ROCKIN' RON'S

MUSIC TRADING LIST

BEATLES - 910 CDR 1.) I SAW HER STANDING THERE (TAKE 6) 2.) MISERY (TAKE 2) 3.) FROM ME TO YOU (TAKE 1)4.) THANK YOU GIRL (TAKE 1,2,3,4) 5.) LEAVE MY KITTEN ALONE 6.) CAN'T BUY ME LOVE 7.) THIS BIRD HAS FLOWN (TAKE 2) 8.) I'M LOOKING THROUGH YOU (TAKE 1 - WITH INTRO) 9.) TOMORROW NEVER KNOWS 10.)HERE THERE AND EVERYWHERE 11.)STRAWBERRY FIELDS FOREVER (TAKE 1)12.)A DAY IN THE LIFE 13.)I'M THE WALRUS 14.)IT'S ALL TOO MUCH 15.)WHILE MY GUITAR GENTLY WEEPS 16.)ACROSS THE UNIVERSE (ANIMAL NOISES MIX)17.)TWO OF US 18.)THE LONG AND WINDING ROAD 19.SOMETHING (FROM SCRATCHY VINYL)20.)OCTOPUS'S GARDEN 21.)THE END.

BEATLES - 1983 ABBEY ROAD SHOW QUALITY IS GOOD TO VERY GOOD STEREO. SONGS OFTEN FADE OUT EARLY BUT THIS IS HOW THEY WERE PRESENTED BACK THEN. THIS CD HAS SEVERAL TAKES NOT AVAILABLE ELSEWHERE.

BEATLES - 5.1 DEGREES OF SEPARATION (2CDS)  DISC ONE: Yellow Submarine - Eleanor Rigby - All together now - When I'm 64 - Only a northern song - Nowhere man  DISC TWO: Lucy in the sky with diamonds - Sgt. Pepper's Lonely Hearts Club Band - All you need is love - Hey bulldog - It's all too much. A very good idea to me! SOmeone took each of the channels of the remastered DVD and created this CD. As a result, five versions of each song is represented here, and we can listen to many sounds that aren't so clearly noticed when put all together. Very interesting listening.

BEATLES - 69 REHEARSALS VOL 1 HIGHLIGHTS ARE THE MEDLEY "GET BACK / MAYBELENE / BROWNEYED HANDSOME MAN" AND "LITTLE PIECE OF LEATHER" SUNG BY JOHN, PAUL IMITATION OF JIMMY NICHOLS AND A HEAVY VERSION OF "I'VE GOT A FEELING / BEEP BEEP". ALSO HEAR PAUL SHOUT FUCKFACE (LOUD) TO ONE OF THE ENGINEERS. SOME OF THE OTHER SONGS INCLUDE "SHORT FAT FANNIE";"I'LL GET YOU";"OCTOPUS'S GARDEN".

BEATLES - 69 REHEARSALS VOL 2 LONDON, HIGHLIGHTS: ROCK AND ROLL MUSIC, LUCILLE THAT MUST BE MY GAL. OTHER SONGS: TWO OF US, THE LONG AND WINDING ROAD (TK.13-19), LET IT BE (TK.20-27), ACROSS THE UNIVERSE, DIG A PONY, ONE AFTER 909 AND DON'T LET ME DOWN.

BEATLES - 69 REHEARSALS VOL 3 LONDON, HIGHLIGHTS: PRACTICING THE BACKING VOCALS OF DON'T LET ME DOWN, A SHOT OF RHYTHM AND BLUES AND AS CLEAR AS A BELL SAYS LA SCALA. OTHER SONGS:OH! DARLING, THE LONG AND WINDING ROAD PIANO VERSION, MAXWELL'S SILVER HAMMER, BACK SEAT OF MY CAR, IT'S JUST FOR YOU, HELLO DOLLY, ONCE UPON A TIME THERE WAS A WOMAN LIVING UNDERNEATH A TREE.

BEATLES - ACETATES 1963/69, UK 13 OUTTAKES YELLOW DOG. MOST TRACKS ARE BEST SOURCES. PRETTY INTERESTING DEMOS AND STUDIO EARLY MIXES. QUITE AN EXCITING CD AT THE TIME OF ITS RELEASE, PREVIOUSLY AVAILABLE VERSIONS OF 12-BAR ORIGINAL WERE OF POOR QUALITY AND WERE PLAGUED WITH VINYL CRACKLE. YELLOW DOG HAD DONE AN EXCELLENT JOB IN CLEANING UP SOME OF THESE ACETATES. MOST OF THE TRACKS FROM THIS CD ARE FROM AUCTIONED ACETATES SOLD IN THE LATTER PART OF THE 1980'S AND EARLY 1990'S.

BEATLES - ACETATES (2 CDS) YELLOW DOG NEW AND IMPROVED OVER SINGLE YELLOW DOG ISSUE ABOVE. CONTAINS SGT PEPPER ACETATE AND DISK TWO CONTAINS MANY, MANY NEW SURPRISES LIKE THE ONE SIDED DICK JAMES ACETATE OF HARD DAYS NIGHT. INDEED DISK TWO CONTAINS PRODUCTION ACETATES WITH ALL THE INTROS AND BEEPS ETC.

BEATLES - A CAM B CAM TWICKENHAM 01/03/69 FROM DIFFERENT SOURCES AND MICROPHONES INCLUDING NEGRO IN RESERVE.

BEATLES - ALL THINGS MUST PASS PT 1 THE ELECTRIC SET. RECORDING: GOOD TO EXCELLENT RELEASED FIRST IN JUNE 1992 YELLOW DOG LABEL

BEATLES - ALTERNATE MAGICAL SUBMARINE TOUR (2CDS)

CD1

No	Tracklisting	Notes	Time
1	Magical Mystery Tour	Take 9 had originally had 7 mixes done, this version is Nov. 7th 1967 version, whereby more recording was done on top of RM7 - Incorporates an additional Paul vocal line, plus more sound effects	03:45
2	Fool On The Hill	Paul alone at the piano, whilst George Martin tapes a two-track mono demo	02:49
3	Fool On The Hill	Take 6 - Take 5 mono remix 2 with a host of instruments overdubbed upon it	03:58
4	Fool On The Hill	Three flautists are recruited to add the final touches to Take 6	03:26
5	Aerial Tour Instrumental	Take 6 RM4	02:43
6	All My Loving	George Martin Orchestra version, with interview with John over the top, which includes John introducing "I Am The Walrus"	03:06
7	I Am The Walrus	Take 16	04:27
8	I Am The Walrus	Take 17 RM4	04:30
9	I Am The Walrus	Take 20 reduced to Take 25	05:17
10	Blue Jay Way	Take 3	03:50
11	Blue Jay Way	Mono-remix 9 from previously overdubbed Take 3	04:19
12	Your Mother Should Know	Take 3	02:46
13	Your Mother Should Know	Take 7	02:27
14	Your Mother Should Know	Take 20 (Remake)	03:09
15	Flying	Take 8 RM 6 - At this stage the song was nearly 10 minutes long, so it was then edited down to a 2'41" length. The curious jazz ending which had been evident from Take 6 was deleted.	02:41
16	Magical Mystery Tour	Take 9 RM 5	03:01
17	Hello Goodbye	Take 9 - remix 5	04:37
18	Hello Goodbye	Take 17 - remix 1	03:18
19	Cat Call	Take 1 (a.k.a. "Catswalk")	01:07
20	Cat Call	Chris Barber Jazz band version, on which Paul contributed	03:06
21	We Love You	Rolling Stones Studio Outtake - John and Paul on backing vocals	05:11
22	Sing This All Together	Rolling Stones Studio Outtake - John and Paul on backing vocals	03:39
23	Shades Of Orange	Rolling Stones Demo - John and Paul on backing vocals	02:24

CD2

No	Tracklisting	Notes	Time
1	Yellow Submarine	Art Director, Heinz Edelmann talks in German about the making of the movie	01:17
2	Yellow Submarine	Take 5 - This version has more overdubs and includes the Ringo spoken intro	02:32
3	Eleanor Rigby	A re-released version, Paul with the Gabrielli String Quartet	02:58
4	All Together Now	Take 9 - remix 5	02:10
5	Only A Northern Song	Take 11 RM6	03:23
6	Nowhere Man	Take 4	02:58
7	Lucy In The Sky With Diamonds	Movie mix, with extended beginning and Jeremiah singing	03:48
8	All You Need Is Love	Take 58 RM11	03:42
9	Baby You're A Rich Man	Take 2 RM1	02:58
10	It's All Too Much	Take 2 RM1	06:18
11	Hey Bulldog	John's home demo	01:47
12	Hey Bulldog	Take 10 RM1	03:14
13	Hey Bulldog	Take 10 RS1	03:09
14	The Pepperland Suite	Exerpt from the original film score	06:18
15	Christmas Time Is Here Again	The last Christmas fan club flexi	06:42
16	The Inner Light	Take 5	02:29
17	The Inner Light	Take 6 RS 1	02:35
18	Lady Madonna	Take 1	01:06
19	Lady Madonna	Take 3	02:14
20	Lady Madonna	Take 5	02:17
21	Across The Universe	Take 2	03:27
22	Across The Universe	Take 7 RM2 (starts with "Y'alright Richie")	03:53
23	Across The Universe	Take 8 RS2	03:45

BEATLES - ALTERNATE RUBBER SOUL LABEL: FLASH CATALOGUE NO.: 04.95.029/2 YEAR: 1998 TOTAL TIME: 63:43 SOUND QUALITY: EXCELLENT MONO/STEREO

BEATLES - AM TAPE THE STORY OF A BEATLES' CONCERT HAVING BEEN TAPED OFF THE PA SYSTEM IN ITALY IN L965 HAS BEEN ONE OF THOSE TOPICS THAT HAVE BEEN AROUND FOR YEARS. IT WAS EVIDENT IN THE END THAT IT WASN'T TRUE AND THAT THE REASON FOR THIS WAS THE FACT THAT AN ALBUM HAD BEEN RELEASED IN ITALY WITH THE TITLE ''THE BEATLES IN ITALY". THE SLEEVE CONTAINED A FEW PHOTOGRAPHS OF THE BEATLES PERFORMING IN ITALY, BUT THE SONGS WERE THE USUAL STUDIO VERSIONS. YEARS AFTER THIS MYSTERY HAD BEEN SOLVED, SOME SONGS PERFORMED IN ITALY HAVE SURFACED IN EXCELLENT QUALITY. THEY ARE: ''TWIST AND SHOUT'', ''SHE'S A WOMAN" AND "I'M A LOSER" (INCOMPLETE). THIS IS AN EDIT OF THE BEST SOURCES POSSIBLE FOR THE A.M. TAPE. PLUS REVOLUTION OUTTAKES AND YOKO TOO.

