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Abrahamse, Dorothy de F. "Magic and Sorcery in the Hagiography
of the Middle Byzantine Period." Byzantinische Forschungen
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Abrams, M. H. Natural Supernaturalism: Tradition and Revolution in
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Aichele, Klaus. Der Antichristsdrama der Mittelalters, der Reformation
und Gegenreformation. Den Haag: Martinus Nijhoff, 1974.
Anderson, Wayne. "Os vulvae in Proverbs and the Malleus
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Andriano, J. Our Ladies of Darkness: Feminine Demonology in Male Gothic
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Babcock, B. A., ed. The Reversible World: Symbolic Inversion in
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Baldick, C. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-
Century Writing. Cambridge: n.p., 1990.
Bann, S., ed. Frankenstein, Creation and Monstrosity. London: n.p., 1994.
Baron, Frank. Faustus on Trial: The Origins of Johann Spies's
"Historia" in an Age of Witch Hunting. Tübingen: M.
Niemeyer, 1992.
__________. "From Witchcraft to Doktor Faustus." In Karl-Ludwig
Selig and Elizabeth Sears, eds. The Verbal and the Visual:
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Barry, J. "Literacy and Literature in Popular Culture: Reading and Writing
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Barthes, Roland. "The Death of the Author." In Twentieth Century Literary
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Basham, D. The Trial of a Woman: Feminism and the Occult Sciences in
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Baticle, Jeannine. "Goya et la sorcellerie: enquête sur l'une
des motivations des Caprices." Connaissance des Arts 489
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Battafarano, Italo Michele. "Alraun, Mandragora, Galgen-Männlin:
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als europäischer Literatur. Bern: P. Lang, 1994. 186-205.
__________. "Barocke Typologie feminier Negativität und ihre
Kritik bei Spee, Grimmelshausen, und Harsdürfer." In Italo
Michel Battafarano, ed. Glanz des Barock: Forschungen zur
deutschen als europäischer Literatur. Bern: P. Lang, 1994.
392-411.
__________. Glanz des Barock: Forschungen zur deutschen als europäischer
Literatur. Bern: P. Lang, 1994.
__________. "Grimmelshausens Kritik an der Ideologie seiner Zeit:
Ungleichzeitigkeit und Alltagsdenken in Simplicissimus und
Courasche." Daphnis 5 (1976): 295-302.
__________. "Hexen, Hexenlehre, Kritik der Hexenverfolgung: Bodin,
Binsfeld, Delrio, Remy, Spee." In Glanz des Barock:
Forschungen zur deutschen als europäischer Literatur, edited
by Italo Michele Battafrano, 338-58. Bern: P. Lang, 1994.
__________. "Hexenwahn undd Teufelsglaube im Simplicissimus."
Argenis 1 (1977): 301-372.
__________. "Mit Spee gegen Remigius: Grimmelshausens anti-
dämonopathische Simpliciana im Strom nieder-ober-rheinischer
Vernuft." Simpliciana 18 (1996): 139-164.
Bayerschmidt, Carl F. "The Element of the Supernatural in the Sagas of
Icelanders." In Scandinavian Studies: Essays presented to
Dr. Henry Goddard Leach on the occasion of his eighty-fifth
birthday, edited by Carl F. Bayerschmidt and Erik J. Friis,
39-53. Seattle: University of Washington Press, 1965.
Bazin, Germain. "The Devil in Art." In Satan, edited by Bruno de
Jésus-Marie, 351-67. New York: n.p., 1952.
Becquemont, Daniel. "Le Rejet de la causalité magique dans l'
oeuvure de Bacon." In Margaret Jones-Davies, ed. La Magie
et ses langages. Lille: Université de Lille, 1980. 71-82.
Bekker, Hugo. "The Lucifer Motif in the German Drama of the Sixteenth
Century." Monatshefte 51 (1959): 237-47.
Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction."
In Illuminations, edited by Hannah Arendt, 211-44. London:
Fontana, 1936, 1992.
