THE SOUND DOES NOT EXIST.
THE VIBRATIONS HIT OUR EARS AND GIVE US THE IDEA WHICH BELONGS TO THE MEANINGS OF THE HEARING: THE SOUND.
IT IS NOT PROVED THAT THE IDEA OF SOUND, AN INTERPRETATION OF OUR MIND, MATERIALLY EXISTS EVEN IF THE ANIMAL CAN INSTINCTIVELY HEAR AND COMMUNICATE WITH SOUNDS.
THERE IS A TRANSLATOR BETWEEN THE VIBRATIONS AND THE MEANING OF THE SOUND.
THE VIBRATIONS HAVE NO MEANINGS, THEY ARE JUST MOVEMENTS IN TIME:
THE SOUNDS IS A MEANING BECAUSE EACH OF THEM IS ATTACHED TO AN INTENTION.
THE FIRST TWO PRIMARY MEANINGS ARE DANGER OR SECURE SOUNDS.
THE NEXT MEANINGS ARE OUR OWN APPRECIATION OF WHAT IS PLEASANT (MUSIC) OR UNBEARABLE (NOISE):
THE QUESTION IS HOW SIMPLE VIBRATIONS CAN BE TRANSFORMED INTO A COMPLEX AFFECT SYSTEM ?
WE DO NOT KNOW (1994).
WE KNOW THE MECHANISM OF HEARING, WE KNOW TO ANALYZE COMPLEX VIBRATIONS, BUT WE DO NOT KNOW HOW THE TRANSLATOR (S?) WORKS.
THE SOUND DOES NOT EXIST BUT ITS SUBJECTIVE PHENOMENON IS PERCEIVED AS A SENSATION.
THIS IS WHY THE MUSIC EXISTS, THE MUSICIAN COMPOSES SENSATIONS NOT SOUNDS.
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KNOWING THAT, WE COULD APPRECIATE ALL SORT OF DIFFERENT MUSIC TO ENJOY MORE DIFFERENT SENSATIONS!
BUT THERE ARE RESISTANCES !
THE SOUND IS A PRETEXT LIKE OTHER MATERIALS OF ARTS.
Shadow-Sky-Brain-System
Conceiving Music philosophically | Digital Matter | Abstractor IV | The Master Class of Composition
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