book Reviews
S. Y. Agnon's Betrothed; and Edo and Enam, ud
Woody Allens Crimes and Misdemeanors, ud
Harold Aspiz's Walt Whitman and the Body Beautiful, ud
Saul Bellow's translation of Isaac Bashevis Singer's Gimpel,
The Fool, ud

diane diprima "April Fool Birthday Poem for Grandpa," pp529-530; From: Loba

Sohi, Behzad Ghaderi. "Theatres of the Mind: A Comparative Study of British Romantic Dramatists with Five Contemporary British Dramatists." [Doctoral dissertation, U of Essex, 1997], DAI, Vol. 58-04C (1997): 1162.

This study traces "the subversive strategies used by five recent English playwrights--Howard Barker, Edward Bond, Howard Brenton, Caryl Churchill, and Roger Howard--back to the dramatic and theatrical legacy of Wordsworth, Baillie, Shelley, and Byron." Sohi explores historical connections between two groups of writers who faced the collapse of utopian possibilities. Sohi juxtaposes Remorse (1813) with Scenes from an Execution (1984) and No End of Blame (1981); Wordsworth's The Borderers (1796-7) with Edward Bond's The Fool (1976); Joanna Baillie's The Second Marriage (1798) with Caryl Churchill's Top Girls (1982); and Shelley's The Cenci (1819) with Brenton's Bloody Poetry (1984). Sohi discusses Byron's Sardanapalus (1821) and Roger Howard's Queen (1798) in terms of Hegel's trope of master/slave.