Bernheimer, R. Wild Men in the Middle Ages. Cambridge, MA:
Harvard University Press, 1952.
Bettelheim, B. The Uses of Enchantment: The Meaning and Importance
of Fairy Tales. New York: n.p., 1977.
Bewell, A. Wordsworth and the Enlightenment: Nature, Man and Society in
the Experimental Poetry. New Haven: [Yale University Press], 1989.
Blackburn, William. "Merlin." In A. C. Hamilton, ed. The Spenser
Encyclopedia. Toronto: University of Toronto Press, 1990.
470-71.
__________. "Spenser's Merlin." Renaissance and Reformation 4
(1980): 179-98.
Boatright, Mody C. "Witchcraft in the Novels of Sir Walter Scott."
Studies in English, No. 13; The University of Texas Bulletin,
No. 3326. (July 8, 1933).
Borst, Arno, ed. Barbaren, Ketzer, und Artisten: Welten des
Mittelalters. München: Piper, 1988. Trans. as Medieval
Worlds: Barbarians, Heretics, and Artists in the Middle Ages.
Cambridge: Cambridge University Press, 1991.
Bottigheimer, R. B. "Fairy Tales and Folk-tales." In International Companion
Encyclopaedia of Children's Literature, edited by P. Hunt, 152-65.
London: n.p., 1996.
Bouvier, E. "La croyance au merveilleux á l'époque classique." In Mélanages
d'histoire litt‚raire offerts Daniel Mornet, 99-108.
Paris: Nizet, 1951.
Braekman, W. L. "Fortune-Telling by the Casting of Dice: A Middle English
Poem and Its Background." Studia Neophilologica 52 (1980): 3-29.
Brauner, Sigrid. "The Demonization of the Shew: Witchcraft and
Gender Relations in Shrovetide Plays." Daphnis 20 (1995):
131-45.
Briggs, Katharine Mary. Pale Hecate's Team: An Examination of the
Beliefs on Witchcraft and Magic among Shakespeare's
Contemporaries and His Immediate Successors. London: Routledge
and Kegan Paul, 1962.
Brodwin, Leonora Lee. "Milton and the Renaissance Circe."
Milton Studies 6 91974): 21-83.
Brownlow, F. W. Shakespeare, Harsnett, and the Devils of Denham.
Newark, NJ: University of Delaware, 1993.
Bulwer, Kathryn M. La Femme-demon: figurations de la femme dans la
littérature fantastique. New York: P. Lang, 1995.
Bush, Douglas. Pagan Myth and Christian Tradition in English
Poetry. Philadelphia: American Philosophical Society, 1968.
Camporesi, Piero. The Fear of Hell: Images of Damnation and Salvation
in Early Modern Europe. Cambridge: Polity, 1991.
Castelli, Enrico, ed. Cristianesimo e ragion di Stato: L'Umanesimo e
il demoniaco nell'arte. Roma: Fratelli Bocca, 1952.
Castle, T. Masquerade and Civilization: The Carnivalesque in Eighteenth
Century English Culture and Ficton. London: n.p., 1986.
Charcot, J.-M., and P. Richer. Les dámoniaques dans l'art. Paris:
n.p., 1887.
Chartier, R. The Order of Books: Readers, Authors and Libraries in Europe
between the 14th and 18th Centuries. Trans. by L. Cochrane.
Cambridge: n.p., 1994. Originally published as L'Ordre de livres:
Lecteurs, auteurs, bibliothèques en Europe entre XIVe et XVIIIe
siècles. Aix-en- Provence: n.p., 1992.
Chase, Richard and David Teasley. "Little Red Riding Hood: Were-
wolf and Prostitute." The Historian 57 (1995): 769-76.
Chastel, A. "L'Antéchrist à la Renaissance." In Enrico Castelli,
ed. Cristianesimo e ragion di Stato: L'Umanesimo e il demoniaco
nell'arte. Roma: Fratelli Bocca, 1952. 177-86.