BEATLES - ANTHOLOGY DIRECTORS CUT 93 (10 DVDS)  - Highlights and Alternative Segments Include:  Story VS Performance - The 1993 Director’s Cut of Anthology focused primarily on the Beatles story, using performance footage only to enhance the story. The final version would remove much of the story and details to include as much TV and concert footage as possible. At the time this appeared to be the best approach, but in retrospect opinions may chance after hearing the uncut interviews; this was after all their one change to tell their story. Collectors have countless sources for the TV and concert footage, but only one option to hear their story as done for the Anthology series, until now that is! Uncensored Version- comparisons between the two versions of Anthology clearly show heavy editing. An entire sequence regarding Yoko Ono and her effects on the band has been cut-down to almost nothing; only on the 1993 version will you hear unedited and sometimes unflattering comments. Many interviews did not even make it to the Anthology book. One example is George commenting on the positive experiences he had with drugs, including the famous dentist real name! The 1993 director’s cut also includes the original extended sequence on George’s songwriting later trimmed at George’s request. It becomes obvious by program 1 what you are seeing is what the director and production team assembled and presented to the band before they made numerous change request. Program Beginnings- Each program begins with an unused animated sequence in place of the Help! Introduction. In My Life Opening Montage- Programs 1-4 use this song montage with the commercial version using it only to start program 1. The early montage contains different shots from the final version including Allen Klein. Flashback Montage- An early idea was to begin each program (beginning with program 2) with a flashback montage covering important material seen in the previous program, this worked well for the first few programs, but unfortunately took too much time, Beginning with program 4, the flashbacks only went as far back as the previous program  While My Guitar Gently Weeps Montage- Ideas about the montage were changing by program 5, and no song montage was used for this program. For program 6, a different approach/song was used, and for the first time it was flash forward montage, using much footage not seen elsewhere in the program. Programs 7-8 drop the montage idea entirely Quality Of Archival Footage- At this early stage, Apple had to use what footage it had available with quality varying from poor to ex. Some of early TV appearances and newsreels are obviously taken from VHS screening tapes, and many include time-code. Some scenes contain the text “Temporary Picture” All of the new interviews and Apple owned material, including footage taken directly from the original cut of “The Long And Winding Road” look great and contains no time code. It is quite interesting to see what Apple’s film archives looked like in 1993. In 1995 Anthology producer Chips Chipperfield hinted at what this early version might look like when asked why they could not just use the original 10-hour version for the home video release “We can but that’s off-line. Off-line is a rough cut. It’s cut from whatever archive sources we have so a lot of it is VHS  Unused McCartney Interview- Programs 1&2 include an unused interview with Paul. This was the first interview shot and used before finally being replaced with a re-recorded Paul in black turtleneck With this first interview being re-shot, the stories vary from the final release Partially Unused Harrison Interview- For most of Programs 1&2, the only Harrison interview used is the control room interview with George sporting a moustache. More than ½ of this interview was later removed and replaced with a re-recorded clean-shaven George. With much of this first interview going unused, the stories vary from the final version  Unused Neil Aspinall Interviews- For most of the first two programs, we see Neil’s first interview sessions wearing no hat, the stories heard vary from the commercial version. Derek Taylor- Derek has a larger role in the early version of Anthology, and is featured in numerous unseen interviews Program Endings- An early idea was to end each program with a sequence showing the progression the band was making. Examples would be an overhead view showing the move from Liverpool to London, or the move from London to the US. Audio Outtakes- It is important to note that the 1993 Anthology uses very little studio outtake recordings. There are no created studio sequences of audio outtakes. We don’t hear any real audio outtakes until the 68 studio sessions, as the audio outtakes were still being examined at this early stage of production and were not made available to the production team just yet. But… we do get to hear the unused “Hums” ending for “A Day In The Life” along with part of take 4! Early/Abandoned Ideas- The 1993 Anthology uses many ideas later modified or dropped entirely. The recreations of fans rooms differ greatly; TV and tour montages were created then later dropped. An early idea was to show the move from Liverpool to Abbey Road studios, done by filming an entire trip-sequence taking you from Liverpool and ending at George Martin’s door in Abbey Road Studios. Other early ideas put Paul in the film “The Girl Can’t Help It” Various other unused segments appear throughout the entire eight programs No Closing Credits- At this early stage, none of the eight programs contain closing credits 1993 Ending- At this early stage, the documentary ends with the “Let It Be” sessions and rooftop concert. Program 8 part 1 dates from December 1993. 1994 would alter the Documentary considerably, with the three remaining Beatles reforming to record new music and joint interviews. It was at this point; the 1993 version was heavily re-edited leaving only a hint of what it had originally looked like.

BEATLES - ANOTHER SESSIONS PLUS "SESSIONS HAS BEEN ONE OF THE MOST POPULAR TITLES AMONG BEATLES COLLECTORS SINCE ITS NON-ISSUE BY EMI IN 1985. THANKS TO THE RECENT DISCOVERY OF CASSETTE DUBS MADE BY THE LATE ABBEY ROAD ENGINEER JOHN BARRETT, ANOTHER SESSIONS FEATURES ALTERNATE MIXES AND VERSIONS OF THE SONGS FROM THAT UNRELEASED ALBUM, ALONG WITH BONUS TRACKS. IT IS A PERFECT COMPANION TO TURN ME ON, DEAD MAN: THE JOHN BARRETT." "THIS CD FEATURES MIXES OF THE SONGS FROM THE SESSIONS PROJECT, THESE ARE NOT THE SAME, BUT REJECTED MIXES FROM THE JOHN BARRETT TAPES."

BEATLES - Anthology II (Japan 1991) [NOTE: NOT to be confused with the commercially released version! It is a  (3 CDS) set manufactured by Teichiku Records containing music, interviews, and Beatle-based fan songs.]

BEATLES - ANTHROPOLOGY THIS IS A NICE COLLECTION OF LITTLE SNIPPETS AND ESSENTIAL OUTTAKES/LIVE-RECORDINGS, WHICH WERE ALL INCLUDED IN THE ANTHOLOGY VIDEOS BUT DIDN'T MAKE IT TO THE DISCS.

BEATLES - ARRIVE WITHOUT AGING 1963 - 68 this is one of the most acclaimed beatles bootlegs. It brings several nice recordings, mostly from mid sixties, and many of them have been re-booted. Several tracks were taken fromt he "Making of Sgt. Pepper's" TV special. CONTENTS: Sgt. Pepper's Lonely Hearts Club Band/ George Martin comments - That means a lots (takes 23 & 24 - different to the one on Anthology) - I'm so tired - We can work it out - Lucy in the sky with diamonds (take1)/ George Martin and Paul comments - It's all too much (unedited) - She's a woman (BBC) - Being for the benefit of mr. Kite/ George Martin comments - Run for your life (take 3 reference vocal) - Within you without you/ George Martin comments - Norwegian Wood (take 2) - Penny Lane (overdubb session) - I'm in love (demo) - 12 bar original (takes 1 & 2 plus extra jam) - I feel fine (BBC) - Good morning good morning/ George Martin - The inner loght (backing track) - Holdme tight (take 20) - A day in the life (take 1)/ George Martin comments - She can talk to me (demo) - I'm so tired (overdubb session) - Strawberry fields forever (home demos) - Cry baby cry (home demos) - Happiness is a warm gun (overdubb) - Rishikesh Tape (The saints/ You are my sunshine/ Jingle bells/ She'll be coming 'round the mountain/ Untitled instrumental/ Blowin' in the wind/ Hare Krishna/ Catch the wind) - We can work it out (home demo)

BEATLES - ARTIFACTS 1 (5 CDS) ALL ARE ORIGINAL ISSUES.  CD1. THE EARLY YEARS 1958-1962    CD2.  BEATLEMANIA 1964-1965     CD3. THE PSYCHEDLIC YEARS 1966-1967  CD4.  INNER REVOLUTION 1968 CD5. GET  BACK TO ABBEY ROAD 1969-1970

BEATLES - ARTIFACTS 2 (5CDS)  CD1.  YOUNGBLOOD 1960-1963  CD2. TICKET TO RIDE 1964-1965  CD3. NORTHERN SONGS 1966-1967 CD4. ALONE TOGETHER 1968  CD5. THE LONGEST ROAD 1969

BEATLES - ARTIFACTS 3 (4CDS) CD1 NOT FADE AWAY 1970 - 1971 CD2 SUE ME, SUE YOU 1972-1975 CD3 AS TIME GOES BY 1976-1980 CD4 FREE AS A BIRD 1981 - 1994

BEATLES - Attack of the Filler Beebs Disc One  'Teenagers Turn'  3-7-62 1. Dream Baby  -1:57  2. Memphis  -2:21  3. Please Mr. Postman  -2:18   Sourced from a cleaner tape than the one used for the 'Complete BBC Sessions' box set.   'Here We Go' 6-11-62   4. Ask Me Why  -2:24  5. Besame Mucho  -2:34  6. A Picture Of You  -2:32  Again, from a better source tape. 'Saturday Club' 1-22-63   7. Some Other Guy  -1:56  8. Beautiful Dreamer  -1:47  Sourced from a markedly better tape than the one that has been previously available.   'Here We Go' 3-6-63  9. Misery  -2:14  10. Do You Want To Know A Secret -2:09  11. Please Please Me  -2:12  This excellent performance surfaced shortly after the 'Complete' box set was released. 'Saturday Club' 3-16-63   12. I Saw Her Standing There -2:35  13. John and Brian  Matthew chat -0:45   14. Misery  -1:45  15. Talking About You  -1:50  16. John, Paul and Brian Matthew chat -0:51   17. Please Please Me  -1:52  18. Hippy Hippy Shake  -1:40  19. Too Much Monkey Business(cv) -1:51  Again, sourced from a significantly improved tape, except for Too Much Monkey Business, included  from the the released Live at the BBC set.   'Side By Side' 4-1-63   20. Ringo and John Dunn chat -0:12  This 'Boys' intro was left off the 'Complete' box set.   'Non Stop Pop' 7-30-63   21. Beatles and Phil Tate chat -2:22  Ringo discusses not moving to London and requests a song, John talks about  songwriting and hobbies, George answers a fan's question about their hair, and  Paul muses on fame.   'The Public Ear' 10-3-63   22. Beatles self-introductions (cv) -0:13  23. Beatles chat  -2:15  Paul wonders about the future, George talks about money, and all four talk  about practicing and making music.   'Radio Newsreel' 10-16-63 24. Beatles and Peter Woods chat -2:10  The Fabs talk about the upcoming RoyalVariety Performance and their success without posh voices. 'Easy Beat' 10-16-63 25. From Me To You  -1:19  An upgrade of the flawed 'Complete' box set track. Dateline London 12-10-63   26. Beatles and Dibbs Mather chat -9:16  Ringo outlines his early career;George discusses life's changes, family life,  money and the future; Paul talks about the name, being role models and the future; and John goes on about Goon-type humor and success and reads 'The  Neville Club.'   'The Public Ear' 1-5-64   27. George and Ringo promo spot, tk 1 -0:48  28. George and Ringo promo spot, tk 2 -0:42  George reads his and Ringo's letter and ruins Ringo's gag, then gets it right on the second try. Weekend World 1-24-64   29. Beatles and Bob chat  -7:07  30. Beatles and Bob chat more -6:39   A bonus non-BBC session, recorded in Paris by an unknown American interviewer for Armed Forces Network. First Paul discusses their origins, success and haircuts; George talks about the Liverpool Sound; Ringo briefly synopsizes his career; and John talks about imitators. Then Paul discusses the Olympia shows, writing 'I Want To Hold Your Hand', themes in their songs and their upcoming U.S. trip and first feature film; George talks  about the lack of French girls and landing the Sullivan show; John discusses ìyeah yeah yeahî and they all rate the French girls. Unknown program 2-5-64?   31. Beatles and someone chat -2:12  The Beatles discuss their recent Paris trip and upcoming American one.

BEATLES  - Attack of the Filler Beebs Disc Two [feb '64 - dec '65] 'Saturday Club' 2-7-64   1. coverage of Plaza Hotel arrival -1:05  2. Beatles and Brian Matthew phone chat -4:58  Brian, in London, talks to the Beatles in their New York hotel room, getting their first impressions of America. 'Saturday Club' 2-22-64   3. Beatles and Brian Matthew phone chat -4:06  Brian, in the 'Saturday Club' studio, talks to the Beatles at Heathrow  Airport, as they arrive back in Britain. 'From Us To You' #2, 2-28-64   4. John, Paul and Alan Freeman chat -0:38  This bit was incomplete on the 'Complete' box set. 'The Public Ear' 3-18-64   5. Ringo responds to Barbara Garnet's plea-0:22  6. John, George and Ringo chat -2:06  7. George and Ringo  read the credits -0:42  George interviews Ringo about John's book, and the author reads 'Alec Speaking.' 'Saturday Club' 3-31-64
8. Beatles and Brian Matthew chat -2:01  9. Paul, George and Brian chat -2:00  These interviews were incomplete on the box set. 'Top Gear' 7-64   10. Paul, George and Ringo promo session -2:15 11. George and Ringo promo spot -0:26  A home recording, at
Tony Hall's apartment, with more posh voicings from Paul. 'Top Gear' 7-14-64
12. Things We Said Today  -2:20  13. John, Paul, Ringo and Brian Matthew chat-1:16  14. A Hard Day's Night  -2:34 The first two are more complete than the versions on the box set, while the third features alternate outro chat. 'From Us To You' #3, 7-17-64
15. I'm Happy Just To Dance With You -2:01  16. Things We Said Today  -2:35   17. I Should Have Known Better -2:40  18. A Hard Day's Night  -2:31  From the session tape, but not included in the box set. Unknown program 7-28-64   19. Beatles and Klas Burling chat -0:14  20. Ringo and Klas chat  -0:42   21. Paul and Klas chat  -1:07  22. Paul and Klas chat  -0:40  23. John, Paul and Klas chat  -0:44 24. George and Klas chat  -0:14  A non-BBC, Radio Swedensession. Recorded in Stockholm. 'Top Gear' 11-17-64  25. I Feel Fine, false start  -0:50  26. I Feel Fine, partial, before overdub -1:08  27. Beatles and Brian Matthew chat -3:00  28. Honey Don't  -3:05  The 'Complete' box set omitted the pre-overdub 'I Feel Fine,' and it only included the edited versions of the last two tracks.
'Pop Inn' 4-13-65   29. Beatles and Brian Matthew chat -1:54  30. George song introduction. -0:15  At Twickenham during filming, they discuss John's new book, writing a musical, painting the Palace, another US tour, and folk music. Unknown program 6-65?   31. Paul chat  -0:32  Paul answers a Brian Matthew query about 'Michelle' as an a-side. 32- MBE interview (6-12-65) -2:46  Chat: Flip MBE interview from an unknown program about how they were  notified, how they'll dress. Ringo's mother doesn't know yet. John tried to  get Cynthia an MBE too. 'The World Of Books' 6-16-65   33. John and Wilfred De'Ath chat -4:15  Automatic piers, influences, awareness and 'The Fat Budgie.'  'Today' 6-16-65   34. Beatles read 'The National Health Cow'-0:41  35. TK #2 -John without the Beatles. - -0:21  The boys plug  John's new book.   'The Beatles' 7-30-65   37. John, Paul, George & Dibbs chat -0:50  38. John, Paul, George & Dibbs chat -1:27  They discuss future plans and their image, the new film and acting, and life  if not Beatles and how theyíve stopped improving on stage.   'The Beatles Abroad' 8-65   39. George and Brian Matthew chat -1:11  40. John and Brian chat -2:15   41. Paul and Brian chat -2:49  42. George and Brian chat -1:35  43. Ringo and Brian chat -1:15  44. John and Brian chat -0:53  George on Shea; John on Shea; Paul on the future, the musical and standards;  George on the rigors of touring and getting out at night in London; Ringo on  Beatles wives and John off American food. 

