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THE THREEPENNY
OPERA | |||||||||||||||
Cumbernauld
News – November 9th 1988 “New look for opera”
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A
new version of “The Threepenny Opera” by Bertolt Brecht will be staged
at Cumbernauld this week. It
updates the plot to comment on Britain’s current political scene. In
the not to distant future, as Glasgow prepares for the coronation of Queen
Margaret II, entrepreneurs prepare to make their money from this historic
event. None
more so than strong man Jonathan Jeremiah of the “Mac Peachum Circus”. Ring
Master and yuppie, Mac The Knife, upsets his plans and steals Peachum’s
future prosperity in the shape of his daughter Polly. The strong man must
have his revenge and uses the corrupt state police to achieve this. Cumbernauld
Youth Theatre bring a high level of energy and commitment to this unusual
interpretation of a classic play. The songs of Kurt Weill are performed by a
company with little signing experience. They are coached and accompanied by
well known Glasgow pianist Karen McIver. The
show opens tomorrow (Thursday) and runs until Saturday at Cumbernauld
Theatre.
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Cumbernauld
News – November 16th 1988 “Youth Triumph” 1
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Cumbernauld
Youth Theatre’s latest production was an unusual interpretation of
Brecht’s “the Threepenny Opera”, performed at the Cumbernauld Theatre
last week. Using
a cast of 15 to 21-year-olds, the play directed by Chris Smith told the tale
of amoral Mac the Knife, bandit and womaniser. To
bring the play closer to home for Cumbernauld audiences, the group
transported the action to Glasgow in the “not too distant future”. As
the city prepares for the coronation of Queen Margaret II, entrepreneurs
prepare to make money from the historic event. One
of these is strong man Jonathan Jeremiah Peachum, excellently played by
Stephen Angellini, who lets loose his crack team of beggar on the streets to
milk money from the rich. Difficult
themes of poverty, morality and infidelity were handled well by a uniformly
strong cast. Stephen
Angellini handled hi scenes with depth and power, while Gerri Leonard,
playing a particularly arch Mac the Knife, dominated his scenes the a sort
of bored ruthlessness. As
Polly, Rhona Morrison made a convincing innocent, and worked well with the
other principals. Allison Harran played Mrs Peachum as a screeching Glasgow
wife. One problem this raised was that her diction made the words of the
songs, a vital part of “The Threepenny Opera”, a little indistinct. |