__________. "L'Apocalypse en 1500: La Fresque de l'Antéchrist à
la chapelle Saint-Brice d'Orvieto." BibliothŠque d'Humanisme et
Renaissance 14 (1952): 124-40.
Clark, James William. "The Tradition of Salem Witchcraft in
American Literature." Durham, NC: Unpublished Ph.D.
dissertation, Duke University, 1970.
Clark, Stuart. "Tasso and the Literature of Witchcraft." In
J. Salmons and J. Moretti, eds. The Renaissance in Ferrara
and its European Horizons. Cardiff: University of Wales
Press, 1984. 3-21.
Comensoli, Viviana. "Witchcraft and Domestic Tragedy in The Witch of
Edmonton." In Jean Brink et al., eds. The Politics of Gender
in Early Modern Europe. Kirksville, MO:
Sixteenth-Century Journal, 1989. 43-59.
Comparetti, Domenico. Virgil in the Middle Ages. Translated by
E. F. M. Benecke. Reprint. Princeton: Princeton University
Press, 1885, 1997.
Corbin, Peter and Douglas Sledge, eds. Three Jacobean Witchcraft
Plays. Manchester: University of Manchester Press, 1986.
Costa, Gustavo. "Love and Witchcraft in Gianfrancesco Pico della
Mirandola: La strega Between the Sublime and the Grotesque."
Italica 67 (1990):427-39.
Craig, Terry Anne. Witchcraft and Demonology in Renaissance
English Literature. Pittsburgh, PA: Unpublished Ph.D.
dissertation, Duquesne University, 1978.
Dabydeen, D. Hogarth's Blacks: Images of Blacks in Eighteenth Century
English Art. Kingston: n.p., 1985.
Darnton, R. The Business of Enlightment: A Publishing History of the
"Encyclop‚die", 1775-1800. Cambridge: n.p., 1979.
__________. The Forbidden Best-Sellers of Pre-Revolutionary France.
London: n.p., 1996.
__________. The Literary Underground of the Old Regime. Cambridge:
n.p., 1982.
David, H., ed. Jonathan Swift: Bickerstaff Papers and Pamphlets on
the Church. Oxford: n.p., 1966.
Davidson, Jane. David Teniers the Younger. Boulder, Co.: n.p., 1979.
__________. "Great Black Goats and Evil Little Women: The Image
of the Witch in Sixteenth-Century German Art." Journal of the
Rocky Mountain Medieval and Renaissance Association 6 (1985):
141-57.
__________. The Witch in Northern European Art, 1470-1750. Freren:
Luca, 1987.
Dekker, Thomas, John Ford, and William Rowley. The Witch of Edmonton and
Three Jacobean Witchcraft Plays. Edited by P. Corbin and D. Sedge.
Manchester: Manchester University Press, 1986.
Delaruelle, Étienne. "L'Antéchrist chez S. Vincent Ferrier, S.
Bernardin de Sienne, et autour de Jeanne d'Arc." In Étienne
Delaruelle, ed. La Piété populaire au moyen âge. Torino:
Bottega di Erasimo, 1975. 329-54.
Dette, Midge. "The Witches of Arthur Miller." Commentary 103 (1997): 54ff.
Dezseran, Louis John. "Shakespeare's Usage of Witchcraft as a
Dramatic Element in Macbeth and the Varying Approaches to
Staging the Witch Scenes in Representative Subsequent Pro-
ductions." Detroit: Unpublished Ph.D. dissertation, Wayne
State University, 1968.
Didi-Huberman, G. Invention de l'hystérie: Charcot et l'icongraphie
photographique. Paris: n.p., 1982.
Dolan, Frances. "'Ridiculous Fictions': Making Distinctions in
the Discourses of Witchcraft." Differences 7 (1995): 82-110.
Dresen-Coenders, Lene. "Witches as Devils' Concubines: On the
Origin of Fear of Witches and Protection against Witchcraft."
In Saints and She-Devils: Images of Women in the Fifteenth and
Sixteenth Centuries. London: Rubicon, 1987. 59-82.