BEATLES - Attack of The  Killer Beebs Disc Three [nov '65 - feb '68]  'Saturday Club' 11-29-65  1. Saturday Jump, interview version -0:12  2. Beatles promo spot session -1:12  3. John, Paul, Ringo and Brian Matthew chat-1:44   4. Beatles and Brian chat  -1:25  5. Beatles chat  -0:42  6. Saturday Jump theme music -0:09   The Beatles tape their contributions to the 'Saturday Club' Christmas  broadcast. The promo spot is complicated  by Ringo's intransigence; the first chat bit starts with an impromptu 'Maria,' then covers their Christmas plans;   the second chat segment is a 'Beatle Box Jury' following the playing of Brian Matthew's new single; and finally each Beatle sends his holiday wishes.  'Pop Profile' 11-30-65   7. George and Brian chat  -3:51  8. Theme song/John & Brian Matthew chat -4:49  Brian interviews two Beatles at the NEMS Enterprises office in London. George muses on  his image as the 'silent Beatle,' what he cares most about, songwriting, his home life, and what he wants. John discusses what he cares  most about, his political leanings, Julianís future education and parenthood.
'Pop Profile' 5-2-66   9. Paul and Brian Matthew chat -4:34  10. Ringo and Brian chat and outro -4:13 Brian interviews two more Beatles at the Playhouse Theatre in London. Paul complains about press reactions to his concert and play attendances and
discusses post-Beatles possibilities and various other musics. Ringo talksabout music he likes, life as a lad, life as a whole and how he got into music.   'The Lennon /McCartney Songbook' 8-6-66   11. John, Paul and Keith Fordyce chat -9:26  At Paul's St. John's Wood home in London, Keith Fordyce gets the Nerk Twins' reactions to some of the many covers of their compositions, including the Irish Guards' 'She Loves You,'  Peggy Lee's  'A Hard Day's Night,' Matt Munro's 'All My Loving,' Lena Horne's 'And I Love Him' and Frankie Vaughn's  'Wait,' with interruptions by Mr. or Mrs Higgins and Martha (My Dear) the sheepdog puppy.   'Beatle Views' LP 12. I Feel Fine (rare live fragment) -3:35 (Cleveland, OH  August 14, 66)   'Top Of The Pops' 3-20-67   13. John, Paul and Brian Matthew chat -5:12 The Fab Two discuss 'Penny Lane' not making Number One, songwriting, doing  another film, not touring and not writing a stage musical. Ivor Novello Awards for 1966  3-27-67   14. Chat with Brian Mathew  -5:17 John and Paul won three awards, for Yellow Submarine, Michelle and Yesterday,
but did not attend the ceremony. Their acceptance speeches were taped a week
before during recording sessions for Sgt. Pepper at Abbey Road  'Where It's At' 5-20-67 (Sgt. Peppers debut on BBC) 15. John Introduces SPLHCB -0:19 16. Kenny talks to Ringo and John -1:19   17. John on 'Phazing'  -0:31 18. John and Kenny Noises for Part 2' -0:23 19. Kenny & Paul on how long it too -0:57   20. Paul on people at sessions  -1:05 21. Closing comments by Paul  -1:08   'Scene And Heard' 9-13-67   22. George and Miranda Ward chat -4:24 Interviewed at the Atlantic Hotel in Newgate during 'Magical Mystery Tour' filming, George explains why they still haven't done their required third feature film, what they're doing with  'Mystery Tour,' and his interest in Indian philosophy and spiritual fulfillment.   'Where It's At' 11-67   23. John, Chris Denning & Kenny Everett chat -2:47 24 All Together On The Wireless Machine #1  -0:52  25. All Together On The Wireless Machine #2  -0:57 John talks about the possibility of a Beatles radio show, building a studio,  and other future plans. The next two tracks are two different edits of a home tape Paul recorded for the program. 'CILLA' & Ringo 2-6-68   26- sing Act naturally -2:12 27- sing 'Nellie Dean' -4:11 28- sing 'Do You Like Me?'-3:15 The Three Beatles worked  12 hours at EMI 2:30pm-2am on the Inner Light and Lady Madonna only taking a break from 8pm to 9pm to watch Ringo on Cilla Black's show 'Cilla'. Ringo is seen on this show with Peter Brough with his puppet Education: Archie Andrews and
participated two sketches, first acting as a ventriloquist with Cilla dressed in a gymslip and pigtails and called  'Ariadne' his dummy, singing Nellie Dean (written in 1905 by H W Armstrong). Lastly he duetted with Cilla on 'Do You  Like Me?' (written by Herbert Darnely around 1917) ...and of course on 'Act Naturally'.  Unknown program 3-26-68
29. Paul and Jane Asher chat -2:01 On their return from India, Paul responds to questions about meditation and poverty in India and Jane discusses meditation's effect on her. 'The Kenny Everett Show' 6-6-68  30. John intro

BEATLES - BEATLES FOR OTHERS MP3CD

BEATLES - AUCTION TAPES, THE 69 LONDON, UK 8 REHEARSALS AT TWICKENHAM YELLOW DOG 1.) SHE CAME IN THROUGH THE BATHROOM WINDOW / SAUSAGES AND FRENCH FRIES / HI HO SILVER / STAND BY ME 10'22'' 2.) HARRY PINSKER = HARE KRISHNA MANTRA / TWO OF US / YOU GOT ME GOING / DON'T LET ME DOWN 9'17'' 3.) I'VE GOT A FEELING / THE ONE AFTER 909 9'02'' 4.) ALL THINGS MUST PASS / MEAN MR. MUSTARD / DON'T LET ME DOWN / ALL THINGS MUST PAASS / FOOLS LIKE ME / YOU WIN AGAIN 13'02'' 5.) SHE CAME IN THROUGH THE BATHROOM WINDOW / BAA BAA BLACK SHEEP 3'59'' 6.) DON'T LET THE SUN CATCH YOU CRYING / SEXY SADIE / BLUE SUEDE SHOES / HAVA NAGILA / MOVIN' ALONG THE RIVER RHINE / THE LONG AND WINDING ROAD 8'02'' 7.) IF TOMORROW EVER COMES / WHAT DO YOU WANNA MAKE THOSE EYES AT ME FOR? 13'36'' 8.DON'T BE CRUEL / COSTA DEL SOL / MY ONE AND ONLY PRAYER / MY BABY LEFT ME 7'27''

BEATLES - BEATLE YEARS EAVESDROPPING ON ENGINEERS

BEATLES - BEATLES CONVERSATION

BEATLES - ORIGINAL DECCA TAPES AND CAVERN CLUB REHEARSALS 1962 CD EX LONDON, UK&LIVERPOOL, UK 20 THIS IS THE FIRST YELLOW DOG RELEASE OF THE DECCA AUDITION TAPES PLUS THE CAVERN CLUB REHEARSALS. ON THE ULTIMATE BOX SETS THEY REISSUED THESE TRACKS, AFTER THEY HAD "FIXED" THEM UP.

BEATLES - BACKYARD SPOOL. ALTERNATIVE MONO MIXES FROM THE WHITE ALBUM AND OTHER INTERESTING PIECES.

BEATLES - CELLULOID ROCK AN EXCELLENT BOOTLEG FEATURING: 1.) I've Got A Feeling 27 Jan 1969 4:02 2.) Shake, Rattle And Roll 26 Jan 1969 2:05 3.) MEDLEY KANSAS CITY - MISS ANN - LAWDY MISS CLAWDY 26 JAN 1969 3:47 4.) BLUE SUEDE SHOES 26 JAN 1969 2:06 5.) YOU REALLY GOT A HOLD ON ME 26 JAN 1969 2:54 6.) GET BACK 23 JAN 1969 2:35 7.) THE LONG AND WINDING ROAD 31 JAN 1969 3:33 8.) LET IT BE 26 JAN 1969 3:50 9.) DON'T LET ME DOWN 22 JAN 1969 3:45 10.) FOR YOU BLUE 25 JAN 1969 2:56 11.) THE WALK 27 JAN 1969 0:52 12.) TEDDY BOY 24 JAN 1969 5:55 13.) TWO OF US 24 JAN 1969 3:50 14.) DIG A PONY 23 JAN 1969 4:04 15.) DIG IT 26 JAN 1969 8:27

BEATLES - BEATLES STORY - BBC RADIO THIRTEEN PARTS (13 CDS) FROM 1972 HOSTED BY BRIAN MATTHEWS. EXCELLENT PRODUCTION AND I HAVE CUE SHEETS.

BEATLES - BROADCAST TRAILER VOL 1 (2CDS) SOUND: 8.5 OVERALL RATING: 9 REPORTEDLY UPGRADED AND LONGER BBC BEATLES PERFORMANCES AND INTERVIEWS. THIS IS VOLUME ONE OF A TWO VOLUME SET ISSUED BY YELLOW DOG IN 2000.

BEATLES - CARTOONS (2 CD ROMS)

BEATLES - CHRISTMAS COLLECTION (2CDS)

BEATLES - COME TOGETHER [BEATLES IN THE'90S] CD 1963/95 21 OUTTAKES FAB REAL LOVE (EARLY MIX), DEMOS (FREE AS A BIRD, REAL LOVE), COME TOGETHER (SMOKIN'MOJO FILTERS/DIF.MIX)

BEATLES - COMPLETE BBC SESSIONS, THE (9 CDS) 1962/65 LONDON, UK 257 BBC GREAT DANE RECORDS. I'VE HEARD 'SATURDAY CLUBS,' LENNON SAID, REFERRING TO ONE OF THE BBC RADIO SHOWS FOR WHICH THE GROUP PLAYED IN 1962 AND 1963. 'SOMEBODY MUST HAVE PIRATED THEM IN AMERICA... WE DID A LOT OF TRACKS THAT WERE NEVER RECORDED ON RECORD FOR 'SATURDAY CLUB.' ALL THAT STUFF WE'D BEEN DOING AT THE CAVERN OR HAMBURG. BUT THERE'S SOME GOOD STUFF IN THERE. AND THEY WERE WELL RECORDED, TOO.' AS THE POPULARITY OF THE BEATLES GREW IN ENGLAND, THE GROUP BEGAN TO APPEAR MORE OFTEN ON BBC RADIO AND TV. IN THE SUMMER OF 1962, BEFORE THEIR FIRST UNITED KINGDOM LP, 'PLEASE PLEASE ME,' WAS PRODUCED, THEY RECORDED 14 SONGS FOR PROGRAMS SUCH AS 'SATURDAY CLUB' AND 'TOP OF THE POPS.'BY EARLY 1963, THE GROUP HAD PERFORMED ON ALMOST EVERY ENGLISH RADIO POP SHOW. IN JUNE, THEY HAD THEIR OWN RADIO PROGRAM, 'POP GO THE BEATLES.' THEY PERFORMED THE THEME MUSIC FOR THAT PROGRAM, A 'BEAT' VERSION OF 'POP GOES THE WEASEL.' THE BROADCASTS ALSO INCLUDED HUMOROUS BANTER FROM THE FAB FOUR, WHO MADE IT CLEAR TO LISTENERS THAT THEY WERE REALLY PERFORMING AT THE BBC. BEFORE THE GROUP PLAYED 'THIS BOY' ON ONE BBC PROGRAM, HARRISON ANNOUNCED: 'THIS ISN'T OUR RECORD AT ALL. IT'S US SINGING IT, ACTUALLY IN THE (RADIO) STUDIO PERFORMING IT.'THE BEATLES RECORDED SEPARATE VERSIONS OF ALL THE SONGS THAT WERE AIRED ON THESE BBC APPEARANCES. BY JUNE 1965, THOSE TAPES INCLUDED 88 SONGS MADE SPECIFICALLY FOR THE BBC. THIRTY-SIX WERE COVER VERSIONS OF OTHER ARTISTS' MATERIAL THAT HAVE NEVER BEEN RELEASED COMMERCIALLY. THEY PLAYED LESSER-KNOWN RHYTHM-AND-BLUES B-SIDES, AND SOME OF THEIR FAVORITES BY ELVIS PRESLEY, BUDDY HOLLY, CHUCK BERRY, ROY ORBISON, LITTLE RICHARD, THE COASTERS AND THE SWINGING BLUE JEANS. SURVIVING MASTER TAPES WERE KEPT IN A NOT-SO-TIGHT BBC VAULT UNTIL 1982 WHEN MUCH OF THE MUSIC WAS REPACKAGED INTO A THREE-HOUR RADIO PROGRAM THAT WAS SYNDICATED IN THE UNITED STATES UNDER THE TITLE 'THE BEATLES AT THE BEEB.'

