THE SINGING PLAINSMEN
Notes/suggestions from Charla Clare
Following coaching session
Thur, July 16, 1998
Interpreting the Phrasing Plan: building an emotional high through the lyrics
FORWARD MOTION:
BREATHING TECHNIQUES: (practice in warm ups!, between phrases, or anywhere)
SING…. Breath….. SING
Space…..space……..space (The key word here is "space" – don’t change it!)
Drop tummy
Ribs lifted
Most people fall into the following trap:
SING/STOP/DROP SPACE/BREATH/RESET SPACE/SING
This is what most people do – but why? … it’s so much work!!!!
Direct breaths on expanded phrases by pulling your hands apart, like a baloon is being blown up in your hands! Do not move toward the chorus… they can’t see it… that’s moving in the wrong dimension… moving up and down for louds and softs is wrong dimension again… creates weight in the sound… yuk… remember, the chorus is a mirror of you. So you practice in the mirror so you are aware of what you are presenting… you’ll be marvelous, and so will they.
Always challenge yourself to the next level!! Don’t be satisfied with what you can already do… you’ll get bored.
VOLUME / DYNAMICS / TEXTURE:
"VELVETS" |
"SPIKES" |
|||
SOFT |
MEDIUM |
LOUD |
MEDIUM |
LOUD |
"BIG MOUTH FROG" |
Supported soft |
Changing texures can give you an instant dynamic change with the same amount of vocal energy.