Dragonfly Descending - HUM Equipment header art

"I come to you all dressed in sound, with bluebirds dripping wires to the ground."

"I come to you all dressed in sound, with bluebirds dripping wires to the ground."

HUM has a unique and intense sound. Part of this is due to their instrument usage on stage and in the studio. Since the recording of Downward Is Heavenward, with some exceptions, HUM's equipment lineup has naturally evolved over time. The following list is from the You'd Prefer an Astronaut era, according to the old / official HUM website.

On his studio site, Keith Cleversley offers a nice overview of HUM's guitar sound, as well as some of the recording process for YPAA.

Matt Talbott  /  Guitar

Gibson Les Paul Studio guitar
BOSS DF-2 Super Distortion & Feedbacker / Super Feedbacker & Distortion pedal
MXR M107 Phase 100 modulation pedal
DOD FX72 Bass Stereo Flanger modulation pedal
BOSS ME-5 Guitar Multiple Effects pedal (for stereo digital delay)
Dunlop Cry Baby wah pedal
Orange amplifiers (vintage)
Orange 4x12 cabinets (x2) with Celestion Vintage 30 speakers
Ampeg V-4 amplifier or sometimes a Gibson Red⋆BeaЯ amplifier

It is thought that Matt used a Fender amplifier (perhaps a Silverface) for Fillet Show era HUM, and possibly during the Electra 2000 time frame. Matt has been seen using a DigiTech PDS 1002 Two Second Digital Delay pedal live, as far back as YPAA era shows.

Tim Lash  /  Guitar

Fender Prodigy guitar

Ibanez Soundtank distortion pedal


On the original HUM page, the particular model of Stoundtank pedal that Tim used was never specified. Going by my brief experience with a couple of those pedals back in the late 90s, and factoring in the relatively few Soundtank distortion options available at the time along with this simple fan's casual impression of the usage within the context of HUM, it seemed like the PL5 Powerlead was a good match. In later years it seems possible, if not just as likely, that the CM5 Classic Metal (maybe, if it offered enough gain) or TM5 Thrash Metal pedals - considering what was available from Ibanez during the Astronaut days - could have served for the needs of Tim & HUM.

I imagine Tim would have wanted a distortion pedal / tone that would cut through the mix, accounting for the wall of sound from Jeff and Matt, while complementing the more midranged, foggy drone of Matt's DF-2, plus his bottom heavy, darker toned Orange amps contrasting the brighter, cleaner sounding HIWATTs with greater headroom.

Additionally, HUM was actively touring and on the road, probably wanting gear they could replace relatively easily and cheaply, from what was likely to be found in the myriad local music shops of the time, should it break down. Although the initial run of Soundtanks had metal enclosures, I remember the later / more widely available second run being housed in plastic enclosures that felt kinda cheap and flimsy, even in a hobbyist, bedroom rocker setting.

MXR M101 Phase 90 modulation pedal
HIWATT 200 watt amplifiers (x2)
GK solid state head through a MESA/Boogie power head
Carvin 4x12 cabinet
custom 2x12 cabinet


Jeff Dimpsey  /  Bass

Fender and Ernie Ball Music Man bass guitars
rack-mount compressor
Ampeg SVT-II amplifier
MESA/Boogie 2x15 cabinets (x2)
Ampeg 8x10 refrigerator cabinet


Bryan St. Pere  /  Drums

Ludwig chrome five-piece or Premier birch five-piece kits
Sabian cymbals
Zildjian China crash cymbal
telephone pole drumsticks


HUM  /  Downward Is Heavenward