BEATLES - COMPLETE UPGRADED BBC SESSIONS. PURPLE CHICK (11 CDS) INCLUDES BONUS CD ROM THAT IS CHOCK FULL OF PICTURES, TRACK LISTINGS ENOUGH TO PLEASE ANY BEATLE PEEDLE. LOTS OF UNBOOTED UPGRADES. THE BONUS DISC FEATURES ARTWORK, RECORDING INFORMATION, PLUS MP3S OF INTERVIEW SHOWS.

BEATLES - COMPLETE UPGRADED BBC SESSIONS DISC 11 INTERVIEWS (4 CDS) INCLUDING: NON STOP POP 7-30-63, THE PUBLIC EAR 10-3-63, RADIO NEWSREEL 10-16-63, DATELINE LONDON 12-10-63, THE PUBLIC EAR 1-5-64, WEEKEND WORLD 1-24-64, SATURDAY CLUB 2-7-64, SATURDAY CLUB 2-22-64, THE PUBLIC EAR 3-18-64, POP INN 4-13-65, THE WORLD OF BOOK 6-16-65, TODAY 6-16-65, THE BEATLES 7-30-65, THE BEATLES ABROAD 8-65, SATURDAY CLUB 11-29-65, POP PROFILE 11-30-65, POP PROFILE 5-2-66, DAVID FROST AT THE PHONOGRAPH 8-1-66, THE LENNON/MCCARTNEY SONGBOOK 8-6-66, TOP OF THE POPS 3-20-67, SCENE AND HEARD 9-13-69, WHERE IT'S AT 11-67, THE KENNY EVERETT SHOW 6-66-68, THE TONIGHT SHOW 5-14-68, EVERETT IS HERE 7-1969 ... AND MANY MORE!!

BEATLES - COMPLETE CHRISTMAS COLLECTION SPEED CORRECTED AND A WORTHY ADDITION TO ANY BEATLES COLLECTION. EVERY CHRISTMAS DAY, I BRUSH OFF THE COBWEBS ON THIS ONE AND POP IT RIGHT INTO THE CD PLAYER. A CHRISTMAS TRADITION IN MY HOUSE.

BEATLES - COMPLETE ROOFTOP CONCERT, (OR SO WE THOUGHT!!) AT THIS TIME, PLANS WERE MADE TO TURN THE ROOF AT NO 3 SAVILLE ROW, THE APPLE CORPS HQ, INTO A TRANQUIL ROOF GARDEN, AND SO RINGO STARR AND MICHAEL LINDSAY-HOGG DECIDED TO TAKE A LOOK. IT SEEMED IDEAL FOR WHAT THEY HAD IN MIND.THE BEATLES LAST EVER PUBLIC CONCERT TOOK PLACE AROUND MID DAY ON THURSDAY JANUARY THE 30TH AND LASTED A FULL 42 MINUTES, AND MAY WELL HAVE GONE ON LONGER HAD IT NOT BEEN FOR THE COMPLAINTS OF THE NEIGHBOR, STANLEY DAVIS. THE WOOD MERCHANT NEXT DOOR WAS NOT A BEATLES FAN SO IT SEEMED. HE WAS QUOTED AS SAYING "I WANT THIS BLOODY NOISE STOPPED. IT'S ABSOLUTE DISGRACE". BUT THE BANKER, ALAN PUVERNESS, AT THE END OF THE STREET WAS KINDER, HE SAID "SOME PEOPLE JUST CAN'T APPRECIATE GOOD MUSIC".

BEATLES - COMPLETE ROOFTOP CONCERT, THE (2CDS) ALL SONGS INCLUDED ON TRACK 1 OR TRACK 2 ON DISC 1 ARE ALL PREVIOUSLY AVAILABLE ON "THE COMPLETE SINGLE ROOFTOP CONCERT (SEE ABOVE). BUT THE INTRO OF THE 1ST TRACK AND THE OUTRO AFTER JOHN'S FAMOUS QUOTE [I'D LIKE TO SAY "THANK YOU" ON BEHALF OF THE GROUP AND OURSELVES I HOPE WE PASSED THE AUDITION.] ARE LONGER IN LENGTH THAN ON PREVIOUS RELEASES. IT SEEMS THAT THE MICROPHONE AND CAMERA WAS SHOOTING FROM A BUILDING OTHER THAN THE APPLE BUILDING TRACKS 3 AND 4. DON'T LET ME DOWN #2 WAS ENTIRELY OMITTED. THE SOUND ON TRACK 5 WAS RECORDED ON THE SAVILLE ROW AT STREET LEVEL. GEORGE'S BACKING VOCAL IS RECORDED LOUDER THAN JOHN AND PAUL'S. SO, EVEN THOUGH IT SOUNDS STRANGE IT IS MOST DEFINATELY INTERESTING. (YOU CAN STILL HEAR THOSE DAMNED BEEPS.) ALL OF THE SONGS ON DISC 2 WERE PREVIOUSLY UNAVAILABLE. SO, FOR THE FIRST TIME WE CAN HEAR THE,"GET BACK #1 WARM-UP JAM". HERE'S WHAT HAPPENED; JOHN STARTED PRACTICING HIS GUITAR SOLO OF GET BACK,THEN THE OTHERS CHIMED IN. AFTER THE PERFORMANCE OF "GET BACK #2", WE HEAR "I WANT YOU (SHE'S SO HEAVY)". BUT ONLY ONE GUITAR PHRASE, PLAYED BY JOHN, CAN BE HEARD. INTERVIEWS WERE RECORDED FROM THE STREET SOUNDING LIKE THEY WERE BEING CONDUCTED UNDER THE APPLE BUILDING. FINALLY WE ARE TREATED TO A RENDITION OF "GOD SAVE THE QUEEN". THE SONG WAS PERFORMED BETWEEN "DIG A PONY" AND "I'VE GOT A FEELING". NATURALLY IT WAS JOHN WHO STARTED PLAYING THE RIFF, THEN THE OTHERS CHIMED IN. IT'S A LITTLE DIFFICULT TO HEAR THE PERFORMANCE, BECAUSE AN INTERVIEW WAS TAKING PLACE. WE CAN HEAR PERFORMANCES BETWEEN SEVERAL INTERVIEWS. GEORGE'S BACKING VOCAL ON "DON'T LET ME DOWN #2" WAS LOUDER THAN JOHN AND PAUL'S. IT SEEMS THAT THE VOLUME OF GEORGE'S MICROPHONE WAS SET LOUDEST ON THAT DAY. ON TRACK 3,WE HEAR THE ROLL_CALL OR THE TAKE_CALL BESIDES THE SOUND OF RUNNING CARS. ON TRACK 4, WE CAN HEAR THE PLAYBACK OF "GOD SAVE THE QUEEN". THE SOUND QUALITY IS MUCH BETTER THAN ON TRACK 2. I THINK THE BEST PART OF THIS DOUBLE CD SET IS TRACK 4 ON DISC 2. WE CAN IMAGINE THE FAB4 CHATTING WHILE LISTENING TO THE PLAYBACK. ON TRACK 5,WE CAN HEAR THE PERFORMANCE THAT WAS RECORDED ON TOP OF THE APPLE BUILDING. FINALLY, EVEN THOUGH THE SOUND QUALITY OF THIS DOUBLE CD SET IS NOT VERY GOOD, IT'S WORTH HAVING THIS REMARKABLE COMPILATION OF THE HISTORICAL ROOFTOP CONCERT.

BEATLES - CONTROL ROOM MONITOR MIXES WORK IN PROGRESS OF VARIOUS SONGS, FROM REVOLVER IN 66 TO THE WHITE ALBUM. THIS DISC IS FOR THOSE OF US WHO STUDY THE BEATLES.

BEATLES - CORN OF THE APPLE HAS THE GERMAN "GET BACK".

BEATLES - DAY BY DAY VOL 1 (2CDS) CD 1: NAGRA TAPE ROLL 1A-2A-3A-4A JANUARY 2ND, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 5A-6A-7A-8A JANUARY 2ND, 1969, TWICKENHAM AS PROMISED IN 1996 ON YELLOW DOG'S "LEANING ON A LAMPPOST ( AND YEARS BEFORE!), YELLOW DOG FINALY COMES UP WITH THE "YELLOW DOG DAY BY DAY SERIES". THIS SERIES WILL INCLUDE ALL (ALMOST) THE "LET IT BE SESSIONS", DAY BY DAY.THE COMPLETE SERIES WILL CONSIST OF 50 VOLUMES, THAT'S 100 CDS FOLKS!!!THE FIRST VOLUME, AND THE FIRST HALF OF THE SECOND VOLUME WE'RE ALREADY AVAILABLE ON "THE FIRST RECORDED HOUR OF THE LET IT BE SESSIONS","THE SECOND RECORDED HOUR OF THE LET IT BE SESSIONS"AND "THE THIRD RECORDED HOUR OF THE LET IT BE SESSIONS"IN THE YELLOW DOG CD BOXES THE ULTIMATE COLLECTION 1,2 AND 3 . IF YOU WANT THIS "DAY BY DAY" SET COMPLETE, YOU WON'T NEED THESE ANYMORE (YOU WON'T NEED NO OTHER STINKIN' LET IT BE SESSIONS CDS ANYMORE!!)

BEATLES - DAY BY DAY VOL 2 (2CDS) CD 1: NAGRA TAPE ROLL 9A-10A-11A-12A JANUARY 2ND AND 3RD, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 13A-14A-15A-16A JANUARY 3RD, 1969, TWICKENHAM. THIS IS THE SECOND VOLUME OF THE "YELLOW DOG DAY BY DAY SERIES". THE FIRST HALF WE ALREADY KNOW IS THE "THIRD RECORDED HOUR OF THE LET IT BE SESSIONS". I'VE HEARD,THEY USED THE BEST POSIBLE SOURCE AVAILABLE.

BEATLES - DAY BY DAY VOL 3 (2CDS) CD 1: NAGRA TAPE ROLL 17A-18A-19A-20A JANUARY 3RD, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 21A-22A-23A-24A JANUARY 3RD, 1969, TWICKENHAM. NOTHING MUCH NEW HERE, MOST OF THIS IS WIDELY AVAILABLE ON BEATLEGS ALL OVER THE WORLD. ALL THE NEW RELEASES ON YELLOW DOG , LIKE "THE COMPLETE 2CD ROOFTOP CONCERT" ,"LEANING ON A LAMPPOST", AND THIS NEW "YELLOW DOG'S DAY BY DAY SERIES"COME FROME JAPAN. JAPAN IS BECOMING A REAL BOOTLEG GARDEN OF EDEN.

BEATLES - DAY BY DAY VOL 4 (2CDS) CD 1: NAGRA TAPE ROLL 25A-26A-27A-28A JANUARY 3RD, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 29A-30A-31A-32A JANUARY 6TH, 1969, TWICKENHAM. IT LOOKS LIKE YELLOW DOG IS GOING TO KEEP THEIR PROMISE.