DuBruck, Edelgard. "The Devil and Hell in Medieval French Drama:
Prolegomena." Romania 100 (1979): 165-79.
Durstoor, P. E. "Legends of Lucifer in Early English and in Milton."
Anglia 54 (1930): 213-68.
Eagleton, Terry. Literary Theory: An Introduction. Oxford: Blackwell, 1983.
Edgerton, S. Y., Jr. Pictures and Punishment: Art and Criminal
Prosecution During the Florentine Renaissance. Ithaca, NY:
Cornell University Press, 1985.
Ferguson, Helen Myatt. "Nathaniel Hawthorne and Charles Went-
worth Upham: The Witchcraft Connection." College Park, MD:
Unpublished Ph.D. dissertation, University of Maryland,
1980.
Figures of Speech: The Body in Medieval Art, History, and Literature.
Essays in Medieval Studies 11. N.l.: n.p., 1995.
Fish, Stanley. Doing What Comes Naturally: Change, Rhetoric, and the
Practice of Theory in Literary and Legal Studies. Oxford:
Clarendon, 1989.
Frängler, Wilhelm. The Millenium of Hieronymous Bosch. Chicago:
University of Chicago Press, 1952.
Frank, Frederick S. "The Masks of Summers." The Scriblerian 23
(1990): 1-5.
Gettings, Fred. The Occult in Art. Publication data.
Giesen, Rolf. "Queens of Horror, böse Märchenhexen, zauberhafte
Frauen: Hexenfiguren in Film, Trickfilm, und Filmkomödien."
In Richard van Dülmen, ed. Hexenwelten: Magie und Imagination
vom 16.-20. Jahrhundert. Frankfurt-am-Main: Fischer Taschenbuch,
1987. 253-81.
Gilman, S. Seeing the Insane: A Cultural History of Madness and Art in the
Western World. New York: n.p., 1982.
Goldstein, J. Lessons to be Learned: A Study of Eighteenth-Century
English Didactic Children's Literature. New York: n.p., 1984.
Greenblatt, Stephen Jay. "Shakespeare and the Exorcists." In his
Shakespearean Negotiations: The Circulation of Social Energy
in Renaissance England. Oxford: Clarendon, 1988. 94-128.
__________, ed. Shakespearean Negotiations: The Circulation of Social
Energy in Renaissance England. Oxford: Clarendon, 1988.
Grien, Hans Baldung. Prints and drawings. Edited by James H. Marrow and
Alan Shestack. Publication Data.
Grillot de Givry, Émile. Picture Book of Sorcery, Magic, and
Alchemy. New York: University Books, 1963.
Grinnell, Richard W. "English Demonology and Renaissance Drama:
The Politics of Fear." Minneapolis: Unpublished Ph.D. disser-
tation, University of Minnesota, 1992.
Gulstad, William Olaf. "The Forms of Things Unknown: The Impact
of Reginal Scot's skeptical treatise, The Discoverie of
Witchcraft, on A Midsummer Night's Dream, King Lear, and
The Tempest." Champaign-Urbana: Unpublished Ph.D. disser-
tation, University of Illinois, 1994.
__________. "Mock-Trial or Witch-Trial in King Lear?" Notes and Queries
41 (1994): 494-97.
Hadfield, Andrew. "A Possible Source of the Horse-corser Episode
in Marlowe's Doctor Faustus." Notes and Queries 39 (1992):
303-04.
Halbey, Marianne. 66 Hexen: Kult und Verdammung. Dortmund:
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Hardy, Thomas. Far From the Madding Crowd. London: n.p., 1874.
Harris, Anthony. Night's Dark Agents: Witchcraft and Magic in
Seventeenth-Century English Drama. Manchester: Manchester
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Hartlaub, Gustav F. Hans Baldung Grien: Hexenbilder. Stuttgart:
Reclam, 1961.
Hattaway, Michael. "Women and Witchcraft: The Case of the
Witch of Edmonton." Trivium 20 (1985): ?
