machine revving tension

home album . video information news tour dates album lyrics media.hear media.see articles / reviews tablature by album frequently asked questions communications exits

blow at high dough
i'll believe in you
new orleans is sinking
38 years old
she didn't know
boots or hearts
everytime you go
when the weight comes down
trickle down
another midnight
opiated



blow at high dough

they shot a movie once, in my hometown everybody was in it, from miles around out at the speedway, some kind of elvis thing well i ain't no movie star but i can get behind anything yea i can get behind anything get it out, get it all out yea stretch that thing make it last, make it last at least until the supper bell rings well the taxi driver likes his rhythm never likes the stops throes of passion, throes of passion when something just threw him off chorus sometimes the faster it gets the less you need to know but you gotta remember the smarter it gets the further its gonna go when you blow at high dough when you blow at high dough whoa baby i feel fine i'm pretty sure it's genuine it makes no sense, no it makes no sense but i'll take it free anytime whoever fits her usually gets her it was the strangest thing how she'd move so fast, move so fast into that wedding ring chorus out at the speedway, same elvis thing well i can't catch her, but i can get behind anything yea i can get behind anything well i can get behind anything

i'll believe in you

well its 6 am and she woke by the radio yea she rolled on over said, "where did man go?" she's been a gunslinger's wife all her life now she fights when she's able for the sake of the kids when the knife's at their necks in the cradle she screams chorus i'll believe in you or i'll be leaving you tonight i will believe in you or i'll be leaving you tonight well she's got all the kids and she's got all their uses but she loves them the same for neglect and abuses she got a warm spot where they fought and they made up last evening he said, "don't read too much into the fact that i'm leaving" she screams i'll believe in you or i'll be leaving you tonight i will believe in you or i'll be leaving you tonight i will believe in you or i'll be leaving you tonight i will believe in you or i'll be leaving you tonight how do i explain this i mean how do i put it into words it's one thing or another but it's neither this or that actually it's a collection of things she said, " that's it, that's it, get out" well her mother said, "kill him slow at your leisure" ah but desperate times call for desperate measures sh she went to the closet and she pulled the old gun down "i'll put a bullet through his heart if he ain't home by sundown" yea 5:55 he comes walking in the front door smiling he said, " don't read too much into what i ain't denying" she screams... i'll believe in you or i'll be leaving you tonight i will believe in you or i'll be leaving you tonight i will believe in you or i'll be leaving you tonight i will believe in you or i'll be leaving you tonight well i believe in you

new orleans is sinking

bourbon blues on the street, loose and complete under skies all smokey blue-green i can't forsake a dixie dead-shake so we danced the sidewalk clean my memory is muddy. what's this river that i'm in? new orleans is sinking man, and i don't wanna swim colonel tom, what's wrong? what's going on? you can't tie yourself up for a deal he said "hey north you're south shut your big mouth, you gotta do what you feel is real" ain't got no picture postcards, ain't got no souvenirs my baby, she don't know me when i'm thinking bout those years pale as a light bulb hanging on a wire sucking up to someone just to stoke the fire picking out the highlights of the scenery saw a little cloud that looked a little like me i had my hands in the river my feet back up on the banks looked up to the lord above and said "hey man thanks" sometimes i feel so good i gotta scream she said gordie baby i know exactly what you mean she said, she said, i swear to god she said... my memory is muddy. what's this river that i'm in? new orleans is sinking man and i don't wanna swim

38 years old

twelve men broke loose in seventy-three from millhaven maximum security twelve pictures lined up, across the front page seems the mounties had a summertime war to wage the chief told the people they had nothing to fear said, "the last thing they wanna do is hang around here" they mostly came from towns with long french names but one of the dozen was a hometown shame chorus same pattern on the table same clock on the wall been one seat empty, eighteen years in all freezing slow time, away from the world he's 38 years old, never kissed a girl we were sitting around the table, heard the telephone ring father said he'd tell em if he saw anything heard the tap on my window in the middle of the night held back the curtain for my older brother mike see my sister got raped, so a man got killed local boy went to prison, man's buried on the hill folks went back to normal when they closed the case but they still stare at their shoes when they pass our place my mother cried, "the horror has finally ceased!" he whispered, "yeah, for the time being at least" over her shoulder, on the squad car megaphone said, "let's go michael, son, we're taking you home." chorus

