{Bo Diddley photo}


"The Story Of BO DIDDLEY...":

home
history 1928-1955
career 50s / 60s / 70s / 80s / 90s / 00s
70th birthday tributes page 1 / 2 / 3
hot news
forthcoming appearances
discography 45s / lps / comps / misc
downloads/cds
movies
tv & radio
musicians
lady bo page 1 / 2 / 3
jerome green
chatroom
contest
photo gallery page 1 / 2 / 3 / 4 / 5
guestbook & forum
lyrics
mean machine
"originator radio"
rare bo
reading
rocklove review
visitors' comments
dedication
links

Enquiries:


Margo Lewis or Faith Fusillo
Co-Managing Partners, The Estate of Bo Diddley
Talent Source Management
105 Shad Row - Second Floor
Piermont, NY 10968
USA

T: 212-730-2701

F: 845-359-4609

E: info@talentsourcemanagement.com

www.talentsourcemanagement.com

You may also contact:

Talent Consultants International (TCI)
email@tciartists.com

www.tciartists.com


BO DIDDLEY - The Originator

A Celebration of his unique contribution to Popular Music.

"Who Do You Love...?"


{BoDiddley.com}

"If BO DIDDLEY was English, I think he should be knighted...."

Tom Petty, Fillmore West, San Francisco, CA, January 1997



The Guestbook


Please show your Support and Appreciation for BO DIDDLEY by Viewing and Signing the Guestbook.
Thank you.



The Forum


Please share your information, questions, thoughts etc. with other fans of BO DIDDLEY by
Entering the Forum. Thank you.



The Mailing List

Join the mailing list
Enter your name and email address:
Name:
Email:  
Subscribe      Unsubscribe
Powered by BravenetPowered by Bravenet



{Bo Diddley's pink guitar}



Q. "What influences were you having in that early period?"
A. "Him!" (pointing across the studio to BO DIDDLEY)
Q. "Where did the name come from?"
A. "Him!" (again pointing to BO DIDDLEY)
Q. "Why is your new record called Rhythmeen?"
A. "Him!" (again pointing to BO DIDDLEY)

(ZZ Top, interviewed on "Later with Jools Holland" program, BBC TV, 1996)

{BoDiddley.com}


(c) Copyright David Blakey 1998-2018. All Rights Reserved. No images on this website may be stored or reproduced in any way without the written permission of the copyright holder. Extracts from this publication may be copied for educational purposes only. No extracts may be copied and used for commercial purposes without the written permission of the copyright holder.