BEATLES - DAY BY DAY VOL 5 (2CDS) CD 1: NAGRA TAPE ROLL 33A-34A-35A-36A JANUARY 6TH, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 37A-38A-39A-40A. JANUARY 6TH, 1969, TWICKENHAM. VOLUME 5 OF THIS AWESOME SERIES, IT'S GONNA COST THE AVERAGE BEATLE PEEDLE A LOT OF MONEY TO GET THIS SERIES COMPLETE. WELL LOOK AT IT THIS WAY, THEY'RE NOT RELEASING IT ALL AT ONE TIME, BUT IN PORTIONS. THE SOUND QUALITY IS REALLY AS GOOD AS IT CAN GET!

BEATLES - DAY BY DAY VOL 6 (2CDS) CD 1: NAGRA TAPE ROLL 41A-42A-43A-44A JANUARY 6TH, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 45A-46A-47A-48A-49A JANUARY 6TH, 1969, TWICKENHAM. WHAT CAN I ADD, I KNOW THERE WERE OTHER CAMERAS RECORDING THE SESSIONS, WILL THESE ALSO BE RELEASED, OR ONLY THE RECORDINGS FROM CAMERA A. IT'S ONLY A MATTER OF TIME BEFORE THEY GET TO THE APPLE STUDIO RECORDINGS. THERE SHOULD BE SOME HIDDEN TREASURES THERE. I GUESS YOU BEATLE PEEDLES OUT THERE WILL BE THE FIRST TO KNOW.

BEATLES - DAY BY DAY VOL 7 (2CDS) CD 1: NAGRA TAPE ROLL 50A-51A-52A-53A JANUARY 7TH, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 54A-55A-56A-57A JANUARY 7TH, 1969, TWICKENHAM.

BEATLES - DAY BY DAY VOL 8 (2CDS) CD 1: NAGRA TAPE ROLL 58A-59A-60A-61A JANUARY 7TH, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 62A-63A-64A-65A JANUARY 7TH, 1969, TWICKENHAM

BEATLES - DAY BY DAY VOL 9 (2CDS) CD 1: NAGRA TAPE ROLL 66A-67A-68A JANUARY 7TH, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 70A-71A-72A-73A JANUARY 7TH, 1969, TWICKENHAM

BEATLES - DAY BY DAY VOL 10 (2CDS) CD 1: NAGRA TAPE ROLL 74A-75A-76A-77A JANUARY 8TH, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 78A-79A-83A-84A JANUARY 8TH, 1969, TWICKENHAM

BEATLES - DAY BY DAY VOL 11 (2CDS) CD 1: NAGRA TAPE ROLL 87A-88A-89A-90A-91A JANUARY 8TH AND 9TH, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 82A-93A-96A-97A JANUARY 9TH, 1969, TWICKENHAM

BEATLES - DAY BY DAY VOL 12 (2CDS) CD 1: NAGRA TAPE ROLL 98A-99A-100A-101A JANUARY 9TH, 1969, TWICKENHAM CD 2: NAGRA TAPE ROLL 102A-103A-104A-105A JANUARY 9TH, 1969, TWICKENHAM

BEATLES - DAY BY DAY VOL 13 (2CDS) CD 1: NAGRA TAPE ROLL 106A-107A-108A-109A JANUARY 9TH, 1969, AND JANUARY 10TH, TWICKENHAMCD 2: NAGRA TAPE ROLL 110A-111A-112A-113A JANUARY 10TH, 1969, TWICKENHAM

BEATLES - DAY BY DAY VOL 14 (2CDS) CD 1: NAGRA TAPE ROLL 114A-115A-116A-118A JANUARY 10TH, TWICKENHAM CD 2: NAGRA TAPE ROLL 119A-120A-121A-122A-124A JANUARY 10TH, 1969, TWICKENHAM

BEATLES - DAY BY DAY VOL 15 (2CDS) CD 1: NAGRA TAPE ROLL 125A-126A-127A-128A JANUARY 13TH, TWICKENHAM CD 2: NAGRA TAPE ROLL 129A-130A-132A JANUARY 13TH, 1969, TWICKENHAM

BEATLES - DAY BY DAY VOL 16 (2CDS) CD 1: NAGRA TAPE ROLL 134A-136A-137A JANUARY 13TH AND 14TH, TWICKENHAM CD 2: NAGRA TAPE ROLL 138A-139A-140A-141A JANUARY 14TH, 1969, TWICKENHAM.

BEATLES - DAY BY DAY VOL 17 (2CDS) CD 1: NAGRA TAPE ROLLS 142A-143A-144A JANUARY 14TH, TWICKENHAM CD 2: NAGRA TAPE ROLL 145A-146A-147A-148A JANUARY 14TH, 1969, TWICKENHAM.

BEATLES - DAY BY DAY VOL 18 (2CDS) CD 1: NAGRA TAPE ROLL 400A-401A-402A-403A JANUARY 21ST, APPLE STUDIO, SAVILLE ROW CD 2: NAGRA TAPE ROLL 404A-405A-406A-407A JANUARY 21ST, 1969, APPLE STUDIO, SAVILLE ROW.

BEATLES - DAY BY DAY VOL 19 (2CDS) CD 1: NAGRA TAPE ROLL 408A-409A-410A-411A JANUARY 21ST, APPLE STUDIO, SAVILLE ROW CD 2: NAGRA TAPE ROLL 412A-413A-414A-415A JANUARY 22ND, 1969, APPLE STUDIO, SAVILLE ROW.

BEATLES - DAY BY DAY VOL 20 (2CDS)CD 1: NAGRA TAPE ROLL 416A-417A-418A-419AJANUARY 22ND, APPLE STUDIO, SAVILLE ROW CD 2:NAGRA TAPE ROLL 420A-421A-422A-423A JANUARY 22ND, 1969, APPLE STUDIO, SAVILLE ROW.

BEATLES - DAY BY DAY VOL 21 (2CDS)CD 1: NAGRA TAPE ROLL 424A-425A-426A-427A JANUARY 22ND, APPLE STUDIO, SAVILLE ROW CD 2:NAGRA TAPE ROLL 428A-429A-430A-431A JANUARY 22ND AND 23RD, 1969, APPLE STUDIO, SAVILLE ROW

BEATLES - DAY BY DAY VOL 22, (2CDS)

BEATLES - DAY BY DAY VOL 23, (2CDS)

BEATLES - DAY BY DAY VOL 24, (2CDS)

BEATLES - DAY BY DAY VOL 25, (2CDS)

BEATLES - DAY BY DAY VOL 26, (2CDS)

BEATLES - DAY BY DAY VOL 27, (2CDS)

BEATLES - DAY BY DAY VOL 28, (2CDS)

BEATLES - DAY BY DAY VOL 29, (2CDS)

BEATLES - DAY BY DAY VOL 30, (2CDS)

BEATLES - DAY BY DAY VOL 31, (2CDS)

BEATLES - DAY BY DAY VOL 32, (2CDS)

BEATLES - DAYS IN THEIR LIFE, THE (30 CDS) RKO RADIO NETWORK. COMPLETE WITH CUE SHEETS.

BEATLES - DE BIETELS TUSSEN DE BOLLEN - PEPPERLAND RECORDS 1091. (46:27) TRACKS 1-10 FROM A RARE DUTCH FAN CLUB (BEATLES UNLIMITED) ALBUM RELEASED IN JUNE 1984, SOME OF THESE TRACKS WERE USED ON THE BOOTLEG CD 'THE BEATLES IN HOLLAND' (BIRTHDAY RECORDS 1998 BR002) BUT ARE PRESENTED HERE IN THEIR ENTIRETY.

BEATLES - DECCA TAPES, THE YELLOW DOG RECORDS, YD061 RELEASE DATE: LATE 1995

BEATLES - DECCA TAPES. UPGRADED VERSION WHERE THE SPEED IS CORRECTED.

BEATLES - DEFLATING THE MYTHOLOGY (2CDS) WITH THE MYTHOLOGY SERIES FINALLY IN COLLECTORS HANDS, IT ARRIVED AS A BIT OF A DISSAPOINTMENT. THE SETS DIDN'T LIVE UP TO EXPECTATIONS, OR STRAWBERRY'S REPUTATION. MOST OF THE JOHN BARRETT MATERIAL IS OF INFERIOR QUALITY. WITH A TOTAL OF 11 DISCS FOR THE THREE VOLUMES, IT SEEMS LIKE THEY WERE TRYING TO STRETCH THE MATERIAL AS FAR AS POSSIBLE, WITH LIVE PERFORMANCES THAT ARE AVAILABLE ELSEWHERE (OR UNLISTENABLE), AND INTERVIEWS (THOUGH INTERESTING) THAT DON'T JUSTIFY THE SIZE OF THE PROJECT. HAVING SAID THIS, THERE IS A FAIR AMOUNT OF MATERIAL THAT IS WORTHWHILE IN THE COLLECTIONS, BEING EITHER PREVIOUSLY UNRELEASED OR SIGNIFICANTLY UPGRADED. THIS COLLECTION DELIVERS THE CHOICE MATERIAL REDILY (AND AFFORDABLY) INTO THE EVER EAGER LISTENERS EARS. A FEW GOODIES HAVE BEEN ADDED TO TOP IT OFF. DISC ONE CONTAINS BROADCAST MATERIAL. ALL MATERIAL IS PREVIOUSLY UNRELEASED OR IN UPGRADED QUALITY. PARTICULARLY THERE IS A NEWLY DISCOVERED BBC BROADCAST TAPE FROM 7/30/63 AND ONE FROM 1967 WHERE IT'S A BROADCAST OF THE SGT. PEPPER ALBUM. SUNDAY NIGHT AT THE PALLADIUM AND ROYAL COMMAND PREFORMANCE ARE THE TRUE LAUNCH OF BEATLEMANIA, PRESENTED HERE IN THEIR ENTIRETIES. DISC TWO CONTAINS STUDIO MATERIAL. THE EDIT TAKES OF I SAW HER STANDING THERE ARE PREVIOUSLY UNRELEASED. THE SESSIONS FOR ONE AFTER 909, HOLD ME TIGHT, AND DON'T BOTHER ME ARE FROM A NEWLY DISSCOVERED TAPE SOURCE IN BEST-TO-DATE QUALITY. THE WHITE ALBUM TRACKS HAVE BEEN PREVIOUSLY AVAILABLE FROM ACETATE, BUT THESE ARE FROM A TAPE SOURCE, OCTOPUS'S GARDEN IS AN UNUSUAL VERSION CONTAINING ONLY RINGO'S VOCALS.

BEATLES - DIG IT  THE HIGHLIGHTS ON THIS ONE ARE THE VERY CLEAN STAWBERRY FIELDS AND I FEEL FINE (WITH A DIFFERENT FEEL). CONDOR LABEL.

BEATLES - DOWN IN HAVANA TRACKS 1-6 TAKEN FROM A TAPE SOURCE WHICH INCLUDES PREVIOUSLY UNRELEASED SEGMENTS, SOME OF THESE TRACKS ARE DIFFERENT FROM THE BARRETT TAPES WHICH HAVE BEEN EDITED & MIXED DIFFERENTLY. FIRSTLY, 'DOWN IN HAVANA', AN AD LIB FROM PAUL DURING A BREAK FROM THE 'I WILL' SESSIONS. THIS TRACK IS MUCH BETTER QUALITY THAN THE MP3 FILE CURRENTLY CIRCULATED ON THE NET THAT HAS SINCE BEEN MADE AVAILABLE ON VARIOUS CD-R BOOTLEGS. TRACK 5 IS A STEREO JAMMING SESSION FROM JOHN, PAUL & RINGO, THIS HAS NOT BEEN PREVIOUSLY RELEASED ON ANY BOOTLEG AND MAKES IT'S FIRST APPEARANCE HERE. 'CAN YOU TAKE ME BACK' CONTAINS EXTRA VERSES NOT INCLUDED ON THE BARRETT TAPES, AFTER CLOSE EXAMINATION OF BOTH TRACKS, IT SEEMS THAT THE VERSION ON THE BARRETT TAPES (ALTHOUGH LASTING LONGER) SEEMS TO BE EDITED TOGETHER FROM DIFFERENT PARTS, THE VERSION ON THIS COMPILATION CUTS OFF ABRUPTLY.TRACKS 7 TO 22 HAVE BEEN SOURCED FROM VARIOUS BOOTLEGS, BUT ARE COMPILED HERE IN THE CORRECT ORDER.