she didn't know

orn a queen up on her side, and she felt it too. there's a lot you can see when there's nothing to do she got down on her knees and she dug herself out slipping to the east side and prancing about. learn a language baby, it's that kind of place low card is hunger and high card is taste and trouble is small change when daddy's around you know that she learned a lesson when she happened down chorus she didn't know-the barrel was loaded she didn't know-the barrel was loaded she didn't know-the barrel was loaded she didn't know one eye on the table, one eye on the floor she got beat for her pride with her back to the door she be digging the spotlight and called it her own but you know it's over when everyone's gone chorus stealing seconds together, the day is the night you can fly your own colors as long as they're right the trigger invites you and so do the boys but if there ain't no one listening there ain't no noise chorus

boots or hearts

well i think that there's a problem here her voice just don't sound right but i left my self on her answering machine said, "i'm back in town tonight" i feel i've stepped out of the wilderness all squint-eyed and confused but even babies raised by wolves they know exactly when they've been used chorus see when it starts to fall apart it really falls apart like boots or hearts, oh when they start they really fall apart fingers and toes, fingers and toes forty things we share forty-one if you include the fact that we don't care now you've blocked off most of main street for your faith parade everyone in town now, they probably all agree i'm lying in the bed i made chorus now you won't even let me talk to you we got some air to clear we'd probably only agree on one thing anyway that's what the hell is happening here? finger and toes, fingers and toes fourty things we share fourty-one if you include the fact that we don't care chorus

everytime you go

like anyone i knew a dave drove a plymouth shallow grave said, "my girl don't just walk, she unfurls" with motorcycle language he stumbled through his slang pledge then he dragged the mud for wedding pearls chorus he closed both his eyes and sort of gave her a kiss said "don't worry baby about what you're gonna miss there will always be a much much more than this everytime you go, you are all i see holding out for you and me pulled down his birthday suitcase brown with dust from no place said, "i think its time we made a start" they danced the waltz of charity no car garage, two kids for free they were pissing bliss and playing parts chorus she closed both her eyes, sorta gave him a kiss... and the big snake pit and we dance to the edge of it and we laugh and we laugh cause we ain't seen the edge of it everytime you go, you are all i see holding out for you and me everytime you go, you are all i see holding out for you and me everytime you go, you are all i see holding out for you and me you and me you and me you and me

when the weight comes down

afternoon, see a guy with rubies on his head and he's shifting like shifting like he was dead and he's hearing something, she never said on his way back home, under his bed chorus when the weight comes down when the weight comes down in the night there's a girl who doesn't mind her ragged sleeves knowing someone soon is gonna grieve and a man he tells her a story, she just won't believe called "adam never could do right by eve" and the weight comes down and the weight comes down and the weight comes down down on you, down on me and a girl walks by the burning bush she asks "what's going on here man?" and he smiles, says "open wide, wide, wide" in my dreams, a candy coated train comes to my door with a little girl, i can't have anymore you know a letter washes up to the shore that i cannot read and i probably should ignore when the weight comes down when the weight comes down when the weight comes down

trickle down

old lion's dying, got left behind cut your teeth, lose your meat and man it's just a matter of time key's to the cuffs, you might be king that's it, that's all, that's everything skeletons come here to dance where barrooms beat their brothers into a bloody trance what's the deal? what did i do? who cops all the cops is all i asked of you chorus lining up, waiting on the trickle down something's up, taking time to get around belly up, all the drinks are on the crown it's just a matter of trickle down twenty miles before the crash that's the style for a while and man i think it's gonna last "hit the breaks" is all you can say conductor says we'll save them for another rainy day chorus

another midnight

he was a coal miner in the spring blinded with its dusty resolutions broke his back for higher contributions now he'd take anything well she was 1970 burning like a cigarette long season heir to her family's old treasons she makes love hard like an enemy oh ma he's dying chorus and the river don't sleep when the water runs cold and the calendar burns as the story unfolds and the valley spans miles when the mountain stands high can't they let us run wild for another midnight perhaps we're election day pumping hands and kissing all the babies ain't no time for shadowed doubts or maybes is there another way? or we're a stolen cadillac racing for a roadblock in the distance flashing by a lifetime in an instance can we take it all back? oh ma he's dying oh ma he's dying and the river don't sleep... can we take it back and the valley spans miles when the mountain stands high can't they let us run wild for another midnight

opiated

he bought two-fifths of lead free gasoline said, the bottle is dusty, but my engine is clean he bought a nice blue suit with the money he could find if his bride didn't like it, st peter wouldn't mind chorus now i lie here so out-of-breath and over-opiated maybe i couldn't catch up, no but maybe he could have waited well the medicine man started seeing red you thing the snake, just dreams up the poison in his head addicted to approval, addicted to the air it was see if you like it or see you up there chorus