The work on the new song continued after the snowy night and soon it was time to bring in a producer. The legendary New York producer was in town working with Primal Scream and Ocean Colour Scene and was brought in to help them out. This was a great move, Miller produced the first version of "Into Tomorrow" but fall asleep over the mixerdesk being pissed it of his head. Paul sacked him on the spot. On 26 of February he re-recorded the song with Solid Bond's "in-house" engineer Brendan Lynch. This was the beginning of a long working relationship. The young studio technician now took on production for the fist time. Lynch was a talented, open-minded operator who draw inspiration from the early days when there was no digital recordings. He put a more organic fell to the music, and draw inspiration from real soul. Weller blasted through the new song, which was the most passionate guitar-led music he'd made in over a decade.
After the session Weller and Lynch shared a cab home. When Paul got out to leave the cab he turned back to Brendan, offering him his hand. Brendan shaked it and now in that moment that Paul had found the spirit again. Weller - 'I think it's quite an original song and sound. It's me trying to get a grip on becoming thirtysomthing and the great grey mass that lies between the simple black and white world of my youth'. Weller had a song that he believed in and believed that it would give him a kick-start of the new era of his career. But, there was no record deal. After they had dissed a few opportunities they decided to release it themselves. He created the label: Freedom High and took help from some old friends to help out with the release and the promotion. This made it quite cheap and despite the not know how to release and promote the record was released in may and pushed up into the Top 40.