BEATLES - DR EBBETTS WHITE ALBUM - MONO (2CDRS) YOU CAN HEAR THE MELANCHOLIC MELODY OF SPANISH GUITAR AT THE BEGINNING OF WHITE ALBUM TUNE "THE CONTINUING STORY OF BUNGALOW BILL". THE 7 SECOND SEGMENT OF SPANISH GUITAR SOLO IS NOT PLAYED BY ANY OF THE BEATLES, CLEARLY FROM TECHNICAL REASON. SO WHOSE PERFORMANCE IS THIS? THE ANSWER IS MELLOTRON. THE GUITAR PHRASE IS ONE OF THE "FILLS" (SOUND LIBRARY) OF MELLOTRON MARK II. EACH MELLOTRON FILLS ARE TO HAVE MAXIMUM 7 SECOND LENGTH. YOU CAN GET THE SAMPLER CD-ROM "MIKE PINDER MELLOTRON" (AKAI), IT CONTAINS BUNGALOW BILL'S GUITAR SOUND. YOU CAN ALSO HEAR THE SAME SOUND ON KING CRIMSON'S LIVE ALBUM "EPITAPH". THEN, WHO ACTUALLY PLAYED? - ACCORDING TO THE NEWSGROUP REC.MUSIC.BEATLES, IT'S PERFORMED BY ERIC COOK, AN AUSTRALIAN SESSION GUITARIST.

BEATLES - DR EBBETTS SGT PEPPER'S LONELY HEARTS CLUB BAND (MONO)

BEATLES - DR EBBETTS BEATLES STORY (A DOCUMENTARY)

BEATLES - RADIO ACTIVE VOL.1 1963 LONDON, UK 19 BBC PYRAMID RECORDS

BEATLES - RADIO ACTIVE VOL.2 1963 LONDON, UK 18 BBC PYRAMID RECORDS

BEATLES - RADIO ACTIVE VOL.3 1963 LONDON, UK 19 BBC PYRAMID RECORDS

BEATLES - RADIO ACTIVE VOL.4 1963 LONDON, UK 18 BBC PYRAMID RECORDS

BEATLES - RADIO ACTIVE VOL.5 1963 LONDON, UK 20 BBC PYRAMID RECORDS

BEATLES - RADIO ACTIVE VOL.6 1963 LONDON, UK 18 BBC PYRAMID RECORDS

BEATLES - RADIO ACTIVE VOL.7 1963 LONDON, UK 22 BBC PYRAMID RECORDS

BEATLES - RADIO ACTIVE VOL.8 1963 1964 LONDON, UK 24 BBC PYRAMID RECORDS

BEATLES - RADIO ACTIVE VOL.9 1964 LONDON, UK 18 BBC PYRAMID RECORDS

BEATLES - LIVE AT THE BEEB VOLUME 10, 1964 LONDON, UK 18 BBC PYRAMID RECORDS

BEATLES - LIVE AT THE BEEB VOLUME 11, 1964 LONDON, UK 17 BBC PYRAMID RECORDS

BEATLES - LIVE AT THE BEEB VOLUME 12, 1964 LONDON, UK 16 BBC PYRAMID RECORDS

BEATLES - FANTHOLOGY (2 CDS) YELLOW DOG. COBBLED FROM THE SOUNDTRACK OF THE (LEGITIMATE) "ANTHOLOGY" VIDEO SERIES, WITH SOME EXTRA MATERIAL ADDED FROM THE OFFICIALLY RELEASED AUDIO ANTHOLOGY SERIES. THE VIDEO SET HAD A LOT OF EXCITING NEW MATERIAL, BUT MOST OF THE REALLY GOOD STUFF WERE ONLY INCLUDED IN TINY BITS AND PIECES, (LIKE THE "BLOOPERS MEDLEY"). MANY TRACKS WERE EXCERPTED, EDITED AND TAMPERED WITH IN A MORE OR LESS CRUDE WAY. AT LEAST YOU DON'T HAVE TO SIT FOR HOURS SEARCHING THROUGH YOUR VIDEOTAPES TO FIND THE 15 SECONDS WORTH OF "I WANT TO HOLD YOUR HAND" OUTTAKES. BUT REGRETFULLY THE BOOTLEGGERS THEMSELF MADE THINGS A BIT WORSE BY MAKING THEIR OWN EDITS, MAKING THE PAUSES BETWEEN TRACKS TOO SHORT AND EVEN TRYING TO CROSSFADE THE LIVE MATERIAL ON DISC 2.

BEATLES - FIVE NIGHTS IN A JUDO ARENA. THIS ONE IS SO BAD THAT IT'S GREAT. THE SOUND QUALITY IS SUPERB, AND YOU CAN HEAR THE BEATLES PLAYING OFF KEY. I HAVE THE ORIGINAL ON SWINGIN PIG, SO MY COPIES WILL BE KILLERS.

BEATLES - FROM KINFAUS TO CHAOS (2 CDS) FROM KINFAUNS... IN MANY WAYS, THE BEATLES' TRIP TO INDIA IN MARCH OF 1968 TO STUDY TRANSCENDENTAL MEDITATION WITH THE MAHARISHI MAHESH YOGI CAN BE SEEN AS THE TRUE TURNING POINT OF THE GROUP BEING A GROUP. AFTER COMPLETING SESSIONS FOR A STOPGAP SINGLE, "LADY MADONNA" / "INNER LIGHT" IN EARLY FEBRUARY, THEY LEFT FOR RISHIKESH UNITED IN THEIR DESIRE FOR ENLIGHTENMENT, BUT CAME BACK FRAGMENTED AND SOMEWHAT DISILLUSIONED. RINGO LEFT THE MEDITATION COMPOUND AFTER TWO WEEKS, BLAMING BAD FOOD, BUT NOT BEFORE STATING THAT THE EXPERIENCE HAD BEEN "JUST LIKE BUTLIN'S", THE HOLIDAY CAMP WHERE HE USED TO PLAY WITH RORY STORM AND THE HURRICANES IN THE EARLY 60'S. PAUL FLEW OFF AFTER A MONTH, CLAIMING HE'D "GOTTEN AS MUCH AS HE NEEDED". JOHN AND GEORGE BROUGHT UP THE REAR AFTER JOHN HAD GOTTEN WIND OF SOME POSSIBLE MISBEHAVIOR BY THE YOGI REGARDING ONE OR MORE OF THE WOMEN WHO ACCOMPANIED THE BEATLES ON THEIR TRIP. THIS DETERIORATION OF THE TRIP WAS AN OMINOUS FOREBODING OF THE REMAINDER OF THE BEATLES CAREER: STILL A GROUP IN THEORY, BUT NOT A GROUP IN PRACTICE. DURING THE PERIOD THE FOUR WERE THERE, HOWEVER, THE THREE SONGWRITING BEATLES' MUSES WERE WORKING OVERTIME, FUELED BY MORE "DOWN TIME" THAN THEY HAD ENJOYED IN OVER FIVE YEARS, AND THE BUCOLIC ATMOSPHERE IN WHICH THEY WERE LIVING. THE SONGS FLOWED AS THEY HADN'T IN YEARS...BUT IN THEIR COMPOSITION THE TUNES WERE TRULY SOLO EFFORTS, EACH REFLECTING JOHN'S, PAUL'S AND GEORGE'S OWN INTERESTS MUSICALLY, PHILOSOPHICALLY AND SPIRITUALLY. BETWEEN THE THREE COMPOSERS, ALMOST FORTY SONGS WERE WRITTEN, MOST OF WHICH WOULD END UP ON THE BEATLES' NEXT EPONYMOUSLY TITLED LP. OTHERS WERE LEFT FOR THE LAST TWO BEATLES ALBUM PROJECTS, GET BACK/LET IT BE AND ABBEY ROAD. ADDITIONAL TUNES WERE USED FOR FUTURE SOLO PROJECTS, IN EITHER COMPLETE OR SIMILAR FORM COMPARED TO THE 1968 VERSIONS, WITH ONE IN PARTICULAR, GEORGE'S "CIRCLES", NOT SEEING THE LIGHT OF DAY UNTIL FOURTEEN YEARS AFTER ITS COMPOSITION! AFTER JOHN AND PAUL RETURNED FROM THE ACTIVITIES IN NEW YORK TO PUBLICLY LAUNCH THEIR NEW COMPANY, APPLE, IN MID-MAY OF 1968, THE BEATLES DID SOMETHING AS A GROUP THAT THEY HAD NEVER DONE PRIOR TO THIS PERIOD. THE FOUR GATHERED AT GEORGE'S HOUSE,"KINFAUNS", IN ESHER, SURREY AROUND THE THIRD WEEK OF MAY TO RECORD GROUP DEMOS FOR ALMOST THIRTY OF THE SONGS THEY HAD PENNED IN RISHIKESH. WHILE THE INDIVIDUAL BEATLES HAD ALL RECORDED HOME DEMOS BEFORE, THE GROUP GENERALLY REHEARSED THEIR SONGS AT EMI EITHER AFTER HAVING HEARD THE SOLO DEMOS, OR SIMPLY AFTER HAVING THE WRITER (S) IN QUESTION SHOW THE OTHERS THE CHORD CHANGES, ETC., IN PERSON. HOWEVER, NEVER BEFORE (AND NEVER AGAIN) DID THEY JOIN TOGETHER TO UNDERTAKE SOMETHING OF THIS RUDIMENTARY NATURE. RECORDED ON GEORGE'S FOUR TRACK EQUIPMENT, THE TRACKS WERE MIXED TO MONO BY GEORGE, AND JOHN, PAUL AND RINGO EACH RECEIVED COPIES OF THIS REDUCTION TAPE. GEORGE HELD ON TO THE "KINFAUNS" MASTERS, AND IN 1996 WAS ABLE TO CLAIM OWNERSHIP OF THEM IN THE CREDITS OF THE THIRD EDITION OF THE BEATLES ANTHOLOGY CD SERIES. GEOFF EMERICK NEWLY MIXED SOME OF THESE SONGS TO STEREO AT THE TIME OF ANTHOLOGY'S PRODUCTION, BUT JOHN'S COPY OF THE ORIGINAL MONO TAPE REDUCTION IS THE SOURCE FOR CD ONE OF THIS SET. WHILE BITS OF THIS TAPE HAVE BEEN HEARD ON THE LOST LENNON TAPES (BOTH THE RADIO AND BAG RECORDS LP SERIES), AS WELL AS PREVIOUS, INFERIOR CD ISSUES, THIS IS THE FIRST TIME THAT THIS COPY OF JOHN'S TAPE HAS BEEN HEARD IN ITS ENTIRETY, IN CRISP, GLORIOUS MONO. THE "ESHER TAPES" REPRESENT ONE LAST GREAT GASP OF THE BEATLES WORKING AS A UNIT, DISPLAYING THE JOY AND SPONTANEITY FOR WHICH THEY HAD ONCE BEEN REVERED. THE PREVIOUS YEAR'S ACTIVITIES HAD SEVERELY CURTAILED SUCH LOOSENESS IN THE RECORDING PROCESS, WHAT WITH THE TECHNICAL MARVELS OF THE "STRAWBERRY FIELDS FOREVER/PENNY LANE" 45, SERGEANT PEPPER'S LONELY HEARTS CLUB BAND, AND THE OTHER FABS' PSYCHEDELIC WONDERS OF 1967. HERE WERE THE FOUR BEATLES, PLAYING AND SINGING WITH ABANDON IN A WONDERFULLY LOOSE ATMOSPHERE. MUCH OF THE RECORDING ACTUALLY ECHOES THE 1965 BEACH BOYS PARTY! LP IN TERMS OF THE TAPING'S LAID BACK APPROACH (NOT TO MENTION THE FACT THAT, AS ON PARTY! ONE CAN HEAR CONVERSATIONS IN THE BACKGROUND THROUGHOUT MOST OF THE TAPE!). NEVER AGAIN WOULD THE FAB FOUR SOUND THIS HAPPY; THE UPCOMING SESSIONS FOR THE BEATLES WOULD CEMENT THAT FACT. ...TO CHAOS ANOTHER IMPORTANT OCCURRENCE DURING THE TRIP TO INDIA WAS THAT WHILE JOHN WAS IN RISHIKESH, HE BEGAN TO SERIOUSLY CONSIDER PURSUING A RELATIONSHIP WITH THE WOMAN WHO HAD BEEN A SHADOWY PRESENCE IN HIS LIFE DURING THE PREVIOUS YEAR AND A HALF: AVANT GARDE ARTISTE YOKO ONO. SHE SENT HIM LETTERS CONSTANTLY DURING THE TRIP, OFTEN SIMPLY FEATURING CRYPTIC, MONOSYLLABIC PHRASES. JOHN WAS ENTRANCED, AND WHEN HE RETURNED TO THE UK, HE BEGAN HIS PURSUIT OF YOKO, CONSUMMATING THE RELATIONSHIP IN MID-MAY OF 1968. AN IMMEDIATE RESULT OF JOHN'S NEWFOUND LOVE WAS THAT YOKO BECAME A CONSTANT PRESENCE AT ALL BEATLES-RELATED ACTIVITIES FROM JUNE 1968 ON. FROM FILM PREMIERES (YELLOW SUBMARINE ON JULY 17TH), TO PHOTO SESSIONS (THE MULTIPLE LOCATION "MAD DAY" PHOTO SESSION ON JULY 28TH, THOUGH SHE WAS NOT PICTURED IN THE PHOTOS), TO RECORDING SESSIONS (THE UPCOMING "WHITE ALBUM" DATES), MS. ONO WAS PRESENT AND ACCOUNTED FOR AT ALL OF THESE EVENTS. ONE SUCH HAPPENING WAS THE MIXING SESSION ON JUNE 4TH 1968 FOR THE "WHITE ALBUM" VERSION OF "REVOLUTION", "REVOLUTION #1", WHICH WAS RECORDED ON MAY 31ST. DISC TWO OF THIS COLLECTION FEATURES THE UNEDITED, OFFLINE RECORDING OF THIS EMI MIXING DATE, MADE ON JOHN'S PORTABLE TAPE RECORDER.THE THOUGHT OF HEARING THIS TAPE SOUNDS EXTREMELY TANTALIZING, PARTICULARLY WHEN ONE IS AWARE THAT THIS ORIGINAL, "SLOW" RENDERING OF THE LENNON CLASSIC (THE FIRST TRACK TO BE WORKED ON FOR THE BEATLES) WAS ORIGINALLY OVER TEN MINUTES IN LENGTH. HOWEVER, PAUL AND THE OTHERS OBJECTED STRONGLY TO THE IDEA THAT THIS VERSION SHOULD BE ISSUED AS A SINGLE, AS JOHN HAD INTENDED. MACCA'S GRIPE WAS PRIMARILY THAT THE MIDDLE SECTION FEATURED YOKO ADDING HER OWN UNIQUE VOCAL STYLINGS TO THE PROCEEDINGS, NOT TO MENTION THE FACT THAT TEN MINUTE SINGLES WEREN'T A PARTICULARLY COMMERCIAL CONCEPT THEN OR NOW (NOT THAT ANY OF THIS MATTERED TO JOHN OR YOKO). IN THE END, JOHN CAPITULATED AND THE "REVOLUTION #1" SINGLE IDEA WAS SCRAPPED. HOWEVER, THE TEN-MINUTE VERSION WAS MIXED DOWN, AND THIS LENNON ARCHIVE TAPE CAPTURES THE MIXING SESSION. DUE TO ITS OFFLINE NATURE, WE HEAR MUSIC WE'VE NEVER HEARD BEFORE BUT, UNFORTUNATELY, ON TOP OF THE TUNE WE ALSO HEAR YOKO PONTIFICATING ON ANY MATTER THAT CROSSES HER MIND. IF THIS HAPPENED OCCASIONALLY, IT WOULD BE BAD ENOUGH; HOWEVER, THE MOTOR MOUTH ANTICS OCCUR THROUGHOUT THE ENTIRE TAPE, AS THE FABS PLAY ON IN THE BACKGROUND. THIS MAKES FOR A TAXING LISTENING EXPERIENCE AT BEST, BUT ONE CAN ARGUE THAT IT'S NO WORSE THAN LISTENING TO SOMETHING LIKE "12 BAR ORIGINAL"; AT LEAST THIS TAPE IS INTERESTING TO HEAR MORE THAN ONCE! MANY MUSICAL ITEMS OF NOTE COME TO THE FORE, ONCE THE LISTENER CAN TUNE OUT THE JABBERING. THE FINAL SIX MINUTES OF "REVOLUTION #1" (WHICH WENT UNUSED ON THE "WHITE ALBUM", BUT ARE HEARD HERE) WERE USED AS A FOUNDATION ON WHICH TO BUILD THE "MUSIQUE CONCRETE" "REVOLUTION #9", UTILIZING TAPE LOOPS, LIVE "VOCAL PERFORMANCES" AND OTHER RECORDED ODDITIES TO BUILD A DENSE COLLAGE OF SOUND. WHILE JOHN (OR MORE SPECIFICALLY YOKO) MAY HAVE EVEN PUSHED FOR THIS "TAKE" TO BE A SINGLE, THIS WAS HAPPILY NOT TO BE. IN THE END, THE BAND RECORDED A FASTER, FAR SUPERIOR VERSION OF "REVOLUTION" IN JULY OF 1968, FOR PLACEMENT ON THE B-SIDE OF THE BEATLES' FIRST SINGLE ON THEIR OWN APPLE LABEL, PAUL'S SEVEN MINUTE OPUS, "HEY JUDE". THE SHORTENED "REVOLUTION #1" AND THE NINE MINUTE "REVOLUTION #9" WOULD BOTH END UP ON THE FOURTH SIDE OF THE DOUBLE LP "WHITE ALBUM". DESPITE THE FACT THAT THIS ARCHIVE TAPE IS NOT SOMETHING A PERSON WOULD PULL OUT OFTEN FOR HIS OR HER LISTENING PLEASURE, IT IS STILL A FASCINATING DOCUMENT OF THE DISINTEGRATION OF A BAND, AND THE GENESIS OF A DYSFUNCTIONAL RELATIONSHIP. WHILE IT IS ADMIRABLE THAT JOHN FOUND WHAT HE WANTED IN A PERSONAL SENSE WITH YOKO, IT IS ALSO UNFORTUNATE HE COULD NOT SEPARATE HIS ROMANTIC LIFE FROM HIS ART. HE WOULD HAVE, OF COURSE, DISAGREED WHOLEHEARTEDLY WITH THAT SENTIMENT, BUT IT CAN BE ARGUED THAT IN A PURELY MUSICAL SENSE, JOHN WAS "HELD BACK" DURING THE PERIOD FROM MID-1968 TO LATE 1969, WRITING ONLY A FEW SONGS THAT WERE AMONG HIS BEST. ONE LISTEN TO THIS "REVOLUTION #1" MIXING TAPE GIVES AMPLE EVIDENCE AS TO WHY THIS WAS THE CASE. ONCE HE GOT BACK IN TOUCH WITH HIS OWN MUSE, PARTICULARLY AFTER KICKING HIS HEROIN ADDICTION IN MID-1969, THE COMPOSITIONAL FIRE RETURNED WITH SONGS LIKE "INSTANT KARMA (WE ALL SHINE ON)" AND THOSE WHICH WOULD END UP ON HIS FIRST SOLO LP. TELLINGLY, THESE WERE NOT WRITTEN FOR THE BEATLES.