Held, J. "Between the Bourgeois Enlightenment and Popular Culture: Goya's
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Hendrickson, Gary P. "The Last Analogy: Arthur Miller's Witches
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Heywood, Thomas. The Wisewoman of Hogsdon (1604). A Critical Edition,
edited by Michael Leonard. New York: Garland, 1980.
Hoak, Dale. "Art, Culture, and Mentality in Renaissance Society:
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Renaissance Quarterly 38 (1985): 488-510.
__________. "Witch-Hunting and Women in the Art of the Renaissance."
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Honour, H. The Image of the Black in Western Art. Vol. 4: From the
American Revolution to World War I. Cambridge: n.p., 1989.
Hughes, Merritt Y. "Spenser's Acrasia and the Circe of the
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Hult [or Hufts], Linda. "Baldung and the Witches of Freiburg: The
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__________. "Heinrich Baldung Grien's Weather Witches in Frankfurt."
Pantheon 49 (1982): 124-30.
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Ilie, P. The Age of Minerva. Vol. I: Counter-Rational Reason in the
Eighteenth Century. Goya and the Paradigm of Unreason in Western
Europe. Philadelphia: n.p., 1995.
Isaac, Megan Lynn. "Stages of Witchcraft: Occult Beliefs of Early
Modern English Drama." Berkeley, CA: Unpublished Ph.D. diss-
ertation, University of California, 1994.
Jacoby, Mario, Verena Kast and Ingrid Riedel. Witches, Ogres, and
the Devil's Daughter: Encounters with Evil in Fairy Tales.
Boston: Shambhala, 1992.
Johnson, Claudia. Understanding "The Crucible": A Student Casebook to
Issues, Sources, and Historical Documents. Westport, CT:
Greenwood, 1998.
Jong, Erica. Witches. New York: Harry N. Abrams, 1997.
Jonson, Ben. Complete Poems. London: Penguin, 1988.
Jung, Frank. "Magisch-moralische Detungsmuster und empirische
Naturanalyse? Der "Hexenglaube" in Grimmelshausens Courasche."
Simpliciana 16 (1994): 287-309.
Keenan, Mary Emily. "The Terminology of Witchcraft in the Works
of Augustine." Classical Philology 35 (1940): 294-97.
Kemper, Tobias A. "Lufftfahrt und Hexentantz: Zauberei und
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Kernan, Alvin. The Playwright as Magician: Shakespeare's Image
of the Poet in the English Public Theater. New Haven, CT:
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Klinkhammer, Heide. Schatzgräber, Weisheitssucher und Dämonen-
beschwörer: die motivische und thematische Rezeption des
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Ottawa: n.p., 1974.
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Krap, Frans W. Emmeken, ik ben 'sduuels amie: neerslag van een
onderzoek naar het heksen-profiel van rond 1500 en van het
speuren naar onderdelen daarvan in het drama Marieke van
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Ladurie, Emmanuel Le Roy. Jasmin's Witch. London: Scolar, 1987.
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Paris: Éds. du Seuil, 1983.
Ladurie, Emmanuel Le Roy. La Sorcière de Jasmin. Paris: Éds. du
Seuil, 1983. Trans. as Jasmin's Witch. London: Scolar, 1987.
Lampe, Hans-Sirks. "Die Darstellung des Teufels in den geistlichen
Spielen Deutschlands: Von den Anfangen bis zum Ende des 16.
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Leerssen, J. Remembrance and Imagination: Patterns in the Historical and
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Leuschner, Kristin Jeanne. "Creating the 'Known True Story':
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dissertation, University of California, Los Angeles,
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Leutenbauer, Siegfried. Hexerei und Zaubereidelikit in der Literatur von 1450
bis 1550 mit Hinweisen auf die Praxis im Herzogtum Bayern.
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Volume 12 of his Articles on Witchcraft, Magic, and Demonology:
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Monter, E. William. "The Pedestal and the Stake: Courtly Love and
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Murphy, John L. Darkness and Devils: Exorcism and "King Lear".
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Nildin-Wall, Bodil and Jan Wall. "The Witch as Hare or the Witch's
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