BEATLES - FROM MATTHEW STREET. THIS IS A SEARGENT PEPPER OUTFAKE CD.

BEATLES - THE GARAGE TAPES/FOR SALE BY AUCTION 1963 LONDON, UK 9 DEMO SELCD18 DEMOS (IF I FELL, DON'T BOTHER ME, MICHELLE), PLEASE MR.POSTMAN & IT WON'T BE LONG (2 VERSIONS) LOVE ME DO (ACCOUSTIC). THIS IS SUPPOSED TO BE ALF BICKNELL'S TAPE.

BEATLES - CD ROM OF ENTIRE GET BACK BOOK THAT ORIGINALLY CAME WITH THE BRITISH VERSION OF LET IT BE.

BEATLES - GET BACK AND 22 OTHERS. YELLOW DOG. I HAVE THE ORIGINAL, SO MY COPIES WILL BE KILLERS. THE FIRST MASTER FOR THE DOOMED GET BACK LP WAS COMPLETED ON 28TH OF MAY 1969. GET BACK AND 22 OTHER SONGS IS BASED ON THIS MASTER TAPE (VIA ACETATES

BEATLES - GET BACK JOURNALS 1 (8 CDS) LONDON, UK 196 REHEARSAL VIGOTONE REHEARSAL AT TWICKENHAM (1/3-14/69) I HAVE THE ORIGINAL, SO MY COPIES WILL BE KILLERS.

BEATLES - GET BACK JOURNALS 2 DISC ONE FEATURES A GREAT DEAL OF PREVIOUSLY UNHEARD "ALL THINGS MUST PASS" REHEARSALS, WHICH INCLUDES GEORGE'S "YOU'RE SO FULL OF SHIT" COMMENT TO PAUL

BEATLES - GET BACK JOURNALS 2 DISC TWO: FEATURES A GREAT DEAL OF HISTORICALLY IMPORTANT RECORDINGS. FIRST OFF ARE FRAGMENTS OF A LENGTHY CONVERSATION ABOUT THE PLANNED LIVE PERFORMANCE.

BEATLES - GET BACK JOURNALS 2 DISC THREE CONTAINS A NUMBER OF INTERESTING ITEMS, INCLUDING A LENGTHY MCCARTNEY PIANO SESSION. THE UNQUESTIONABLE HIGHLIGHT, THOUGH, IS THE EARLIEST KNOWN PERFORMANCE OF "GET BACK".

BEATLES - GET BACK JOURNALS 2 DISC FOUR COMPLETES THE JANUARY 7TH DEBATE OVER THE FATE OF THE LIVE PERFORMANCE AND, IN FACT, THE BEATLES AS A GROUP, AS GEORGE SUGGESTS THAT PERHAPS "A DIVORCE" IS IN ORDER.

BEATLES - GET BACK JOURNALS 2 DISC FIVE JOHN'S ATTEMPTS TO LEAD THE BAND THROUGH REHEARSALS OF "ACROSS THE UNIVERSE" PROVE DISASTROUS, AND THE GROUP ONLY COMES TO LIFE WHEN THEY PERFORM OLDIES SUCH AS "ROCK AND ROLL MUSIC".

BEATLES - GET BACK JOURNALS 2 DISC SIX FOCUSES PRIMARILY ON THE JANUARY 8TH SESSIONS, FEATURING THE BEST GROUP PERFORMANCE OF "ALL THINGS MUST PASS". ALSO OF NOTE IS THE EARLIEST KNOWN PERFORMANCE OF PAUL'S "ANOTHER DAY".

BEATLES - GET BACK JOURNALS 2 DISC SEVEN CHRONICLES THE JANUARY 9TH SESSION. NOTE PAUL'S SLY COMMENT ON "ORIENTAL INFLUENCE" THAT WHICH HE WISHES WASN'T PRESENT.

BEATLES - GET BACK JOURNALS 2 DISC EIGHT BEGINS WITH GEORGE'S DRAMATIC POST-LUNCH DEPARTURE FROM THE GROUP, ON JANUARY 10TH, AND THE OTHER BEATLES SURPRISING REACTION (OR VIRTUAL NON-REACTION) TO IT. THE REMAINDER OF THE DISC CONTAINS A NUMBER OF GEORGE-LESS PERFORMANCES OF VARYING DEGREES OF INTEREST (IF NOT MUSICAL QUALITY).

BEATLES - GIRL OUTTAKES

BEATLES - GONE TOMORROW HERE TODAY. ON THIS CD, HEY JUDE IS WORTH THE PRICE OF ADMISSION, PRESENTING A 6 MINUTES UNHEARD VERSION. DEAR PRUDENCE, TOO IS A NEWLY DISCOVERED MIX. HOW ABOUT THIS, A 40 MINUTE RECORDING SESSION OF BLACKBIRD. WE ARE TREATED TO A SNIPPET OF HELTER SKELTER RELEASED ON THE FIRST YELLOW DOG BOX, THOUGH HERE IT IS MUCH LONGER.GONE TOMORROW HERE TODAY IS A TUNE THAT I HADN'T HEARD BEFORE. ALSO THERE IS A SHORT RUNTHROUGH OF MOTHER NATURE'S SON. AND FOR THOSE OF US WHO WANT TO BE A FLY ON THE WALL TO A BEATLES SESSION, THERE'S A LOT OF INSTRUMENT TUNING AND CHATTING GOING ON. AT ONE POINT JOHN COMMENTS FROM THE CONTROL ROOM THAT IT WOULD BE NICE TO USE A BRASS BAND. AN ABSOLUTELY GREAT NEW CD OF A 1968 RECORDING SESSION! SOUND QUALITY: SUPERB! THIS IS A MUST FOR EVERY BEATLES COLLECTOR.

BEATLES - HERE WE GO AGAIN 03/12/63. A RADIO SHOW.

BEATLES - HODGE PODGE THIS WHOLE ALBUM IS REALLY ONLY FOR COLLECTORS. IF YOU ARE LOOKING FOR STUDIO QUALITY, LOOK ELSEWHERE. THIS ALBUM REALLY IS A HODGE PODGE, NEVERTHELESS, BEING A COLLECTOR, AND WITH THE ABSENCE OF SOME OF THESE THINGS IN BETTER QUALITY, THIS IS A WELCOME ADDITION TO MY COLLECTION.

BEATLES - HODGE PODGE 3 TRACKS 1,7,14,15,27 TAKEN FROM 1983 ABBEY ROAD SHOW TRACKS 9,11,12,22,23,24,25,26 ARE CREATED ARTIFICIALLY ("OUTFAKES", "FORGERIES") TRACKS 3,8,10 ARE EDITS OF 1983ARS, ULTIMATE COLLECTION, AND OTHER MATERIAL TRACKS 16,17,18,19 ARE TAKEN FROM MDCD009 PRIMAL COLOURS (SOME EDITED)

BEATLES - HOLLYWOOD BOWL COMPLETE 1965,1964 LA, USA 27 LIVE (SBD) YELLOW DOG THIS IS THE CD-VERSION OF THE BEATLES AT THE HOLLYWOOD BOWL-ALBUM. BUT WHEREAS THE LP WHICH CAME OUT IN 1977, CONTAINED A LIVE-CONCERT WHICH WAS IN FACT CREATED BY GEORGE MARTIN BY SPLICING TOGETHER TWO BEATLES-SHOWS AT THE SAME VENUE FROM 1964 AND 1965, THIS EXPANDED CD-VERSION INCLUDES THE TWO LIVE CONCERTS IN FULL LENGTH AND IN EXCELLENT STEREO! HOWEVER, BY PROGRAMMING YOUR CD-PLAYER IN THE FOLLOWING ORDER:15, 16, 18, 19, 21, 6, 7, 11, 24, 25, 4, 5, 13, YOU CAN TREAT YOURSELF TO THE ORIGINAL SONG-SELECTION OF THE 1977 VINYL EDITION.

BEATLES - IN CASE YOU DON'T KNOW -  This classic bootleg is a must-have for its importance and quality. It brings performances which every fan knows to be somewhere... Here you can gather some very important Beatles performances. CONTENTS: Shinding, - October 3, 1964: Kansas City/ Hey hey hey hey Drop in - October 30, 1963: She loves you - Twist and shout - I saw her standing there - Long tall Sally Washington Coliseum - February 11, 1964: Introduction - Roll over Beethoven - From me to you - I saw her standing there - This boy - All my loving - I wanan be your man - Please please me - Till there was you - She loves you - I want to hold your hand - Twist and shout (incomplete) Shinding - October 3, 1964:Kansas City - I'm a loser - Boys - Closing theme.

BEATLES - INDIAN ROPE TRICK. SOMETIMES YOU HAVE TO TRY SOMETHING A LITTLE BIT DIFFERENT. 1.) MEIN BONNIE (THE ORIGINAL SLOW VERSION NEVER OFFICIALLY RELEASED 1961)3:14 2.)I LOVE YOU TOO (PAUL MCCARTNEY SINGING LEAD VOCALS WITH FOURMOST 1964)2:01 3.)IT'S ONLY LOVE (ACOUSTIC OUT-TAKE FEATURING JOHN LENNON 1965)1:54 4.)INDIAN ROPE TRICK (THE FAMOUS ODE TO THE MAHARISHI 1968)1:16 5.)HAPPY BIRTHDAY MIKE LOVE (FROM THE SAME SESSION AS ABOVE IN INDIA 1968)0:56 6.)NOT GUILTY (A WHITE ALBUM OUT-TAKE WRITTEN BY GEORGE HARRISON 1968) 4:16 7.)SAVOY TRUFFLE (ANOTHER BACKING TRACK FROM THE SAME SESSION AS ABOVE 1968)2:53 8.)

HEY BULLDOG (AN OUT-TAKE BACKING TRACK FEATURING JOHN LENNON 1968) 3:08 9.) THE FOOL ON THE HILL (THE ORIGINAL DEMO VERSION FEATURING PAUL MCCARTNEY 1967) 2:46 10.) I AM THE WALRUS (ANOTHER EARLY DEMO) 4:31 11.) WATCHING RAINBOWS (A STUDIO REHEARSAL/JAM OF A JOHN LENNON) 4:24 12.)MEAN MR.MUSTARD (THIS TRACK REALLY DESERVES A CLOSER LISTEN .IT'S THE ORIGINAL VERSION BY JOHN,WITH MANY EXTRA VERSES AND APPEARS TO BE ABOUT PAUL 1969) 4:07 13.) ALL THINGS MUST PASS (THE ORIGINAL BEATLE VERSION OF THE GEORGE'S SONG 1969) 3:18 14.) CHEESE AND ONIONS (A SOLO JOHN LENNON OUT-TAKES 1974 ?) 1:22 15.) THE ORIENTAL NIGHTFISH (A STRANGE PAUL & LINDA MCCARTNEY DEMO 1974) 2:49 16.) THE PIRATE SONG (A GEORGE HARRISON SOLO TUNE ABOUT HIS LAW SUIT 1975) 2:09 17.) SWEET GEORGIA BROWN (ANOTHER EARLY VERSION BY TONY SHERIDAN) 2:26 18.)THREE COOL CATS (A STRANGE EDIT VERSION ONLY ON UK-TOP LINE SERIES) 2:46 19.) I'M IN LOVE (BILLY J.KRAMER & DAKOTAS RECORDING SESSION OCT.1963) 3:40 20.) I WANT TO HOLD YOUR HAND (BEATLES' RECORDING SESSION OCT.1963) 3:10.

BEATLES - JAMMING WITH HEATHER  A very nice bootleg from the ever-fascinating Get Back Sessions. CONTENTS:Two of us - I've told you before, gwt out of my door - I've got a feeling - Don't let me down - All things must pass - Bathroom window - Take this hammer/ Long lost John/ Daddy where you been so long?/ Run for your life - I've got a feeling/ Hear me Lord/ Carry that weight/ Long instrumental/ Louie Louie/ My imagination

BEATLES - JIMMY NICOL AND THE BEATLES - RINGO WAS SICK FOR 10 DAYS ON TOUR IN 1964 AND BEATLES PLAYED SEVERAL GIGS WITH THIS FILL IN DRUMMER!

BEATLES - JOHN BARRETT'S CASSETTE DUBS VOL.1 63 - 70 LONDON, UK 21 RARITIES "THAT'S MEANS A LOT", BEATLES, HARRISON & STARR

BEATLES - JOHN BARRETT'S CASSETTE DUBS VOL.2 68- 69 LONDON, UK 9 RARITIES "LOS PARANOIAS", BEATLES

BEATLES - JOHN BARRETT'S CASSETTE DUBS VOL.3 63- 66 LONDON, UK 25 RARITIES"SHE LOVES YOU", BEATLES

BEATLES - JOHN BARRETT'S CASSETTE DUBS VOL.4 62 - 69 LONDON, UK 21 RARITIES"HOW DO YOU DO IT?"BEATLES

BEATLES - JOHN BARRETT'S CASSETTE DUBS VOL.5 70 LONDON, UK 14 RARITIES "ODDS & ENDS", PLASTIC ONO BAND, STARR & HARRISON

BEATLES - JOHN BARRETT'S CASSETTE DUBS VOL.6 62 - 69 LONDON, UK 25 RARITIES "ABBEY ROAD VIDEO SHOW"

BEATLES - LET IT BE SESSIONS VOL II [ON FEBRUARY 7, 1994, THE LATE SHOW WITH DAVID LETTERMAN WAS PARTIALLY CONCERNED WITH WHETHER OR NOT THE BEATLES WOULD BE APPEARING ON THE SHOW, SINCE IT WAS 30 YEARS AGO THAT DAY THAT THE BEATLES FIRST APPEARED ON THE ED SULLIVAN SHOW, AND THE DAVID LETTERMAN SHOW IS NOW TAPED FOR CBS IN THE ED SULLIVAN THEATRE IN NEW YORK. THE BEATLES DIDN'T SHOW. HOWEVER, THIS WAS DAVE'S TOP TEN LIST THAT NIGHT... ] TOP 10 SIGNS THE BEATLES MAY BE HERE TONIGHT 10. GIANT YELLOW SUBMARINE PARKED IN FRONT OF THEATER 9. STREET VENDORS SELLING RINGO DOGS  8. THEY WERE SUPPOSED TO BE ON LAST NIGHT BUT WE RAN OUT OF TIME  7. THE ENTIRE THEATER SMELLS LIKE LIVERPOOL  6. PETE BEST SPOTTED IN THE STANDBY TICKET LINE  5. SAW DAN RATHER OUTSIDE WAVING HIS AUTOGRAPH BOOK  4. LATE LAST NIGHT RINGO'S HAIRPIECE ARRIVED AT JFK  3. LETTERMAN SPENT HIS DAY WARMING UP FOR POST-SHOW JAM SESSION  2. YOKO ONO SPOTTED OUTSIDE THEATER HOLDING LEAD PIPE  1. HELL HAS JUST FROZEN OVER

BEATLES - THE LOST PEPPERLAND REEL 1967/1968 LONDON, UK 20 OUTTAKES VIGOTONE

BEATLES - LOVE ME DO. FINALLY, A STATIC FREE COPY. LABEL, YELLOW DOG RECORDS COUNTRY OF ORIGIN JAPAN RELEASE DATE 2001 TOTAL TIME 68:43

BEATLES - MAKING OF ACROSS THE LONG AND WINDING ROAD (2CDS)

CD 1: Making of "Across The Universe"

Tr	Title	CD notes	Time
1	ACROSS THE UNIVERSE	(HOME RECORDING 1 1967)	1:30
2	ACROSS THE UNIVERSE	(HOME RECORDING 2 1968)	0:54
3	ACROSS THE UNIVERSE	(3 February 1968) TAKE 2 MONITOR MIX	3:44
4	ACROSS THE UNIVERSE	(4 February 1968) TAKE 7	3:52
5	ACROSS THE UNIVERSE	(7 January 1969)	23:29
6	ACROSS THE UNIVERSE	(7 January 1969)	3:36
7	ACROSS THE UNIVERSE	(9 January 1969)	10:20
8	ACROSS THE UNIVERSE	(9 January 1969)	0:14
9	ACROSS THE UNIVERSE	(3 February1968) "ANTHOLOGY VERSION"	3:27
10	ACROSS THE UNIVERSE	(4,8 February 1968) "ACETATE" BIRD VERSION	2:55
11	ACROSS THE UNIVERSE	(4,8 February 1968) BIRD VERSION "PAST MASTERS VOL. 2" (George Martin Mix)	3:47
12	ACROSS THE UNIVERSE	(4,8 February 1968 & 1 April 1970) ALBUM VERSION (Phil Spector Mix)	3:45

CD 2: Making of "The Long And Winding Road"

Tr	Title	CD notes	Time
1	THE LONG AND WINDING ROAD	(7 January 1969)	4:32
2	THE LONG AND WINDING ROAD	(7 January 1969)	1:38
3	THE LONG AND WINDING ROAD	(7 January 1969)	0:32
4	THE LONG AND WINDING ROAD	(8 January 1969)	3:12
5	THE LONG AND WINDING ROAD	(10 January 1969)	4:00
6	THE LONG AND WINDING ROAD	(26 January 1969)	1:24
7	THE LONG AND WINDING ROAD	(26 January 1969) Glyn Johns Mix UNRELEASED ALBUM "GET BACK" VERSION	3:42
8	THE LONG AND WINDING ROAD	(27 January 1969)	0:18
9	THE LONG AND WINDING ROAD	(28 January 1969) "THE RIVER RHINE"	4:47
10	THE LONG AND WINDING ROAD	(31 January 1969) TAKE 13-19	8:27
11	THE LONG AND WINDING ROAD	(31 January 1969) FILM VERSION TAKE 19 STEREO	3:28
12	THE LONG AND WINDING ROAD	(26 January 1969) "ANTHOLOGY VERSION"	3:38
13	THE LONG AND WINDING ROAD	(26 January 1969 & 1 APRIL 1970) ALBUM VERSION (Phil Spector Mix)